Northern European art in the sixteenth century listen to recording
Northern European art in the sixteenth century listen to recording •
Born in the town of hertogenbosh ca. 1450; the artist used the name bosch to sign his paintings--but last name van Aken •
Hieronymus Bosch, Adoration of the Magi tripyych. Closed: mass of st. Gregory •
He is seen often as a critique of 17th c. Society and critique of reliigon
doctrine •
He is actually a very devote artists •
Was associated with a confortinity that was dedicated to
the Virgin mary •
The confortinity took care of his funeral and
burial •
Special type of altar piece that has three different segments •
Meant to be placed on the top of an altar
•
Subject-> the mass of St. Gregory •
Very much the moment when he had a vision of christ as a man
of sorrow •
Very limited colours
•
A painting within the opening of the two parts •
The host is divided into two pieces before the very momeny of concecration of the mass •
See the body of christ in a limited zone •
His body will be divided up into piece when we
open the altar piece •
Metaphor for the very subject of the host during the very moment of the mass
•
Open: male donnor with st. Peter and female donor with st. Agnes •
"...bosch never in his life painted anything unnatural, except in terms of hell or Purgatory... He endeavoured to find for his fantastic pictures the rarest objects, but they were always true to nature..." from Karel van mander's life of bosch 1604 •
Madonna and child are located down the craking roof •
Precarious roof over the head of the madonn and child
•
The hut is completely dark
•
Sinister figure inside teh hut •
Half naked and has a strange horns like a kind of
anti-christ •
Adoration of magi •
It is usually a serene subject and a moment of hope and
love •
But here instead, the subject is rendered with
this sinister details •
Anti-christ and crackling of roof above
the madonna •
The magi themselves are represented as teh
three ages of man •
Also three different nationalities •
Representing a global christian
worship •
Have also st. Joseph •
• •
As if his role is not important and being set aside Very cryptic was alot of details Compare
•
Workshop of the Master of Flemalle, Merode Altarpiece (Triptych of the Annunciateion open) •
Here there are three scenes and disconnected
•
Rectangular shape
•
Bosch-> connected togther, one big scene •
Bell shape triptych
•
Another weird thing •
The guy in white is holding a sphere that has a bird eating
soemthing • •
Unusual gift, not standard
Bosh. Triptych of st. Anthony, closed: arrest of christ and way to calvary •
Similar to the one pervious •
Not a total grisile, very limited colour
•
Two of the most sufferring scenes of history of the new testament •
Human beings didn't recognize christ as the son of god
•
Inisde •
Several scenes from the story of st. Anthony •
5th c. Saint
•
Fantastic creatures everywhere
•
Narrative doesn't precive in a left right way •
Left panel is the ending •
•
Where st. Antony is super tired In st.antony can see art as portrait
•
Have seen these demons in Martin Schongauer, Demons tormenting st. Anthony •
What is different •
In the painting->> exhausted by his own life, as
if he couldn't forward •
In the engraving we see a more serene st. Anthony that can withstand all the evil forces that surround him •
Central panel •
Contrast between the saint in a building (in ruins)
•
See the curcified christ infront of him
•
Outside in this court •
Similar scene •
A sinsiter secene
•
A priest
•
Altar is a round table
•
Remale figure
•
As if the subjects were fighting agaisnt magic
•
In the back there is a fire •
Soduma or fire eluding to the life of st. Anthony
•
A kind of duality ith teh center, potentionally
•
Right panel •
There are scenes and temptations •
Beautiful women who are taking a bat, almost naked to allure him and distract him
•
Saint is looking towards us to avoid this kind of temptation in fron tof him •
Bosch haywain trptych, closed: the peddler •
Kind of the everyman •
Projecting the regular life
•
The bridge is very small
•
The dog is trying to attack him so he is trying the get the dog awy
•
Life is full difficulties and bad events
•
Inside: hay wagon heading toward hell •
Meditation of the theme of the last judgement
•
The left panel •
Paradise, not the happy paradise, •
Adam and eve
•
The paradise of the beginning of adam and eve
began to sin •
With their sin comes with life of
difficulties •
The right panel •
A kind of hell
•
Damnation of those who enter hell
•
Central scene •
There decisions to hell
•
All the major scenes in life effect human beings
•
But this painting, life leads to heaven throuigh
devotion •
On top of the wagon there is an angel who is praying for
the salvation •
On top of the altar piece, there is a figure of christ as teh man of sorrow and of salvation •
He is far away though
•
Everthing in three panels, the subjects are indifferent with christ at the top •
No fantastic creatures, looking at the form of the human being •
A critique to society •
Look at yourself
•
There aren;t just citizens but monks and memebers of the christian church • •
They are invited into these scenes
Bosch, garden of earthly delights, closed •
Inscription: "for he spoke, and it came to be; he commanded and it stood firm" paslm 33.9 •
Surreal representation •
The cosmos at the third day of creation •
Story of genesis
•
Against a black background as a void
•
Inside: •
Eden and hell •
Rendered in a fantastic way
•
Animals around a central fontain •
Post-modern •
The colour pink
•
Center •
Almost overly populated
•
Creatures here
•
This tyriptch is manefestation of women-> one
interpretation •
Another one •
Alchemic interpretation •
The fountain can be interpret in
alchemic terms •
Alchemy during the renaissance •
One substance to another
•
In a way we have the transformation of beams, fantastic creatures •
It is not a convincing alchemic
interpretation thought •
How does hell relate to
alchemy? •
Sexually charged in all these individual scenes •
Garden of early delights triptych garden of lust;
detail of lower case • •
Right wing, detail: hell Original patron: count hendrick III of nassau
•
Interpretation of this work •
Not in a church originally
•
Was in the counts house in brussel
•
Took the altarpiece genre and used it for some other use instead of being used for religious context Part II •
Jan gossaert, Malvagna triptych •
He was mainly known as the first artist who travelled to italy with philip of burgundy and met with pope julius II-1509 •
This date should suggest-> predates •
Excavations
•
Antique sculptire
•
Michelangelo and raphael period working for julius ii
•
Very a standard triptych compared Bosch
•
Center-> madonna and child
•
St.katherine on left and st. Barbara on the right
•
Architectural framing- gothic renaissance •
•
Renaissance structure with gothic elements
Jan gossart and gerard david, adoration of teh kings •
Madonna and child
•
Two artists at the very same level
•
Gossart, st luke drawing the virgin •
Shows a different style from this before
•
Clear that the madonnas are not done by same person
•
One graceful the other genonic(?)
•
Gossart, st. Lke drawing the virgin mary ver. 2 •
Comaprison with Rogier van der Weden, St. Luke drawing the virgin and child •
Dirk Jacobsz Vellert, st. Like painting the virgin, engraving •
Same subject rendered into another art medium •
•
Circulated as an engraving
Jan gossaert neptune and amphitrite •
Mythological subject
•
Derives from duerer's print of adam and eve •
Male and female body of maginifed and beautiful
•
The background is a refined architectural place •
•
Ancient roman basilica aemilia
Jan goassaert, danae •
Mythological story
•
Background •
Comes from temple of vesta •
Roman architecture
•
Temple of vesta is quite appropriate •
Vesta was a temple of virgins who guarded the
fire and honour the fire •
Quentin massys, money-changer and his wife •
An inscription that ran around the original frame quoted leviticus, 19.36: "you shall have honest balances and honest weights"
•
Contrast between business and then devotion
•
Women was praying until she got distracted
•
Pieter bruegel, return of the unters 1565 •
•
Decemeber and january Pieter brueghel, the harvesters
•
August and september
•
Landscape
•
Katherina van hemessen, self-portrait •
Insciption: "i caterin van hemessen painted myself in 1548. Her age
20." •
Father was a painter, so thats how she learned the art of painting
•
Became an indepdent artists
•
She must have been looking in a mirror to do this
Born in the town of hertogenbosh ca. 1450; the artist used the name bosch to sign his paintings--but last name van Aken •
Hieronymus Bosch, Adoration of the Magi tripyych. Closed: mass of st. Gregory •
He is seen often as a critique of 17th c. Society and critique of reliigon
doctrine •
He is actually a very devote artists •
Was associated with a confortinity that was dedicated to
the Virgin mary •
The confortinity took care of his funeral and
burial •
Special type of altar piece that has three different segments •
Meant to be placed on the top of an altar
•
Subject-> the mass of St. Gregory •
Very much the moment when he had a vision of christ as a man
of sorrow •
Very limited colours
•
A painting within the opening of the two parts •
The host is divided into two pieces before the very momeny of concecration of the mass •
See the body of christ in a limited zone •
His body will be divided up into piece when we
open the altar piece •
Metaphor for the very subject of the host during the very moment of the mass
•
Open: male donnor with st. Peter and female donor with st. Agnes •
"...bosch never in his life painted anything unnatural, except in terms of hell or Purgatory... He endeavoured to find for his fantastic pictures the rarest objects, but they were always true to nature..." from Karel van mander's life of bosch 1604 •
Madonna and child are located down the craking roof •
Precarious roof over the head of the madonn and child
•
The hut is completely dark
•
Sinister figure inside teh hut •
Half naked and has a strange horns like a kind of
anti-christ •
Adoration of magi •
It is usually a serene subject and a moment of hope and
love •
But here instead, the subject is rendered with
this sinister details •
Anti-christ and crackling of roof above
the madonna •
The magi themselves are represented as teh
three ages of man •
Also three different nationalities •
Representing a global christian
worship •
Have also st. Joseph •
• •
As if his role is not important and being set aside Very cryptic was alot of details Compare
•
Workshop of the Master of Flemalle, Merode Altarpiece (Triptych of the Annunciateion open) •
Here there are three scenes and disconnected
•
Rectangular shape
•
Bosch-> connected togther, one big scene •
Bell shape triptych
•
Another weird thing •
The guy in white is holding a sphere that has a bird eating
soemthing • •
Unusual gift, not standard
Bosh. Triptych of st. Anthony, closed: arrest of christ and way to calvary •
Similar to the one pervious •
Not a total grisile, very limited colour
•
Two of the most sufferring scenes of history of the new testament •
Human beings didn't recognize christ as the son of god
•
Inisde •
Several scenes from the story of st. Anthony •
5th c. Saint
•
Fantastic creatures everywhere
•
Narrative doesn't precive in a left right way •
Left panel is the ending •
•
Where st. Antony is super tired In st.antony can see art as portrait
•
Have seen these demons in Martin Schongauer, Demons tormenting st. Anthony •
What is different •
In the painting->> exhausted by his own life, as
if he couldn't forward •
In the engraving we see a more serene st. Anthony that can withstand all the evil forces that surround him •
Central panel •
Contrast between the saint in a building (in ruins)
•
See the curcified christ infront of him
•
Outside in this court •
Similar scene •
A sinsiter secene
•
A priest
•
Altar is a round table
•
Remale figure
•
As if the subjects were fighting agaisnt magic
•
In the back there is a fire •
Soduma or fire eluding to the life of st. Anthony
•
A kind of duality ith teh center, potentionally
•
Right panel •
There are scenes and temptations •
Beautiful women who are taking a bat, almost naked to allure him and distract him
•
Saint is looking towards us to avoid this kind of temptation in fron tof him •
Bosch haywain trptych, closed: the peddler •
Kind of the everyman •
Projecting the regular life
•
The bridge is very small
•
The dog is trying to attack him so he is trying the get the dog awy
•
Life is full difficulties and bad events
•
Inside: hay wagon heading toward hell •
Meditation of the theme of the last judgement
•
The left panel •
Paradise, not the happy paradise, •
Adam and eve
•
The paradise of the beginning of adam and eve
began to sin •
With their sin comes with life of
difficulties •
The right panel •
A kind of hell
•
Damnation of those who enter hell
•
Central scene •
There decisions to hell
•
All the major scenes in life effect human beings
•
But this painting, life leads to heaven throuigh
devotion •
On top of the wagon there is an angel who is praying for
the salvation •
On top of the altar piece, there is a figure of christ as teh man of sorrow and of salvation •
He is far away though
•
Everthing in three panels, the subjects are indifferent with christ at the top •
No fantastic creatures, looking at the form of the human being •
A critique to society •
Look at yourself
•
There aren;t just citizens but monks and memebers of the christian church • •
They are invited into these scenes
Bosch, garden of earthly delights, closed •
Inscription: "for he spoke, and it came to be; he commanded and it stood firm" paslm 33.9 •
Surreal representation •
The cosmos at the third day of creation •
Story of genesis
•
Against a black background as a void
•
Inside: •
Eden and hell •
Rendered in a fantastic way
•
Animals around a central fontain •
Post-modern •
The colour pink
•
Center •
Almost overly populated
•
Creatures here
•
This tyriptch is manefestation of women-> one
interpretation •
Another one •
Alchemic interpretation •
The fountain can be interpret in
alchemic terms •
Alchemy during the renaissance •
One substance to another
•
In a way we have the transformation of beams, fantastic creatures •
It is not a convincing alchemic
interpretation thought •
How does hell relate to
alchemy? •
Sexually charged in all these individual scenes •
Garden of early delights triptych garden of lust;
detail of lower case • •
Right wing, detail: hell Original patron: count hendrick III of nassau
•
Interpretation of this work •
Not in a church originally
•
Was in the counts house in brussel
•
Took the altarpiece genre and used it for some other use instead of being used for religious context Part II •
Jan gossaert, Malvagna triptych •
He was mainly known as the first artist who travelled to italy with philip of burgundy and met with pope julius II-1509 •
This date should suggest-> predates •
Excavations
•
Antique sculptire
•
Michelangelo and raphael period working for julius ii
•
Very a standard triptych compared Bosch
•
Center-> madonna and child
•
St.katherine on left and st. Barbara on the right
•
Architectural framing- gothic renaissance •
•
Renaissance structure with gothic elements
Jan gossart and gerard david, adoration of teh kings •
Madonna and child
•
Two artists at the very same level
•
Gossart, st luke drawing the virgin •
Shows a different style from this before
•
Clear that the madonnas are not done by same person
•
One graceful the other genonic(?)
•
Gossart, st. Lke drawing the virgin mary ver. 2 •
Comaprison with Rogier van der Weden, St. Luke drawing the virgin and child •
Dirk Jacobsz Vellert, st. Like painting the virgin, engraving •
Same subject rendered into another art medium •
•
Circulated as an engraving
Jan gossaert neptune and amphitrite •
Mythological subject
•
Derives from duerer's print of adam and eve •
Male and female body of maginifed and beautiful
•
The background is a refined architectural place •
•
Ancient roman basilica aemilia
Jan goassaert, danae •
Mythological story
•
Background •
Comes from temple of vesta •
Roman architecture
•
Temple of vesta is quite appropriate •
Vesta was a temple of virgins who guarded the
fire and honour the fire •
Quentin massys, money-changer and his wife •
An inscription that ran around the original frame quoted leviticus, 19.36: "you shall have honest balances and honest weights"
•
Contrast between business and then devotion
•
Women was praying until she got distracted
•
Pieter bruegel, return of the unters 1565 •
•
Decemeber and january Pieter brueghel, the harvesters
•
August and september
•
Landscape
•
Katherina van hemessen, self-portrait •
Insciption: "i caterin van hemessen painted myself in 1548. Her age
20." •
Father was a painter, so thats how she learned the art of painting
•
Became an indepdent artists
•
She must have been looking in a mirror to do this
