2366 Paintings
134. Roger Tory Peterson (American, 1908-1996) Glossy and White-faced Glossy Ibis Monogram signature “RTPETERSON” l.r., identified on a fragmentary label on the reverse. Oil on canvas, 28 x 19 in. (71.1 x 48.2 cm), framed. Condition: Minor scattered retouch, surface grime. $4,000-6,000
135. Roland Green (British, 1896-1972) Timberdoodle Signed “Roland Green” l.l. Watercolor on paper/board, sight size 11 1/2 x 17 1/2 in. (29.2 x 44.5 cm), framed. Condition: Toning, rippling, not examined out of frame. $400-600
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136. William Keith (American, 1838-1911) California Redwoods Signed “W. Keith” l.l., identified on a presentation plaque, a Philadelphia gallery label on the reverse. Oil on canvas, 40 1/4 x 22 in. (102.2 x 55.9 cm), framed. Condition: Lined, retouch. N.B. Born in 1838 in Aberdeen, Scotland, Keith immigrated to New York in 1850, where he apprenticed at the shop of a wood engraver. It was as an illustrator for Harper’s that Keith first traveled to California. He settled there, married Elizabeth Emerson, and opened a studio for the exhibition of his works in 1864. Although he is best known for his Californian panoramas, Keith traveled extensively, both to the East Coast (including a stay in Boston, where he had a studio in the early 1870s), and in Europe. Through his studies in Germany and France, Keith was influenced by the Barbizon painters. John Muir, naturalist and founder of the Sierra Club, and Keith were longtime friends and regularly camped together. Muir is said to have referred to Keith as a “poet-painter,” but both brought a scientist’s eye to landscape, and Keith’s early works reflected this in the accuracy of his views and detailed depictions of flora and fauna. $8,000-12,000
137. American School, 19th Century Western View Signed and dated “M. M. Wegenast, .12.1890” l.l. Oil on canvas, 32 x 48 in. (81.3 x 121.9 cm), framed. Condition: Craquelure, creases, surface grime. $3,000-6,000
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138. Theodore B. Pitman (American, 1892-1956) Indian Scout Initialed “TP” l.r., artist and title identified in an inscription on the reverse. Oil with graphite on board, 9 x 12 1/2 in. (22.9 x 31.8 cm), framed. Condition: Retouch, mild craquelure, surface grime. $300-500 139. Charles Howard Clawson (American, 20th Century) California View Signed “CHARLES.HOWARD.CLAWSON.” l.l. Oil on canvas mounted onto board, 19 3/4 x 15 3/4 in. (50.2 x 40.0 cm), framed. Condition: Retouch. $600-800 140. Gene (Alice Geneva Glasier) Kloss (American, 1903-1996) Native American Mother and Children Signed and inscribed “Gene Kloss A.N.A.” l.l., artist identified in information affixed to the reverse. Watercolor on paper, sight size 20 1/2 x 9 1/2 in. (52.1 x 24.1 cm), framed. Condition: Not examined out of frame. $1,500-2,500
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141. Warren Tolvanen (American, 20th/21st Century) Trout and Stream Signed “WARREN TOLVANEN” l.r. Oil on panel (a rusticated door panel), 15 x 29 1/2 in. (38.0 x 74.8 cm), unframed. Condition: Good. $300-500
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142. William Goadby Lawrence (American, 1913-2002) Marlin Signed “Wm Goadby Lawrence” l.r. Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), unframed. Condition: Good. Provenance: Joseph E. Seagram & Sons, Inc. Exhibitions: Canadian Wildlife: An Exhibition of the Seagram Collection of Wildlife Paintings, Canadian National Exhibition, 1965. N.B. This work was reproduced as the March/April page in one of Seagram’s annual sportsman’s calendars. $2,000-4,000 142
143. Warren Tolvanen (American, 20th/21st Century) Trout Inscribed. Oil on panel (a rusticated door panel), 14 1/4 x 27 3/4 in. (36.1 x 70.4 cm), unframed. Condition: Good. $300-500
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144. Clyde Forsythe (American, 1885-1962) Southwestern Landscape Signed and dated “CLYDE FORSYTHE 41” l.l. Oil on Masonite, 18 x 16 in. (45.7 x 40.6 cm), framed. Condition: Surface grime. $1,000-1,500
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145. C. T. Mitchell (American, 19th/20th Century) A View of Mt. Shasta and Black Butte, Northern California Signed “C.T. Mitchell” l.r., title identified in information affixed to the reverse. Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed. Condition: Retouch, extremely mild craquelure, surface grime. $500-700
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146. Joseph Olaf Olson (American, 1894-1979) Morning, Rofson Peak... Signed and dated “J Olaf Olson-‘28” l.r., artist and title inscribed on the reverse. Watercolor on paper, sight size 14 1/2 x 21 1/2 in. (36.8 x 54.6 cm), framed. Condition: Mat toning, not examined out of frame. $300-500
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147. Dorothy Churchill Wyman (American, 1899-1993) San Bautista Mission de Guadeloupe (est 1797), alternatively titled Ala Mission, San Jose, California Signed “D. Churchill Wyman-” l.r., inscribed, possibly in the artist’s hand, on the reverse. Oil on canvasboard, 15 1/2 x 20 in. (39.4 x 50.8 cm), framed. Condition: Good. $500-700
148. School of Maurice Braun (Amercian, 1877-1941)
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California Landscape Unsigned. Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed. Condition: Patch reinforcement, craquelure, mild surface grime. $800-1,200
149. Joseph Frank Currier (German/American, 1843-1909) Return to Sunrise Initialed “JFC” l.r., identified on artist’s label affixed to the reverse. Pastel on paper/board, sight size 9 x 15 3/4 in. (22.9 x 40.0 cm), framed. Condition: Rippling, not examined out of frame. $1,500-3,000
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150. John Joseph Enneking (American, 1841-1916)
151. Edward Herbert Barnard (American, 1855-1909)
Along the River Signed “Enneking” l.l. Oil on canvas, 14 x 20 in. (35.6 x 50.8 cm), in a period frame. Condition: Strip-lined, retouch, varnish inconsistencies, mild craquelure. $6,000-8,000
The Golden Hour in the Hills Signed “E H Barnard.” l.r. Oil on canvas, 17 x 21 in. (43.2 x 53.2 cm), unframed. Condition: Minor retouch l.r., surface grime. $2,000-4,000
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151A. Giuseppe Carelli (Italian, 1858-1921) Off the Coast of Capri Signed and inscribed “Giuseppe Carelli CAPRI” l.r. Oil on panel, 11 1/2 x 6 in. (29.2 x 15.2 cm), framed. Condition: Retouch, rubs to surface, surface grime. $800-1,200
152. Charles Verbrugghe (Dutch, 1877-1974) Porte St. Bricada, San Remo Signed “...Verbrugghe” l.l., identified on labels and in an inscription on the reverse. Oil on board, 23 x 16 in. (58.4 x 40.6 cm), framed. Condition: Good. $800-1,200
153. Angelo Cannone (Italian, 19th/20th Century) 151A
Sailboats Along the Shore Signed “Angelo Cannone” l.l. Oil on canvas, 10 1/2 x 16 3/4 in. (26.6 x 42.5 cm), framed. Condition: Mounted onto board, mild abrasions/losses, retouch, surface grime. $400-600
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154. Mary A. Kirkup (American, 20th Century) 155
Street in Taormina Signed “M A Kirkup” l.l., title inscribed on the reverse. Oil on canvasboard, 10 1/2 x 8 1/2 in. (26.6 x 21.6 cm), framed. Condition: Small scattered punctures, surface grime. $300-500
155. Continental/Italian School, 20th Century Street Scene Indistinctly signed/incised l.l. Oil on canvas, 16 x 7 3/4 in. (40.6 x 19.7 cm), framed. Condition: Retouch, surface grime. $800-1,200
156. Carl Muller (German, 19th/20th Century) Venetian Sailboats Signed “C Muller” l.l. Oil on canvas, 16 x 22 in. (40.6 x 55.9 cm), framed. Condition: Craquelure, surface grime. $800-1,200
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157. Ludwig Rubelli von Sturmfest (Austrian, 1841-1905) Two Harbor Views: Venice Nocturne, 1891, number 433; and Sailing into Port, 1886, number 323 Both signed, dated and inscribed “L de Rubelli Garizia 18...” l.r. Oil on canvas, sizes to 16 1/2 x 27 in. (41.8 x 68.5 cm), framed. Condition: Scattered retouch, surface grime, craquelure. $1,000-1,500
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158. Continental School, 19th Century Lot of Twenty Sketches of Venice Unsigned, several annotated. Graphite on paper, sizes approximately 2 1/2 x 4 in. (6.4 x 10.0 cm), unframed, mounted onto two common sheets of paper. Condition: Most glued down at corners, toning, subtle staining. Provenance: A private New England collection. $1,500-2,500 159. Continental/Italian School, 19th Century Neapolitan Coastal Scene Unsigned. Watercolor with gouache on paper, 9 1/2 x 12 in. (24.1 x 30.5 cm), matted, unframed. Condition: Laid down, light abrasions. Provenance: A private New England collection. $700-900 160. Martin Rico y Ortega (Spanish, 1833-1908) Venetian View Signed “Rico” l.l. Oil on canvas, 15 x 10 in. (38.1 x 25.4 cm), framed. Condition: Patch reinforcement u.r., small scattered punctures/abrasions, mild scattered craquelure, surface grime. N.B. A Madrid native, Martin Rico y Ortega first came to Venice on a tour of Italy with fellow painter Mariano Fortuny. He soon fell in love with the rich colors and ornate architecture that is unique to Venice. Often working from a gondola, Rico’s intricate views of Venice reflect the city’s vibrancy and luminosity. $10,000-15,000 160
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161. Lydia Parsons (American, 1867-1929)
162. Giovanni Salviati (Italian, b. 1881)
Italian Gondolier Signed “Lydia Parsons” l.r. Watercolor on paper/board, sight size 12 3/4 x 5 1/2 in. (32.4 x 14.0 cm), framed. Condition: Subtle toning, not examined out of frame. $300-500
On the Balcony Signed “Salviati” l.r. Oil on canvas, 19 1/2 x 27 1/2 in. (49.5 x 69.8 cm), framed. Condition: Good. $1,500-3,000
163. Lot of Two Italian Views: Attributed to Ross Sterling Turner (American, 1847-1915), View to San Giorgio Maggiore, Venice; and Hezekiah Anthony Dyer (American, 1872-1943), Shore with Beached Boats, signed “H.A. Dyer” l.l. Watercolors with gouache on board, 12 x 16 in. (30.4 x 40.5 cm), framed (both without glass). Condition: Subtle toning, scattered craquelure and flaking to the latter. $700-900
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164. José Villegas y Cordero (Spanish, 1844-1921) Along the Canal Signed “Villegas” l.l., a label from Giuseppe Biasutti affixed to the reverse. Oil on panel, 13 x 19 1/2 in. (33.0 x 49.5 cm), in a frame attributed to Kahlil George Gibran (American, b. 1922). Condition: Minor retouch. Provenance: A private New England collection. N.B. Villegas was born in Seville, where he began his studies, and worked in both Spain and Italy. He started painting Venetian views around 1877. $20,000-30,000
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165. A. Ricci (Italian, 19th/20th Century)
166. Attributed to Herbert Parsons Weaver (British, 1872-1945)
Venetian View Signed “A Ricci” l.l. Oil on canvas, 14 1/4 x 25 in. (36.2 x 63.5 cm), framed. Condition: Scattered retouch, unobtrusive surface grime. $600-800
Venetian Canal Signed/inscribed “VENEZIA, 1903, H P W.” l.r. Watercolor with pencil and whiting, 11 3/4 x 9 in. (29.8 x 22.9 cm), framed. Condition: Toning, not examined out of frame. $1,500-3,000 167. Carlo Brancaccio (Italian, 1861-1920) Venetian Canal Signed “C Branccacio [sic]” l.r. Oil on board, 15 x 10 1/2 in. (38.1 x 26.6 cm), framed. Condition: Abrasions, surface grime. $1,500-3,000
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168. Juan Rabada y Valloe (Spanish, 19th Century) Lot of Two Landscapes Each signed “J. RABADA” l.r., one dated “1870” l.r. and one dated “1873” l.r. Oil on canvas, 17 1/2 x 12 3/4 in. (44.5 x 32.4 cm), framed. Condition: Puncture, losses, craquelure, surface grime. $1,000-1,500 169. Wilson Henry Irvine (American, 1869-1936) Medieval Town View Signed “IRVINE” l.l. Watercolor (with pastel/crayon) on paper, sight size 12 3/4 x 17 1/4 in. (32.4 x 43.8 cm), framed. Condition: Toning, staining, not examined out of frame. $300-500 170. Halia (Turkish, 20th Century) View of Constantinople Signed “...Halia” l.l. Oil on board, 12 x 5 1/2 in. (30.5 x 14.0 cm), framed. Condition: Retouch, craquelure with lifting, flaking, surface grime. $300-500
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171. Robert Henry Logan (American, 1874-1942) Tree Colonnade Signed “R.Logan” l.r. Oil on canvas, 13 x 16 in. (33.0 x 41.0 cm), unframed. Condition: Minor surface grime. $300-500 172. Robert Henry Logan (American, 1874-1942) Seated Woman Signed “Logan” l.r. Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed. Condition: Slight canvas deformation, minor craquelure and abrasions, minor losses, surface grime. $500-600 173. Robert Henry Logan (American, 1874-1942) Coffeepot and Kettle Signed “R.Logan” l.r., artist’s estate stamp on the reverse. Oil on canvas, 16 x 13 in. (40.5 x 33.0 cm), unframed. Condition: Minor wear to edges and corners, minor scattered craquelure, tear to tacking edge l.r./split stretcher. $300-500
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174. Robert Henry Logan (American, 1874-1942)
176. Robert Henry Logan (American, 1874-1942)
Lot of Two Tree Landscapes One signed “R.Logan” l.r., one unsigned, both with artist’s estate stamp on the reverse. Oil on artist board, 7 1/2 x 9 1/2 in. (19.0 x 24.3 cm), unframed. Condition: Minor losses to edges and corners, surface grime. $400-800
Meditation Unsigned, identified on labels on the reverse. Oil on canvas, 26 x 19 1/2 in. (66.0 x 50.0 cm), framed. Condition: Minor losses, some surface grime. $600-800
175. Robert Henry Logan (American, 1874-1942) Coastal Scene Signed “R.Logan” l.r., artist’s estate stamp on the reverse. Oil on board, 10 1/2 x 13 3/4 in. (27.0 x 35.0 cm), unframed. Condition: Minor surface grime. $300-500
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177. Robert Henry Logan (American, 1874-1942)
178. Robert Henry Logan (American, 1874-1942)
Salt Marsh and House Unsigned. Oil on canvas, 14 x 18 in. (35.6 x 45.7 cm), unframed. Condition: Scattered retouch, mild surface grime.
City Scene Signed “R.Logan” l.r., artist’s estate stamp on the reverse. Oil on panel, 9 x 7 in. (22.9 x 17.2 cm), framed. Condition: Minor surface grime. $300-500
$300-500
179. Robert Henry Logan (American, 1874-1942) Lot of Two Works: Green House and Horse Cart and Study: House and Barn Study stamped “R.Logan” l.r., oil on board; Green House signed “R. Logan” l.l., oil on panel; both identified on labels from Roger King Gallery of Fine Art, Newport, affixed to the reverse; sizes 9 1/2 x 7 1/2 in. (19.0 x 24.0 cm), framed. Condition: Good. $700-900
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180. Robert Henry Logan (American, 1874-1942)
181. Robert Henry Logan (American, 1874-1942)
Seated North African Unsigned, artist’s estate stamp on reverse, identified on a label on the frame. Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed. Condition: Minor craquelure, surface grime. $300-500
Water Scene with Boats Signed “R.Logan,” identified on a label on the reverse. Oil on board, 5 x 7 in. (12.7 x 17.8 cm), framed. Condition: Minor surface grime. $300-350
182. Robert Henry Logan (American, 1874-1942) Lot of Two Coastal Views: Shore Scene with Distant Lighthouses and Coastal Trees Each stamped “R.Logan” l.r. Chalk on paper, sight sizes 13 1/2 x 16 1/2 in. (34.3 x 41.9 cm), framed. Condition: Minor rippling, minor toning, not examined out of frames. $400-600
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183. Robert Henry Logan (American, 1874-1942) Moroccan Buildings with Rainbow Signed “R.Logan” l.r., identified on a label affixed to the reverse, artist’s estate stamp on the reverse. Oil on panel, 7 1/2 x 9 1/2 in. (19.1 x 24.1 cm), framed. Condition: Loss u.l. $300-500
184. Robert Henry Logan (American, 1874-1942) Lot of Two Landscapes One stamped “R.Logan” l.r., one signed “Logan” l.r., both with artist’s estate stamp on the reverse. Oil on panel, sizes to 7 1/4 x 9 1/2 in. (18.4 x 24.1 cm), unframed. Condition: Surface grime, minor wear to edges. $400-800
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185. Robert Henry Logan (American, 1874-1942) Lot of Two Interior Scenes: Fireplace and Woman Seated on a Sofa Fireplace signed faintly “R. Logan” l.r., oil on board, 18 1/4 x 15 in. (46.4 x 38.1 cm); Woman unsigned, oil on canvas, 14 x 16 in. (35.6 x 40.6 cm); both unframed. Condition: Wear to edges, mild abrasions surface grime, Woman with damage to tacking edge. $300-500
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135. Roland Green (British, 1896-1972) Timberdoodle Signed “Roland Green” l.l. Watercolor on paper/board, sight size 11 1/2 x 17 1/2 in. (29.2 x 44.5 cm), framed. Condition: Toning, rippling, not examined out of frame. $400-600
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136. William Keith (American, 1838-1911) California Redwoods Signed “W. Keith” l.l., identified on a presentation plaque, a Philadelphia gallery label on the reverse. Oil on canvas, 40 1/4 x 22 in. (102.2 x 55.9 cm), framed. Condition: Lined, retouch. N.B. Born in 1838 in Aberdeen, Scotland, Keith immigrated to New York in 1850, where he apprenticed at the shop of a wood engraver. It was as an illustrator for Harper’s that Keith first traveled to California. He settled there, married Elizabeth Emerson, and opened a studio for the exhibition of his works in 1864. Although he is best known for his Californian panoramas, Keith traveled extensively, both to the East Coast (including a stay in Boston, where he had a studio in the early 1870s), and in Europe. Through his studies in Germany and France, Keith was influenced by the Barbizon painters. John Muir, naturalist and founder of the Sierra Club, and Keith were longtime friends and regularly camped together. Muir is said to have referred to Keith as a “poet-painter,” but both brought a scientist’s eye to landscape, and Keith’s early works reflected this in the accuracy of his views and detailed depictions of flora and fauna. $8,000-12,000
137. American School, 19th Century Western View Signed and dated “M. M. Wegenast, .12.1890” l.l. Oil on canvas, 32 x 48 in. (81.3 x 121.9 cm), framed. Condition: Craquelure, creases, surface grime. $3,000-6,000
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138. Theodore B. Pitman (American, 1892-1956) Indian Scout Initialed “TP” l.r., artist and title identified in an inscription on the reverse. Oil with graphite on board, 9 x 12 1/2 in. (22.9 x 31.8 cm), framed. Condition: Retouch, mild craquelure, surface grime. $300-500 139. Charles Howard Clawson (American, 20th Century) California View Signed “CHARLES.HOWARD.CLAWSON.” l.l. Oil on canvas mounted onto board, 19 3/4 x 15 3/4 in. (50.2 x 40.0 cm), framed. Condition: Retouch. $600-800 140. Gene (Alice Geneva Glasier) Kloss (American, 1903-1996) Native American Mother and Children Signed and inscribed “Gene Kloss A.N.A.” l.l., artist identified in information affixed to the reverse. Watercolor on paper, sight size 20 1/2 x 9 1/2 in. (52.1 x 24.1 cm), framed. Condition: Not examined out of frame. $1,500-2,500
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141. Warren Tolvanen (American, 20th/21st Century) Trout and Stream Signed “WARREN TOLVANEN” l.r. Oil on panel (a rusticated door panel), 15 x 29 1/2 in. (38.0 x 74.8 cm), unframed. Condition: Good. $300-500
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142. William Goadby Lawrence (American, 1913-2002) Marlin Signed “Wm Goadby Lawrence” l.r. Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), unframed. Condition: Good. Provenance: Joseph E. Seagram & Sons, Inc. Exhibitions: Canadian Wildlife: An Exhibition of the Seagram Collection of Wildlife Paintings, Canadian National Exhibition, 1965. N.B. This work was reproduced as the March/April page in one of Seagram’s annual sportsman’s calendars. $2,000-4,000 142
143. Warren Tolvanen (American, 20th/21st Century) Trout Inscribed. Oil on panel (a rusticated door panel), 14 1/4 x 27 3/4 in. (36.1 x 70.4 cm), unframed. Condition: Good. $300-500
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144. Clyde Forsythe (American, 1885-1962) Southwestern Landscape Signed and dated “CLYDE FORSYTHE 41” l.l. Oil on Masonite, 18 x 16 in. (45.7 x 40.6 cm), framed. Condition: Surface grime. $1,000-1,500
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145. C. T. Mitchell (American, 19th/20th Century) A View of Mt. Shasta and Black Butte, Northern California Signed “C.T. Mitchell” l.r., title identified in information affixed to the reverse. Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed. Condition: Retouch, extremely mild craquelure, surface grime. $500-700
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146. Joseph Olaf Olson (American, 1894-1979) Morning, Rofson Peak... Signed and dated “J Olaf Olson-‘28” l.r., artist and title inscribed on the reverse. Watercolor on paper, sight size 14 1/2 x 21 1/2 in. (36.8 x 54.6 cm), framed. Condition: Mat toning, not examined out of frame. $300-500
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147. Dorothy Churchill Wyman (American, 1899-1993) San Bautista Mission de Guadeloupe (est 1797), alternatively titled Ala Mission, San Jose, California Signed “D. Churchill Wyman-” l.r., inscribed, possibly in the artist’s hand, on the reverse. Oil on canvasboard, 15 1/2 x 20 in. (39.4 x 50.8 cm), framed. Condition: Good. $500-700
148. School of Maurice Braun (Amercian, 1877-1941)
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California Landscape Unsigned. Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed. Condition: Patch reinforcement, craquelure, mild surface grime. $800-1,200
149. Joseph Frank Currier (German/American, 1843-1909) Return to Sunrise Initialed “JFC” l.r., identified on artist’s label affixed to the reverse. Pastel on paper/board, sight size 9 x 15 3/4 in. (22.9 x 40.0 cm), framed. Condition: Rippling, not examined out of frame. $1,500-3,000
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150. John Joseph Enneking (American, 1841-1916)
151. Edward Herbert Barnard (American, 1855-1909)
Along the River Signed “Enneking” l.l. Oil on canvas, 14 x 20 in. (35.6 x 50.8 cm), in a period frame. Condition: Strip-lined, retouch, varnish inconsistencies, mild craquelure. $6,000-8,000
The Golden Hour in the Hills Signed “E H Barnard.” l.r. Oil on canvas, 17 x 21 in. (43.2 x 53.2 cm), unframed. Condition: Minor retouch l.r., surface grime. $2,000-4,000
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151A. Giuseppe Carelli (Italian, 1858-1921) Off the Coast of Capri Signed and inscribed “Giuseppe Carelli CAPRI” l.r. Oil on panel, 11 1/2 x 6 in. (29.2 x 15.2 cm), framed. Condition: Retouch, rubs to surface, surface grime. $800-1,200
152. Charles Verbrugghe (Dutch, 1877-1974) Porte St. Bricada, San Remo Signed “...Verbrugghe” l.l., identified on labels and in an inscription on the reverse. Oil on board, 23 x 16 in. (58.4 x 40.6 cm), framed. Condition: Good. $800-1,200
153. Angelo Cannone (Italian, 19th/20th Century) 151A
Sailboats Along the Shore Signed “Angelo Cannone” l.l. Oil on canvas, 10 1/2 x 16 3/4 in. (26.6 x 42.5 cm), framed. Condition: Mounted onto board, mild abrasions/losses, retouch, surface grime. $400-600
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154. Mary A. Kirkup (American, 20th Century) 155
Street in Taormina Signed “M A Kirkup” l.l., title inscribed on the reverse. Oil on canvasboard, 10 1/2 x 8 1/2 in. (26.6 x 21.6 cm), framed. Condition: Small scattered punctures, surface grime. $300-500
155. Continental/Italian School, 20th Century Street Scene Indistinctly signed/incised l.l. Oil on canvas, 16 x 7 3/4 in. (40.6 x 19.7 cm), framed. Condition: Retouch, surface grime. $800-1,200
156. Carl Muller (German, 19th/20th Century) Venetian Sailboats Signed “C Muller” l.l. Oil on canvas, 16 x 22 in. (40.6 x 55.9 cm), framed. Condition: Craquelure, surface grime. $800-1,200
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157. Ludwig Rubelli von Sturmfest (Austrian, 1841-1905) Two Harbor Views: Venice Nocturne, 1891, number 433; and Sailing into Port, 1886, number 323 Both signed, dated and inscribed “L de Rubelli Garizia 18...” l.r. Oil on canvas, sizes to 16 1/2 x 27 in. (41.8 x 68.5 cm), framed. Condition: Scattered retouch, surface grime, craquelure. $1,000-1,500
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158. Continental School, 19th Century Lot of Twenty Sketches of Venice Unsigned, several annotated. Graphite on paper, sizes approximately 2 1/2 x 4 in. (6.4 x 10.0 cm), unframed, mounted onto two common sheets of paper. Condition: Most glued down at corners, toning, subtle staining. Provenance: A private New England collection. $1,500-2,500 159. Continental/Italian School, 19th Century Neapolitan Coastal Scene Unsigned. Watercolor with gouache on paper, 9 1/2 x 12 in. (24.1 x 30.5 cm), matted, unframed. Condition: Laid down, light abrasions. Provenance: A private New England collection. $700-900 160. Martin Rico y Ortega (Spanish, 1833-1908) Venetian View Signed “Rico” l.l. Oil on canvas, 15 x 10 in. (38.1 x 25.4 cm), framed. Condition: Patch reinforcement u.r., small scattered punctures/abrasions, mild scattered craquelure, surface grime. N.B. A Madrid native, Martin Rico y Ortega first came to Venice on a tour of Italy with fellow painter Mariano Fortuny. He soon fell in love with the rich colors and ornate architecture that is unique to Venice. Often working from a gondola, Rico’s intricate views of Venice reflect the city’s vibrancy and luminosity. $10,000-15,000 160
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161. Lydia Parsons (American, 1867-1929)
162. Giovanni Salviati (Italian, b. 1881)
Italian Gondolier Signed “Lydia Parsons” l.r. Watercolor on paper/board, sight size 12 3/4 x 5 1/2 in. (32.4 x 14.0 cm), framed. Condition: Subtle toning, not examined out of frame. $300-500
On the Balcony Signed “Salviati” l.r. Oil on canvas, 19 1/2 x 27 1/2 in. (49.5 x 69.8 cm), framed. Condition: Good. $1,500-3,000
163. Lot of Two Italian Views: Attributed to Ross Sterling Turner (American, 1847-1915), View to San Giorgio Maggiore, Venice; and Hezekiah Anthony Dyer (American, 1872-1943), Shore with Beached Boats, signed “H.A. Dyer” l.l. Watercolors with gouache on board, 12 x 16 in. (30.4 x 40.5 cm), framed (both without glass). Condition: Subtle toning, scattered craquelure and flaking to the latter. $700-900
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164. José Villegas y Cordero (Spanish, 1844-1921) Along the Canal Signed “Villegas” l.l., a label from Giuseppe Biasutti affixed to the reverse. Oil on panel, 13 x 19 1/2 in. (33.0 x 49.5 cm), in a frame attributed to Kahlil George Gibran (American, b. 1922). Condition: Minor retouch. Provenance: A private New England collection. N.B. Villegas was born in Seville, where he began his studies, and worked in both Spain and Italy. He started painting Venetian views around 1877. $20,000-30,000
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165. A. Ricci (Italian, 19th/20th Century)
166. Attributed to Herbert Parsons Weaver (British, 1872-1945)
Venetian View Signed “A Ricci” l.l. Oil on canvas, 14 1/4 x 25 in. (36.2 x 63.5 cm), framed. Condition: Scattered retouch, unobtrusive surface grime. $600-800
Venetian Canal Signed/inscribed “VENEZIA, 1903, H P W.” l.r. Watercolor with pencil and whiting, 11 3/4 x 9 in. (29.8 x 22.9 cm), framed. Condition: Toning, not examined out of frame. $1,500-3,000 167. Carlo Brancaccio (Italian, 1861-1920) Venetian Canal Signed “C Branccacio [sic]” l.r. Oil on board, 15 x 10 1/2 in. (38.1 x 26.6 cm), framed. Condition: Abrasions, surface grime. $1,500-3,000
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168. Juan Rabada y Valloe (Spanish, 19th Century) Lot of Two Landscapes Each signed “J. RABADA” l.r., one dated “1870” l.r. and one dated “1873” l.r. Oil on canvas, 17 1/2 x 12 3/4 in. (44.5 x 32.4 cm), framed. Condition: Puncture, losses, craquelure, surface grime. $1,000-1,500 169. Wilson Henry Irvine (American, 1869-1936) Medieval Town View Signed “IRVINE” l.l. Watercolor (with pastel/crayon) on paper, sight size 12 3/4 x 17 1/4 in. (32.4 x 43.8 cm), framed. Condition: Toning, staining, not examined out of frame. $300-500 170. Halia (Turkish, 20th Century) View of Constantinople Signed “...Halia” l.l. Oil on board, 12 x 5 1/2 in. (30.5 x 14.0 cm), framed. Condition: Retouch, craquelure with lifting, flaking, surface grime. $300-500
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171. Robert Henry Logan (American, 1874-1942) Tree Colonnade Signed “R.Logan” l.r. Oil on canvas, 13 x 16 in. (33.0 x 41.0 cm), unframed. Condition: Minor surface grime. $300-500 172. Robert Henry Logan (American, 1874-1942) Seated Woman Signed “Logan” l.r. Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed. Condition: Slight canvas deformation, minor craquelure and abrasions, minor losses, surface grime. $500-600 173. Robert Henry Logan (American, 1874-1942) Coffeepot and Kettle Signed “R.Logan” l.r., artist’s estate stamp on the reverse. Oil on canvas, 16 x 13 in. (40.5 x 33.0 cm), unframed. Condition: Minor wear to edges and corners, minor scattered craquelure, tear to tacking edge l.r./split stretcher. $300-500
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174. Robert Henry Logan (American, 1874-1942)
176. Robert Henry Logan (American, 1874-1942)
Lot of Two Tree Landscapes One signed “R.Logan” l.r., one unsigned, both with artist’s estate stamp on the reverse. Oil on artist board, 7 1/2 x 9 1/2 in. (19.0 x 24.3 cm), unframed. Condition: Minor losses to edges and corners, surface grime. $400-800
Meditation Unsigned, identified on labels on the reverse. Oil on canvas, 26 x 19 1/2 in. (66.0 x 50.0 cm), framed. Condition: Minor losses, some surface grime. $600-800
175. Robert Henry Logan (American, 1874-1942) Coastal Scene Signed “R.Logan” l.r., artist’s estate stamp on the reverse. Oil on board, 10 1/2 x 13 3/4 in. (27.0 x 35.0 cm), unframed. Condition: Minor surface grime. $300-500
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177. Robert Henry Logan (American, 1874-1942)
178. Robert Henry Logan (American, 1874-1942)
Salt Marsh and House Unsigned. Oil on canvas, 14 x 18 in. (35.6 x 45.7 cm), unframed. Condition: Scattered retouch, mild surface grime.
City Scene Signed “R.Logan” l.r., artist’s estate stamp on the reverse. Oil on panel, 9 x 7 in. (22.9 x 17.2 cm), framed. Condition: Minor surface grime. $300-500
$300-500
179. Robert Henry Logan (American, 1874-1942) Lot of Two Works: Green House and Horse Cart and Study: House and Barn Study stamped “R.Logan” l.r., oil on board; Green House signed “R. Logan” l.l., oil on panel; both identified on labels from Roger King Gallery of Fine Art, Newport, affixed to the reverse; sizes 9 1/2 x 7 1/2 in. (19.0 x 24.0 cm), framed. Condition: Good. $700-900
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180. Robert Henry Logan (American, 1874-1942)
181. Robert Henry Logan (American, 1874-1942)
Seated North African Unsigned, artist’s estate stamp on reverse, identified on a label on the frame. Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed. Condition: Minor craquelure, surface grime. $300-500
Water Scene with Boats Signed “R.Logan,” identified on a label on the reverse. Oil on board, 5 x 7 in. (12.7 x 17.8 cm), framed. Condition: Minor surface grime. $300-350
182. Robert Henry Logan (American, 1874-1942) Lot of Two Coastal Views: Shore Scene with Distant Lighthouses and Coastal Trees Each stamped “R.Logan” l.r. Chalk on paper, sight sizes 13 1/2 x 16 1/2 in. (34.3 x 41.9 cm), framed. Condition: Minor rippling, minor toning, not examined out of frames. $400-600
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183. Robert Henry Logan (American, 1874-1942) Moroccan Buildings with Rainbow Signed “R.Logan” l.r., identified on a label affixed to the reverse, artist’s estate stamp on the reverse. Oil on panel, 7 1/2 x 9 1/2 in. (19.1 x 24.1 cm), framed. Condition: Loss u.l. $300-500
184. Robert Henry Logan (American, 1874-1942) Lot of Two Landscapes One stamped “R.Logan” l.r., one signed “Logan” l.r., both with artist’s estate stamp on the reverse. Oil on panel, sizes to 7 1/4 x 9 1/2 in. (18.4 x 24.1 cm), unframed. Condition: Surface grime, minor wear to edges. $400-800
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185. Robert Henry Logan (American, 1874-1942) Lot of Two Interior Scenes: Fireplace and Woman Seated on a Sofa Fireplace signed faintly “R. Logan” l.r., oil on board, 18 1/4 x 15 in. (46.4 x 38.1 cm); Woman unsigned, oil on canvas, 14 x 16 in. (35.6 x 40.6 cm); both unframed. Condition: Wear to edges, mild abrasions surface grime, Woman with damage to tacking edge. $300-500
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