Museum of Art
FI LM SECTI ON
Museum
of Art
Carnegie Institute TO: FROM: RE: DATE:
4400 Forbes Avenue Pittsburgh, Pennsylvania 15213
( 412)
622-3200
3212
J a c k Lane Bi l l
J uds o n
Aut umn ev ent s Au g u s t
7,
1980
Th e Fi l m Sec t i on i s pl a n n i ng a n u mb e r o f s pec i al ev ent s t hi s s eas on, whi c h wi l l be i nnov at i v e, e n t i r el y new t o t hi s mu s e u m c ont ex t , and d e s i g n e d s pe c i f i c al l y t o e n h a nc e t he pr ogr ams t hey ac c ompany . Se p t e mb e r 11 - St e p h a n i e Ber oes , an i nd ep en d en t f i l mmak er f r om Pi t t s bur gh wi l l be s ho wi n g a p r o g r a m o f h e r f i l ms . Her l at es t f i l m, DEBT BEGI NS AT 20, wh i c h s he has r e c ent l y s hown t h r o u gh o ut Eur ope and t he Uni t ed St at es , wi l l ha v e i t s publ i c debut i n Pi t t s bur gh at t hi s t i me. The e v e nt wi l l c onc l ude wi t h a r ec ept i on, per haps t o be hel d i n t he c o r r i do r and l obby o u t s i d e t he Mu s e u m o f Ar t Th e a t r e , wh i c h wi l l f eat u r e mus i c by Th e Car db oa r ds , a l oc al mo d e r n r oc k gr oup, who ar e al s o s t ar s o f t he f i l m. Th e b r i n g i n g o f l i v e mu s i c i nt o t he mu s e u m wi l l c e l e br at e t he s pi r i t of St e ph a ni e ' s mo v i e and b r i n g i t s i s s ues i nt o c l e a r er f oc us . Oc t o b e r 16 - Les Bl ank i s an i nd e pe nd e nt f i l mma k er wh o s e wo r k c onc er ns t he et hn i c as pec t s o f Ame r i c an l i f e, e s p ec i a l l y t hi ngs whi c h ha v e t o do wi t h mu s i c and f ood. He has ma d e f i l ms about New Or l eans j az z , t he bl ues , and Me x i c a n - Ame r i c a n mus i c . Hi s r e c e n t f i l m GARLI C I S AS GOOD AS TEN MOTHERS i s a del i ght f ul a nd mo u t h wa t e r i n g eul o g y on t he c u l i na r y and medi c i nal benef i t s o f t hi s o l d e s t o f her bs . We wo u l d l i k e t o pl an a r eal f ood e v e nt ( an " ar omar ound" per f or manc e) i n c o n j u nc t i o n wi t h t hi s s c r eeni ng. See a t t a c h e d f l y er . We ar e t h i n k i n g about us i ng t he Caf e. Wh a t
ar e y o u r
t hought s on al l
t hi s ?????
Copyright © Creator, by permission. All rights reserved.
CMOA respects the intellectual property rights of artists and others. The CMOA website and all images and text contained therein are protected by applicable U.S. and international laws and regulations, and are owned by CMOA or used by CMOA with permission from the owners or under fair use or where otherwise specified. Copyright for some items are held by the artists and/or other third parties. You agree not to download, copy, reproduce, publish or transmit, or otherwise use any portion of the CMOA website (including any images or text contained therein), except for your own personal noncommercial use or “fair use,” as this term is defined by applicable copyright laws, without written permission from CMOA and/or other appropriate rights holders.
Commercial Use Is Restricted Unauthorized publication or exploitation of museum files is specifically prohibited. Anyone wishing to use any of these files or images for commercial use, publication, or any purpose other than fair use as defined by law must request and receive prior permission from the appropriate rights holder(s). CMOA reviews all requests on a case-by-case basis and may require payment of a license fee depending upon the intended nature of such use.
For additional information, see the Carnegie Museum of Art Terms of Use.
Museum
of Art
Carnegie Institute TO: FROM: RE: DATE:
4400 Forbes Avenue Pittsburgh, Pennsylvania 15213
( 412)
622-3200
3212
J a c k Lane Bi l l
J uds o n
Aut umn ev ent s Au g u s t
7,
1980
Th e Fi l m Sec t i on i s pl a n n i ng a n u mb e r o f s pec i al ev ent s t hi s s eas on, whi c h wi l l be i nnov at i v e, e n t i r el y new t o t hi s mu s e u m c ont ex t , and d e s i g n e d s pe c i f i c al l y t o e n h a nc e t he pr ogr ams t hey ac c ompany . Se p t e mb e r 11 - St e p h a n i e Ber oes , an i nd ep en d en t f i l mmak er f r om Pi t t s bur gh wi l l be s ho wi n g a p r o g r a m o f h e r f i l ms . Her l at es t f i l m, DEBT BEGI NS AT 20, wh i c h s he has r e c ent l y s hown t h r o u gh o ut Eur ope and t he Uni t ed St at es , wi l l ha v e i t s publ i c debut i n Pi t t s bur gh at t hi s t i me. The e v e nt wi l l c onc l ude wi t h a r ec ept i on, per haps t o be hel d i n t he c o r r i do r and l obby o u t s i d e t he Mu s e u m o f Ar t Th e a t r e , wh i c h wi l l f eat u r e mus i c by Th e Car db oa r ds , a l oc al mo d e r n r oc k gr oup, who ar e al s o s t ar s o f t he f i l m. Th e b r i n g i n g o f l i v e mu s i c i nt o t he mu s e u m wi l l c e l e br at e t he s pi r i t of St e ph a ni e ' s mo v i e and b r i n g i t s i s s ues i nt o c l e a r er f oc us . Oc t o b e r 16 - Les Bl ank i s an i nd e pe nd e nt f i l mma k er wh o s e wo r k c onc er ns t he et hn i c as pec t s o f Ame r i c an l i f e, e s p ec i a l l y t hi ngs whi c h ha v e t o do wi t h mu s i c and f ood. He has ma d e f i l ms about New Or l eans j az z , t he bl ues , and Me x i c a n - Ame r i c a n mus i c . Hi s r e c e n t f i l m GARLI C I S AS GOOD AS TEN MOTHERS i s a del i ght f ul a nd mo u t h wa t e r i n g eul o g y on t he c u l i na r y and medi c i nal benef i t s o f t hi s o l d e s t o f her bs . We wo u l d l i k e t o pl an a r eal f ood e v e nt ( an " ar omar ound" per f or manc e) i n c o n j u nc t i o n wi t h t hi s s c r eeni ng. See a t t a c h e d f l y er . We ar e t h i n k i n g about us i ng t he Caf e. Wh a t
ar e y o u r
t hought s on al l
t hi s ?????
Copyright © Creator, by permission. All rights reserved.
CMOA respects the intellectual property rights of artists and others. The CMOA website and all images and text contained therein are protected by applicable U.S. and international laws and regulations, and are owned by CMOA or used by CMOA with permission from the owners or under fair use or where otherwise specified. Copyright for some items are held by the artists and/or other third parties. You agree not to download, copy, reproduce, publish or transmit, or otherwise use any portion of the CMOA website (including any images or text contained therein), except for your own personal noncommercial use or “fair use,” as this term is defined by applicable copyright laws, without written permission from CMOA and/or other appropriate rights holders.
Commercial Use Is Restricted Unauthorized publication or exploitation of museum files is specifically prohibited. Anyone wishing to use any of these files or images for commercial use, publication, or any purpose other than fair use as defined by law must request and receive prior permission from the appropriate rights holder(s). CMOA reviews all requests on a case-by-case basis and may require payment of a license fee depending upon the intended nature of such use.
For additional information, see the Carnegie Museum of Art Terms of Use.
