The poem has in it a vast horizon of Theys that describes both the limit of one’s depth of field as reader and the potential of gazing beyond. ―Joan Retallack, “On Not Not Reading Stanzas in Meditation: Pressures and Pleasures of the Text”
I always say that you cannot tell what a picture really is or what an object really is until you dust it every day and you cannot tell what a book is until you type it or proofread it. It then does something to you that only reading it never can do. ―Gertrude Stein, The Autobiography of Alice B. Toklas
I do not care that he should make threads so Threads are tenderly heads are tenderly so and so ―Gertrude Stein, Stanzas in Meditation
PART 1
I retyped the fifteen Stanzas that comprise Part One of Stein’s Stanzas in Meditation on my typewriter during the summer of 2013 in Brooklyn, NY. Next, I sewed through the Stanzas, (th)reading my way around the pronoun they. My source text is the 2012 Corrected Edition of Gertrude Stein’s Stanzas in Meditation.
PART 2
While extracting occurrences of the pronoun they line by line, I made some intuitive choices. In most cases, I included only the word directly following they. In the case of a line ending with they, I included the word preceding it. If the pronoun carried the entire line, I included the entire line. I think of these they-transcriptions as small poems within the text. My mostly intuitive decisions about the lines are a result of the immense generative capabilities of Stein’s work.
they remember They might which they not They will They may they will they will they may which they made made unkind they asked they like they are able to agree they like they chose they be they mean will they come. they will they know they should they have they manage they will interlace they will as they belong they they they they
will may do which they may say may do whatever they do say mention