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546. Attributed to Anthony Thieme (Dutch/American, 18881954) A Summer’s Day Unsigned. Oil on canvas, 20 x 24 in. (50.8 x 60.9 cm), framed. Condition: Good. $2,000-4,000

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547. Abraham Walkowitz (American, 1880-1965) Rocky Coast, Ogunquit, Maine Signed and dated “A.Walkowitz 1925” l.r., titled on the reverse. Watercolor on paper, sight size 15 x 21 in. (38.1 x 53.3 cm), framed. Condition: Not examined out of frame. $1,000-1,500

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548. Frank Henry Shapleigh (American, 1842-1906) Scituate Beach View Signed “F.H.Shapleigh” l.r. Watercolor on paper, sight size 9 1/2 x 13 1/4 in. (24.1 x 33.6 cm), framed. Condition: Toning, not examined out of frame. $500-600

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549. Giragos der Garabedian (American, 1892-1980) Fishing Shack on the Pier Signed “G.DER GARABEDIAN” l.l. Oil on canvas, 20 x 24 in. (50.8 x 60.9 cm), framed. Condition: Surface grime. $300-500

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550. Agnes Ann Abbot (American, 1897-1992) Woodbury Series/A Coastal View Unsigned, dated “1926” and with artist’s estate stamp on the reverse. Oil on board, 8 x 10 in. (20.3 x 25.4 cm), unframed. Condition: Retouch. Provenance: From the artist’s estate. $300-500

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551. Harold W. Cheney (American, 20th Century) Seaside Cottage Signed “H.W.Cheney” l.r. Oil on board, 16 x 20 in. (40.6 x 50.8 cm), framed. Condition: Varnish inconsistencies. $1,000-1,500

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552. Jonas Lie (American, 1880-1940) Vesper Signed and dated “JONAS LIE ‘20” l.r., labels from Ainsile Galleries, New York, and the Baltimore Museum of Art, Maryland, on the reverse. Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed. Condition: Surface grime. Provenance: Deaccessioned from the Museum of Fine Arts, Boston. $20,000-30,000

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553. Alfred Fuller (American b. 1899) Crashing Surf Signed “Alfred Fuller” l.r. Gouache on paper/board, sight size 21 1/2 x 29 in. (54.6 x 73.6 cm), framed. Condition: Not examined out of frame. $300-350

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554. Byron Bennett Boyd (American, b. 1887) Mountain Rapids Signed “BYRON BEN BOYD” l.r. Watercolor on paper, sight size 18 1/4 x 23 in. (46.3 x 58.4 cm), framed. Condition: Toning, not examined out of frame. $1,200-1,800

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555. Russian School, 20th Century A Boatyard - Kizha Signed (in Cyrillic) l.r., titled and indistinctly inscribed on a label from Grosvenor Gallery, London, on the reverse. Oil on canvas, 27 1/2 x 32 1/2 in. (69.8 x 82.5 cm), framed. Condition: Good. Provenance: A New York philanthropic Jewish organization. $300-500

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556. Russian School, 20th Century

558. Franz Gustav Hochmann (German, b. 1861)

Lot of Two Boatyard Views Each initialed and dated “D.X -62.” Gouache on paper, 20 1/2 x 29 in. (52.0 x 73.6 cm), framed. Condition: Not examined out of frames.

Shipwrecked on the Danish Coast Signed “Franz Hochmann” l.r., identified on the reverse. Oil on canvas, 27 x 39 in. (68.5 x 99.0 cm), framed. Condition: Repaired puncture, retouch. $1,500-2,500

Provenance: A New York philanthropic Jewish organization. $300-350 557. Attributed to David Burliuk (Russian/American, 18821967) A Busy Port Unsigned. Oil on canvas, 15 x 24 in. (38.1 x 60.9 cm), framed. Condition: Surface grime. $4,000-6,000

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559. James G. Rosenberg (American, 20th Century)

561. Lydia Cooley (American, 20th Century)

Friday Afternoon, Symphony Hall Signed “J.G.Rosenberg” l.l., titled on the reverse. Oil on canvas, 28 x 35 in. (71.1 x 88.9 cm), framed. Condition: Good. $600-800

Street Corner Signed “Lydia Cooley” l.l. Watercolor on paper, 7 x 5 in. (17.7 x 12.7 cm), framed. Condition: Not examined out of frame. Provenance: From the estate of Cecile Singer, New York. $300-500

560. American School, 20th Century Lot of Two New York City Views Each signed “DE Tirefort” l.l. and dated “54” and “55” respectively. Oil on canvasboard, 16 x 20 in. (40.6 x 50.8 cm), framed. Condition: Surface grime. $800-1,200

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562. Arthur Clifton Goodwin (American, 1866-1929) Mount Vernon Street, Boston Signed “A.C.Goodwin” l.l. Pastel on paper, sight size 15 3/4 x 20 in. (40.0 x 50.8 cm), framed. Condition: Toning, not examined out of frame. Provenance: Deaccessioned from the Museum of Fine Arts, Boston. $7,000-9,000

563. Guy Carleton Wiggins (American, 1883-1962) Midtown Winter Signed “Guy Wiggins” l.l., identified on a label on the reverse. Oil on board, 10 x 8 in. (25.4 x 20.3 cm), framed. Condition: Retouch. $30,000-50,000

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564. Jean-François Raffaelli (French, 1850-1924) The Flower Vendor Signed “J.F.RAFFAELLI” l.r. Watercolor and gouache on paper/board, sight size 10 x 7 1/4 in. (25.4 x 18.4 cm), framed. Condition: Not examined out of frame. $2,000-4,000 565. Alfred Milton Duca (American, 1920-1997) Horseman Unsigned. Bronze sculpture, height 4 in. (10.1 cm), presented on a wood base. Condition: Wear to surface. Provenance: Through the family of the artist. $300-500 566. Sir Alfred J. Munnings (British, 1878-1959) Mounted for the Competition/An Equestrian Scene Signed “A.J.Munnings” l.l. Watercolor on paper, sight size 10 3/4 x 14 3/4 in. (27.3 x 37.4 cm), framed. Condition: Toning, not examined out of frame. $2,000-4,000

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567. American School, 19th Century Boston, Winter Unsigned. Oil on canvas, 16 3/4 x 13 3/4 in. (42.5 x 34.9 cm), framed. Condition: Retouch, craquelure. $800-1,200 568. Hezekiah A. Dyer (American, 1872-1943) Lot of Two Landscape Views: An Old Brittany Fishing Port and Cathedral Each signed “HADyer” l.l., the former with a partial label on the reverse, the latter inscribed l.l. Gouache on paper, sight sizes to 8 1/2 x 11 in. (21.5 x 27.9 cm), framed. Condition: Toning, not examined out of frames. $600-800 569. Fernando del Basso (Italian, 20th Century) Lot of Two Neapolitan Views Each signed “F. del Basso” l.r. Oil on panel, 4 1/2 x 7 in. (11.4 x 17.7 cm), framed. Condition: Craquelure. $400-600

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570. Elisee Maclet (French, 1881-1962)

571. Harold C. Dunbar (American, 1882-1953)

Bords de la Meuse Signed and inscribed l.l. Pen and ink with watercolor on paper, sight size 7 1/4 x 9 1/2 in. (18.4 x 24.1 cm), framed. Condition: Toning, not examined out of frame. $300-500

European Street Scene, Rouen Signed and inscribed “H.C.Dunbar...” l.l., Paris stamp on the reverse. Oil on canvasboard, 13 1/2 x 10 1/2 in. (34.2 x 26.6 cm), framed. Condition: Surface grime. $600-800

572. Richard Hayley Lever (American, 1876-1958) Notre Dame Signed and inscribed “Hayley Lever Paris” l.r. Oil on canvasboard, 9 x 9 in. (22.8 x 22.8 cm), framed. Condition: Losses, surface grime. $1,200-1,800

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573. Georges Ferro-Lagree (French, b. 1941)

575. Louis Aston Knight (American, 1873-1948)

On the Boulevard Signed and dated “Ferro-Lagree 90” l.l. Ink on paper, sight size 9 1/2 x 12 1/2 in. (24.1 x 31.7 cm), framed. Condition: Staining u.r., not examined out of frame. $300-500

On the Canal Signed and inscribed “Aston Knight Paris” l.l. Oil on canvas, 22 x 18 1/4 in. (55.8 x 46.3 cm), framed. Condition: Good. $4,000-6,000

574. Charles Levier (French, b. 1920) Wharf Signed “Levier” l.r., titled on a presentation plaque affixed to the frame. Oil on canvas, 20 x 24 in. (50.8 x 60.9 cm), framed. Condition: Surface grime, craquelure. $800-1,200

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576. George Loftus Noyes (Canadian/American, 1864-1954) Venetian View Signed “G.L.Noyes” l.l. Oil on canvas, 25 x 29 1/2 in. (63.5 x 74.9 cm), framed. Condition: Retouch. $20,000-40,000

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577. Continental School, 20th Century Grain Stacks Signed indistinctly l.r., inscribed and dated “...1926” l.l. Gouache on paper, sight size 5 1/2 x 8 1/2 in. (13.9 x 21.5 cm), framed. Condition: Rippling, toning, not examined out of frame. $500-700

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578. Edward Darley Boit (American, 1840-1915) View of Spoleto, Italy Signed, inscribed and dated “Boit...May 1909” l.l. Watercolor on paper, sight size 12 1/2 x 17 in. (31.7 x 43.1 cm), framed. Condition: Toning, fading, not examined out of frame. $300-500

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579. Mabel May Woodward (American, 1877-1945) Concaneau, Brittany Stamped “M.Woodward” l.l., identified on the reverse. Oil on board, 10 1/2 x 13 1/2 in. (26.6 x 34.2 cm), framed. Condition: Surface grime. Provenance: From the collection of the Fuller Museum of Art. $2,000-4,000

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580. Frank Runacres (British, b. 1904) Sur La Plage Signed “F.RUNACRES” l.l. Oil on board, 20 x 24 in. (50.8 x 60.9 cm), framed. Condition: Good. $1,500-2,500

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581. British School, 20th Century St. Michael Mount, Cornwall Signed “Edwards” l.l. Oil on canvas, 24 x 30 in. (60.9 x 76.2 cm), framed. Condition: Good. $600-800

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582. Continental School, 20th Century Paris Panorama Inscribed “VLAMBUSIC” l.l. Oil on canvas, 20 x 24 in. (50.8 x 60.9 cm), framed. Condition: Surface grime, craquelure. Provenance: A New York philanthropic Jewish organization. $300-500

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583. John Sutton (British, b. 1935) Summer Shadows in the Mall, circa 1914 Signed “John Sutton” l.l., titled on the reverse. Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed. Condition: Good. $1,000-1,200

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584. John Sutton (British, b. 1935) Sentinel Duty - Whitehall, circa 1922 Signed “John Sutton” l.l., titled on the reverse. Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed. Condition: Good. $1,000-1,200

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585. John Sutton (British, b. 1935) Skating in St. James’s Park, circa 1920 Signed “John Sutton” l.r., titled on the reverse. Oil on canvas, 16 x 24 in. (40.6 x 60.9 cm), framed. Condition: Good. $1,000-1,200

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586. Russian School, 20th Century At the Gates of the City Signed (in Cyrillic) and dated “...1923” l.r., titled and inscribed “Korovin” on a partial label on the reverse. Oil on canvas, 16 x 38 1/2 in. (40.6 x 97.7 cm), framed. Condition: Surface grime. Provenance: A New York philanthropic Jewish organization. $300-500

587. Russian School, 20th Century 587

Lot of Two Street Scenes Including Winter, Moscow Each signed (in Cyrillic) and dated “61” and “63” respectively. Gouache on paper/board, sizes to 20 1/2 x 29 in. (52.0 x 73.6 cm), framed (one without glass). Condition: Not examined out of frames. Provenance: A New York philanthropic Jewish organization. $600-800

588. Russian School, 20th Century The City Streets, Winter Signed (in Cyrillic) and dated “...65” l.r. Gouache on paper/board, 21 1/2 x 29 in. (54.6 x 73.6), framed. Condition: Not examined out of frame. Provenance: A New York philanthropic Jewish organization. $300-500

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589. French School, 20th Century

590. Manolo Ruiz Pipo (Spanish, b. 1929)

A Tropical Scene Unsigned. Oil on canvas, 47 1/2 x 38 in. (120.5 x 96.5 cm), framed. Condition: Lined onto solid support, retouch. $1,000-1,500

Milking Time Signed “Ruiz Pipo” u.l., signed, dated and inscribed “...1957...” on the reverse. Oil on canvas, 26 x 32 in. (66.0 x 81.2 cm), framed. Condition: Retouch. $2,000-3,000

591. Continental School, 20th Century Leading the Horses to Paddock Signed and dated “Spagna 39” l.r. Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed. Condition: Lined, losses, abrasions, retouch. Provenance: A New York philanthropic Jewish organization. $300-500

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592. Eugene Spiro (German, 1887-1972) Portrait of Sophie Klossowsky, the Artist’s Sister Signed and dated “E.Spiro 02” l.l., inscribed (in German) on the reverse. Oil on canvasboard, 21 1/4 x 16 1/4 in. (53.9 x 41.2 cm), framed. Condition: Curve to support, surface grime. N.B. The lot is accompanied by some ephemeral items including several years worth of the artist’s Christmas cards. $1,000-1,500 593. American School, 20th Century Arts & Crafts Style Frame Unsigned. Gilded carved wood frame, outer dimensions 14 x 11 1/2 in. (35.5 x 29.2 cm), inner dimensions 8 1/2 x 6 in. (21.5 x 15.2 cm). Condition: Wear. $300-500 594. American School, 20th Century

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The Garden Seat Dedicated, initialed and dated “To MMR, RH...1919” l.l. Oil on canvasboard, 16 x 11 1/2 in. (40.6 x 29.2 cm), framed. Condition: Surface grime. $2,000-4,000

595. Louis Kronberg (American, 1872-1965) Lady of Clan-Care Signed and dated “Louis Kronberg 1911” l.l., label from the Museum of Fine Arts, Boston, on the reverse. Oil on canvas, 40 x 30 in. (101.6 x 76.2 cm), in a period frame (with a Boston Art Club label). Condition: Retouch. Provenance: Deaccessioned from the Museum of Fine Arts, Boston. $3,000-5,000

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596. Edward Bernard Lintott (Anglo/American, 1875-1951) Leonie in Costume Riding Habit Signed and dated “Lintott 25” l.l., label from Lawrence Rill Schumann Art Foundation, Boston, on the reverse. Oil on canvas, 50 x 40 in. (127.0 x 101.6 cm), framed. Condition: Punctures, bloom, surface grime. $2,500-5,500

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597. William Baxter Palmer Closson (American, 1848-1926)

598. Louis Kronberg (American, 1872-1965)

Preparing for the Pageant Signed “Wm. Baxter Closson” l.r., identified on a presentation plaque affixed to the frame, label from the Museum of Fine Arts, Boston, on the reverse. Oil on board, 20 x 16 in. (50.8 x 40.6 cm), framed (under glass) in a signed and dated “Carrig-Rohane Shop 1920” frame. Condition: Good.

Ballet Girl Against the Light Signed “Louis Kronberg” l.r., inscribed and dated “PARIS 1934” l.l., label from the Museum of Fine Arts, Boston, on the reverse. Oil on canvas, 24 x 20 in. (60.9 x 50.8 cm), framed. Condition: Good.

Provenance: Deaccessioned from the Museum of Fine Arts, Boston. $2,000-2,500

Provenance: Deaccessioned from the Museum of Fine Arts, Boston. $3,000-5,000

599. William Baxter Palmer Closson (American, 1848-1926) Three-Day Guests at Wellesley College Signed “Wm. Baxter Closson” l.l., identified on a presentation plaque affixed to the frame, partials labels and a “Ex. P.A.F.A.” stamp on the reverse. Oil on board, 20 x 16 in. (50.8 x 40.6 cm), framed (under glass). Condition: Good. Provenance: In 1918 Closson exhibited a work entitled At a Wellesley College Fete at the Pennsylvania Academy of the Fine Arts. This may be the same painting. $2,000-2,500

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