TG Qurama

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Turkar Gasimzada      

                                                                QURAMA   for chamber ensemble to Lale khanim and Mezahir bey Avshars

             

 

 

 

 

 

 

 

 

 

         

 

    08/2011-­‐02/2012   Baku  /  Cincinnati  

Qurama          

 

  for  chamber  ensemble    

Performance  notes    

   

The  piece  is  open  to  variety  of  interpretations  of  the  tempo  although  the  latter  is  referred  to  in  the  score   with  its  exact  indication.  Performers  are  free  to  make  their  decisions  on  either  acceleration  or  deceleration   of  certain  transitional  bars  and  passages.  The  piece  has  to  be  performed  as  precisely  as  possible  in  terms  of   pitches,  dynamics  and  rhythmical  structures.  Considering  that  the  synchronicity  in  the  piece  is  likely  to  be   difficult  for  performers,  they  should  bear  in  mind  the  necessity  of  being  lined  up  with  one  another  at  least   when  connected  verticals  happen.  Connections  are  visually  introduced  in  the  score  and  contain  essential   core  pitches,  which  should  be  musically  highlighted  in  the  performance.     Each  string  performer  should  play  one  suspended  triangle  with  a  beater.  Sometimes  performer  should  play   the  triangle  with  the  bow,  as  indicated  in  the  score.     Dashed  slurs  indicate  phrasing  of  the  musical  material.     Fingerings  for  woodwind  multiphonics  are  optional  and  performers  are  welcome  to  replace  them  with  their   own.     Glissandos  with  circles  on  top  stand  for  the  harmonic  glissandos.     Notes  without  note  heads  and  slurred  staccatos  in  strings  indicate  the  ricochet  technique.  In  those  cases  the   pitch  level  is  undefined  and  unimportant.     The  percussionist  can  also  use  soft  vibraphone  mallets  on  other  instruments  in  order  to  avoid  lots  of  mallet   changes.     Flt.  –  flutter  tongue    

This  piece  is  dedicated  to  Lale  khanim  and  Mezahir  bey  Avshars,  painters  and  sculptors,  friends  of  my   family.  Both  had  an  impact  on  me  as  an  artist.     Qurama  is  an  ancient  handicraft  of  Azerbaijan,  a  kind  of  patchwork  made  of  cloth  scraps  of  various  sizes   and  colors.  The  etymology  of  the  word  qurama  also  contains  a  meaning  closer  to  construction  in  English.     Ideas  of  working  with  different  shapes  and  colors,  adding  multiple  layers  on  top  of  each  other  or   subtracting,  separating  them,  exploring  different  time  concepts  and  listening  experiences  are  important  to   the  compositional  processes  of  this  piece.        

Instrumentation     Flute     Oboe     Bass  clarinet  in  B     Trumpet  in  B     Piano     Percussion  –  one  performer  (Vibraphone,  crotales,  tam-­‐tam,  triangle,  big  drum,  suspended  cymbal)     Violin  1     Violin  2     Viola     Cello     Contrabass         Duration:  ca.  15’          

 

Note  heads    

Woodwinds  and  trumpet  (one  staff  line):  blowing  into  the  instrument  and  creating  air  sound.  Those   occur  on,  above  or  below  the  one  staff  line.  Their  placements  indicate  the  frequency  level.  Woodwinds   (5  staff  lines):  multiphonics  indicated  by  these  note  heads  and  needed  to  be  built  on  the  top  of  the  base   note.     Trumpet  (5  staff  lines):  the  note  should  be  sung  simultaneously  with  the  normal  performed  note  below   or  above.         Piano  (one  staff  line):  Performer  should  play  clusters  by  hitting  the  strings  with  hands  inside  of  the   piano.  There  are  no  exact  registral  placements  of  those,  but  notated  places  indicate  how  high  or  low   one  should  be  in  the  relationship  with  another.   Strings  (one  staff  line):  These  should  be  performed  as  col  legno.  The  pitch  level  is  left  to  performer’s   choices  in  certain  notated  registers.  In  this  case  the  note  on  the  staff  line  is  almost  the  middle  note  of   the  instrument’s  range.       Slap  tone  in  woodwinds.  

(dedicated to Mezahir and Lale Avshars)

e=60 e=

 

Flute

 



Oboe

 





Qurama

    



 

(transposed score)











ord.   

 

 p

5:4



sfz







p







flt.



 



ord.

 

 f

mp

 





pp

mp

 







sfz

 

 





Suspended cymbal

 Percussion





7:4



 Crotales





     













Piano

Violin 1





 

sfz







 



  

  pp



 



p









sfz









f

 

f





 





  



p

ff





 p

sfz

ord.

   



5:4





















mf





Violoncello



 sf

Contrabass







 

ff

3:2

gliss.

 pp

 





f



p









sfz



 p   

 

 







 

gliss. gliss.

p

sul pont.











ss. gl i

 















 

f pizz.

sfz





 



 sfz





  p



 sfz



ord. arco

pizz.

5:4





 



    p

 



sfz

  

 

 

     

sfz

pizz. arco 5:4







 





sfz

Viola



pp











 

mf

f

 











flt.



ord.



p

Violin 2





flt.



 





mf



7:4

    





p



 mf

p

p

p













pp

let ring



3:2

mf

flt.

Trumpet in Bb

 

p

  

3:2

Bass Clarinet in Bb

3:2

p

3:2

flt.

 

T. Gasimzada

non vib. 3:2

pizz.

 

mp

f





gliss.

ff

  







  

p

pp

Triangle





f

  mp

     f

   mp

 sfz

Violoncello

















p

sul pont. gliss. gliss.

  







3:2



 p





 sfz

 

5



Ob.



  





    





  





p



5:4









  

 









  





 



 



  p







mp

f

 

 





















3:2

 

Big drum





Vibraphone





Vln. 1

 

f



  

gliss.







        



3:2

Vla.



 





f

sfz



Vc.



p

 



f

  p





 pp



 

Cb.







 mp







 f





7:4 3:2



 



 







  







f

 

2  

p











p

p

sul pont.

    



3:2







 sfz





 

 

 





  

  







5:4

















 

  

7:4





























p

sf







  



 

arco

  

 

  



 



gliss.

 

 

f

p

f

f











 





 



p

 



 sfz





 



ff





arco





  

 

p

 

   

 



 











9:8



ord.

Violin 2





sul tasto

 

 



3:2

 









  f

5:4









        p

f





p



pp

ord.

 



 

 sul pont.     



mp

  

f sul pont.

p

f

p

 

Triangle







mf

p

sfz

  

 



3:2













Tam-tam



p

sfz

  



sfz







ff















f

sfz

  





7:4







p

ff



pizz.

sul pont.

    





ord.

ord.          

flt.

f



5:4



 



mf

p







mf



f

3:2

   

   









. gliss





  

 

 



p



sfz







p

 







f

 

ff







 







sfz



 

 

f

p

ord.

   







ord.

flt.

p

   



f



   

  



p

Vln. 2

  



sul pont.



p

pp



 5:4



flt.

mp

 

      





Perc.





ord.

flt.

p



sfz

mp

p







f

sfz









p

mp

f

Pno.



f



sfz



   



  

     



 p

sfz

p





    



sfz





 f



 

ord.

p

sfz

ord.

Tpt.



3:2



mp

p

sfz

B. Cl.

  

 

 flt. 

gl iss .

Fl.

 

3:2



  

gliss.

  f

pizz.



 sfz

 



 

ord. arco

f

 

mp

 





gliss.









  

 







  p

mp







ord.

 f





mp



  

ff

 

gli ss.







mp

 

 p





pp

 

 

9  

Fl.

 

 



3:2



 





 





sfz





Ob.

    3:2





f

sfz



mp

  

p



   

 







sfz

 



3:2 3:2







pp

p

sfz

p 7:4

pp

    





f

5:4



ss. gli



sfz

 

  











 

7:4

flt.











pp

flt.







mp



p



gliss.





 

 



3   

p







ff

f

sfz



mp

p









ord.

flt.

ord.



flt. ord.



ord.

3:2

B. Cl.





3:2



   

sfz







   

3:2

              

  

f

p

5:4

    

p

mp

3:2

flt.





 p

mp



mp

f

p

5:4



Tpt.

 Perc.

3:2



sfz





   









p

  



3:2

sfz





 





sfz







sfz









Pno.

Vln. 1





 

 





















p



Crotales



 p

pp







 





 

mp













glis s.

ord.

  



3:2      



  7:4

p

p

 

 

 



















9:8

Cb.





  f



mp

 

3:2



pp

  

Suspended cymbal







f





  

 





f

p

 



5:4







p





p







3:2





 













 p

 





 mp





 

f



 

 

3:2

3:2



    



sfz

p

pp



mp



 ff







gliss.



pizz.

 







  



 

  



















 

 





    

 





3:2

pizz.





  sfz 

   

    

pp







3:2 3:2











   

 

f

p

arco non vib.











p

  



 



  



f

p

mp



 





 

  







f

   





 



  

  



 f





 

 mp





 ff

 p

f pizz.

3:2 3:2



mp

 pizz. 

 

   

 

non vib. arco



non vib. arco



 

sfz

f

   







f

sfz





sfz

sfz f



f

 

3:2



f





3:2

  





pizz.

sfz





f

sfz



   

 

let ring



f

sfz





sfz



sfz





3:2



mf



 

 







arco

 







pp

 





pp

 

pp







flt.







ord.

p

f

   





non vib.

sul pont.

3:2

pp

 p



mf





sfz

p



 

Tam-tam





pizz.

Vc.









Vibraphone

3:2

 





p







f



f

Vla.



sul tasto





p

sfz

pp



   

 

sfz

Vln. 2

   f





 

3:2





5:4

p

7:4





pp











p











ff

f



f



ord.

 





Vibraphone 3:2

flt.

     flt.

ord.

 

 mp









 f



12  

Fl.

 

 









p

mf

3:2





3:2





Ob.



 

B. Cl.











ord.



Tpt.





 







 mf

p Sus.cymb.







f













Pno.





Vln. 1













   

 

 

sul pont.





mp

  

p

 







  





















 

5:4





   

p

 







f



gliss.















 p















f



 

 



 



pp f

Big drum

 

f



 

  







Crotales





3:2











p

p

5:4

Tam-tam



3:2









f

 

 

3:2





p



let ring

3:2









   



sfz





   

3:2



 





p



















 

 



 f



  



gliss.



mf

p

 



 





 

















p





p

3:2



3:2

  









  

        5:4

 





p





ff



Triangle

arco

pizz.





   













3:2

  







  







   



 f



 mf

















 







 ff







p







3:2

 p



 











mp

pp



p



 ff

 p





  

arco

f

sfz



  

f





pp

 



sfz









pizz. Violoncello

 

p

 



ff

7:4

p

sfz



7:4

f

p







 

f

7:4

sul pont. arco





gliss.



pizz.

 





f

  

   





sfz

p

 





f

ord.

f





pp





pp

sul pont.





gliss.



sfz

f

 



sfz



p

 f



p

ord.

  

3:2



 

sfz

p





p

sul pont.





f





 f

mf

sul pont.

 7:4         





4

3:2



p



 



ff

 







 

p

mp

flt.



f

pp

f

mp

Cb.

 

sul pont.

mp







mp

 Vla. 







mp

Vc.















sfz





sfz

 







 

ff

p

 

p

 



ord.





Vibraphone

 

Sus.cymb.



sul pont.

ff







pp



3:2

flt.

3:2



  

 

sfz

  

Vln. 2



 



s.



pp

let ring



glis



. gliss



 

mp

f

 





  

p













3:2

3:2

Perc. Crotales

   

f

 

3:2

Big drum

3:2

f



  

. gliss

 f

p



sfz





3:2





     



mp

f



p

  



    

pp

  

 

 

3:2

Triangle

. gliss

 

  p





ord. Contrabass



 pp



 f



17  

Fl.

 

 

    

  

   

ord.

flt.



Ob.













6:4

B. Cl.





Tpt.





 





 





 

mp

f



   



f



sfz



f

Crotales



Perc.













 











p











sfz





5:4



 











 







   





pp

p





    



p

pp









   

 





sfz





pp





















 



f

f

 

Vc.













f

Cb.





  sfz

p

 





   7:4

 f











  







  





gliss.









p

f









mf





 

f



  

 

p

 

p

pp





  





 f









 p

Triangle





   p







 

 

























    



mf f

3:2



 





5:4

 f











 

 



3:2

   



p

mf













  p

 

  



 









3:2

 















 

 p

 



mp



ff























 sfz





  

pp







 p

f

   



3:2







 













mf

p

 

 p

f





pp

Violoncello

7:4



mp

arco



pizz.

f





 



 



p

 







f Contrabass



9:8

pp

  

 

ord. sul pont.

p

mp

 







3:2



 

p



sul pont.

Triangle







p

   

gliss.

 

f

    5:4   



mp



arco



   

sfz

sfz Viola

 

 Crotales  



pizz.



p

f

sfz

 



ord.

 



5

f

p



 

sfz



  



pp

p

 









  









p





 

3:2

  

    

Suspended cymbal

 









flt.

pp

f

5:4



        

mp



.

p

Tam-tam



f

  



mf





p

Triangle







 



sfz

Vla.





 

glis s

p

p





  



 





p







3:2

f

5:4







p



 









mp

sfz





 

pp

     Vln. 1    





f



sfz



Vln. 2



p

 

Big drum









 

3:2

7:4







f

  

Perc.







3:2

sfz

  



 

sfz



 



p

5:4





p

mf







f



 



 





 

Triangle





  f

f

 

 



 

22 Fl.

  

5:4

















ord.

flt.





3:2



  

  f

B.Cl.







 



3:2



flt.

  







f















sfz

mp



flt.

 







 

Perc.



sfz

    



sfz

p





ff















5:4









  







  







  sfz

 







5:4

  















 3:2







f





Vibraphone

 











   f

  

7:4

 







p



f









 











p



scratch tone























3:2



Viola



 p

 

5:4

        f 

   













 



 mf











f

ff









       9:8



  



f



p



        

   



mf





 

 

ff



5:4



   pp







3:2



  







p

 



7:4









 

f



mp





 

 











sfz

Viola











9:8





p

 

pp

 



5:4









p





3:2

 



gliss.



p





ord.

 f

 p

 pp

3:2







 



mf



 

 





 sfz

p



 

pp

p

f





p

 



     

p





7:4





  



f

pp

Triangle

 





  



  





5:4



mf

7:4







3:2

non vib. ord.

 





pp

p

5:4







sul pont.

gliss.

sfz p



 







 



   

3:2



f

 

f



ord.

 







 

5:4



s.

sfz

    

p

mf

Crotales



 

glis

sfz

f

p





 

 



pp

f

   



6

f





Triangle

 

p

ff



non vib. sul tasto

f

Cb.





 



  



f



ord.

 



pp



f

p











 





f

7:4







p

  

mp

Vc.



sfz

sfz





let ring



  

Vla.





 

p





p



let ring

ff

pizz.





mf

9:8

Vln. 2





sfz

 



p

 

Tam-tam



sul pont. arco

Vln. 1

  

 

f





Pno.







sfz





mf

p

sfz

Suspended cymbal

Crotales





 

 

flt.

f









 





5:4

ord.

3:2





3:2





mf



 





p

sfz

ord.

Tpt.

    flt.   



p

mf



 







3:2

f

p ord.

 





 



sfz



3:2



mf

p



5:4





f

p

 





sfz

Ob.



flt.



f



pp



 

25

  Fl.

  

Ob.



  





 

sfz

5:4

  



f

 



















p

gliss.









5:4

B. Cl.







 



















  



p



gliss.







sfz

sfz





 mf

 













 











 



 



 

f



 

Vln. 2







9:8







f



Vla.

Vc.

Cb.

















f

 f

p

 





 

 p





  

s. glis





mp





f



mp

f

p





































 

 

f

p

 

 

 

mf

p

f



    



 



























    













 f





   













sfz





   



 

Viola





pp







 



  

 



sfz

f















  mp









  sfz

 















  



 

  



 

sfz



 





p







pizz.







sfz





 

  





f

 

p



  mp

arco





 



7:4







mf p







  



gliss.





 

 

sfz

pp

  





 





mp





mp





gliss.







 







mp



sfz

p

f



p







pp







7:4



 

7:4

  

 

p

 

mf



 





 



p

f















5:4

 

 



 9:8

5:4

9:8

sfz

7:4







sul pont.

sfz

5:4

f sfz



p

7:4

p

7:4







pp

    





7:4



mp

p

f



5:4

3:2



  

f





Triangle





f





mf

mp





p



3:2



  

pp

  







sfz

ord.

flt.



mp

mf

  

sfz



p

 



p

sul pont.





sfz

5:4

 

3:2      



7:4

7:4



sul pont.



 





  

  sfz

f

3:2

Vln. 1



 ff



7

sfz



Pno.

  

   

 

sfz

sfz





Perc.



 

5:4

p



f

  

p

mf

f

 





sfz











 

ord.

5:4





3:2

 

pp





pp

5:4

 

  

p

3:2



f



Tpt.





sfz 3:2

p

ff







sfz 7:4

f

 

 

9:8



 

flt.

   f

 

  

    sfz

sfz 5:4



 







 

30 Fl.

 

 

 





f





3:2



B. Cl.







   

 





 

3:2



p

  





f

f







 

mp

Ob.

  5:4





.







sfz

f

 





  3:2







mf

f

Big drum









mp

  



mp

p

       

pp

 



5:4

f

sfz

   



 

f

p





p



mp

f







mp



 

 





p

pp







p

mp

5:4



 

 

sfz







sfz











 

      

  

flt.

ord.

pp



mp







p





5:4

p







3:2

ff

  





p

mp

7:4



 



   

sfz

 





8



7:4

sfz

3:2    











sfz





   

 

ff

 

 







7:4











p

  

5:4

Tpt.





 

  



p

mf





p

    



7:4

  

ff

mp

sfz

gliss

 



 







mp

 

pp

p





Vibraphone Perc.

 

Tam-tam





 





p







5:4







 

pp



Pno.





 









f

Vln. 1

 



  

f



Vln. 2



Vla.

 



Cb.



















scratch tone







f



ord.





 



sul pont.







5:4

f

 









 





     mp  f



pp





 







p

pp

p







 



p

pp





 













Triangle





 mp

 f

sfz



 







  







 





mp





 Viola non vib. ord.







  

5:4





 



 



   p

mf



 



 

f





sfz



  







p

f

5:4



ff

mf

Crotales



Triangle





mp

5:4



 

   





mp

  

  





f

sfz





  

sul pont.





3:2

7:4





f

mp sul pont.



 

 

3:2





p



7:4



mp

    



f

3:2

 

f



 

3:2



mp



























p

mp



  

f

mp

Vc.







5:4





sfz







3:2

3:2



3:2





Contrabass

 

    ff



gliss.







mf

p











 pp





 

34  

Fl.

 



ord.



flt.





 pp

p

mp



7:4



Ob.

B. Cl.









 







5:4



sfz



   

p



sfz

  

  



















f









sfz



5:4





 





9:8





p







 







f

p

  







 



  



pp

  





ord.

p

f

9



flt.



f

mp

 

f

 





7:4



p

mp

 





sfz

mp

   

f

7:4





 







5:4





mp





f

gliss .







3:2





f

ff

7:4



Tpt.





   sfz



Tam-tam







mp





Pno.







Vln. 1



Vln. 2



Vla.









 



  



3:2



 







 















mp





Crotales





5:4

 



 

p

 





  

   



5:4







5:4

  



f





ff





 p

mf



  p





f





 

3:2

5:4



 

mf









p

f

 ord. 





 pp

 mp

f



 

5:4



 



 ff

 mf













 

 p

  

sfz







   







let ring

3:2

 







5:4







 



3:2



3:2











p

f

 p



 



 f

mp



pizz.

Viola













sfz



pp



p

 



 



sfz



Contrabass scratch tone

Triangle



 pp



sfz





f

Violin 2







 

 





sfz

Triangle

9:8

sfz

 

    



  



sfz

3:2

  

mp

sfz

sfz

7:4



   

p

  

mp





sul tasto

pp Triangle



 





 





mf

f



Triangle



 

    





p

sfz f ord.

3:2



 f  ord. 







  



sfz sul pont.

f

pp











pp

sul pont.







   





  sfz

  

mp

  



 



7:4

       p

     

f



7:4



mf

   

7:4



5:4





p





f

Cb.



f

5:4

Vc.



3:2

 

mf

p



f







sfz f

5:4

 

3:2



mp

sfz



3:2

 

 

 



p



 



Vibraphone







pp

Perc.



      







 f

Violoncello  7:4        sfz



 

 p





p

 pp

ord.

 mf





 

5:4





 

f



sfz



ff

 



7:4

 



  

mp f

5:4



 

38 Fl.

 

 





gliss.

f



Ob.





3:2























mp





5:4 







sfz

  

  

p

pp





   









Big drum











 





Pno.















glis s.







 

 

 f







 



Vln. 1

 









Vln. 2

  

pizz.







arco 5:4

 







p

pp

















 f





5:4





mf





Crotales





 











mp



p



p



f

. gliss

 







 

p

gliss.

  3:2

  



  p pizz.







 



 

  



 













sfz



pp



3:2





 



 















gliss.



















p

9:8

























5:4

 

gliss.

 p

gliss.



p

7:4

ord.





p

7:4

 

f

p



gliss.

f

f



ff

 









 ord.  





f





 





Violin 2 ord.





pp

   

f

p





p

sfz



  

Vibraphone

 

 ord. 3:2

  

mp

pp





let ring

 ord.

   



sul pont.















pp

sul pont.





 mp

  

 

 





p

mp

f

    

 Triangle



mp

  



sul pont.

 sfz







f

mf





p

ff

 





.

3:2







p

Cb.





f

mf

  

sul pont.



p

sul pont.







3:2

f

Vc.



5:4

5:4





 

 

p

3:2

mf

sul pont.





 f

p

arco

Vla.





gliss

ord.

sfz gliss.

Tam-tam

ff

f

 





f sul pont.

 

 







 f





p





f









f









sfz



f







5:4





p

 







p



sfz

  mp



p









3:2



10



 









  

pp



ord. 

 

p

5:4





mp

 



let ring



3:2

f



Perc.







mp

 



p

Vibraphone



flt.

f





mp



 

 

mp

 



f

3:2

Tpt.







p

p

f

B. Cl.



7:4

p









 











gliss.



pp f

p

43  

Fl.

 

flt.

  7:4







 

    





Ob.

 

5:4







 



 ord.













5:4





7:4



    

gli

f



Tpt.















Sus.cymb.



f

 







 









Vc.



  

Cb.

















 















mp

 

sfz











f





 



 



5:4

 





 



mp













p







 f



 

gliss.

 mp





 













7:4







 

    



p

























 



  

    

  

sfz



  



mp

 

    ord.







 

  

mp















 p

sfz









 







 





mp







gliss.







 

sfz



 p



f









 

























 





  

 



 

















 



pp

























p

5:4





 

 

p









pp

p



  

 

pp

p





 









mp

3:2





sul pont.

 

















f

f



ord.











f









f

  



 



f

sul pont.





pp

7:4





p

mp



 



5:4



 



 

11

p 3:2

pp

f



f









p



p

 



 

pp

p

  

  

sfz

gliss.







3:2







p



sfz











 

sfz





p

pp







ord.

sfz







f

pp

p



       





f

 

  

mp

 







p

 



f

 

5:4



 















  

  



7:4

 5:4

5:4

5:4

sfz

sul pont.

  



3:2















sul pont.





mp

pp

sfz

mp

 



 





7:4

3:2

5:4

f

flt.

sul pont.

 







p







f 7:4





ord.

p



  





    f 



Tam-tam





f

f







p

f





5:4

mp



5:4

Vla.







 

ord.





3:2









 

f

  



f

sfz

p

Vln. 2







3:2

Vln. 1



  

f



f

3:2



sfz



 



 



Pno.





Perc.



p

sfz

mp

f









p ord.

   

mp

3:2



p

f

      ff 

ss.





 





flt.









mp

3:2





 



 

f

mp

flt.

 

f

B. Cl.





sfz



 



 p











5:4











 pp



3:2

 mp



 

  p





7:4









47 

 











f





   





p





sfz









 



3:2









 

 

 

 





pp



  



 



p

sfz













 











 





flt.

Crotales



 

  









5:4







 

 













sfz









p



sfz











 

  

Vibraphone





let ring

p

f

  







 

f



sfz

mf



















   









 f 5:4







 



mp







ord.



 



 



pp





mf







  





  





  











p

 





f 3:2

flt.

   mp



 





12



f



 

 

mf

f





 





f











   

 



 







f

 

5:4

3:2









  pp







p

pp





 

7:4



mp





 



mp



 

  mf







p

ord.

  

Big drum

 





pp

p



Pno.





 



7:4

f





 













3:2



f

p

mf





p

mp

sfz

Perc.



mp

 

sfz

5:4



5:4

ord.



p

mf

 

 





ord.

flt.

 



7:4

  

flt.

   

p

sfz

Tpt.

 

f



 

5:4

B. Cl.



 



sfz 3:2

Ob.

 

gl iss .

Fl.

 

  sfz









ff



   

   



ord.

Vln. 1

 

 

  

gliss.

f



Vln. 2

 sul pont.     





  





 



Vla.



Vc.



  mp sul pont.

 

 

Cb.





pp sul pont.

   

 











3:2



 

     

  





5:4





 



 

sfz

7:4



 





 







 

f



  f







  

sfz













 









 

mp ord.



  f







f



 

7:4





mf

              

 

mp

f









    



pp

p



gliss.

mf



 

 







 



  f

 

gliss.

  

ff



p







 5:4















f

pp



 f

 

5:4



 

 5:4





ord.   





 





 





sfz

f

mf







f

 

sfz

pp

    

ord. 



p



f



sul pont.

7:4





f

mf

f

5:4

         



5:4



sul pont.



p

f

   



  

f

f ord.





3:2

7:4





  



p



p





sfz

p

 

  

3:2

 

3:2

 

sfz

pp

p sul pont.



p

5:4











 

ord.

sfz

mf

 3:2  p



ord.

  

sfz

 



52  

Fl.

  

Perc.

  3:2

   













 

mp

f

B. Cl.

 





 



   





 





ord.



flt.



 



 







 



5:4

  

 





  





  

 

mp

f

 

3:2

3:2







3:2

  

f













 













 Perc.



 

mp

f





5:4







 



 

Pno.





Vln. 1





 

 

 

 

 

Vla.



Vc.

Cb.

























  



 



 





 

  

 

sfz

 



 

 





 





 

p

pp







  









Sus.cymb.





 









5:4





 f











Vibraphone













gliss.

f

 





  









 

7:4



 



p

 



 







 

pp

   

 













  



sfz

p

  



 

 

 

 



 

f













 



  p

mp



 

7:4



 

 















     





    









sfz









  f

pizz.











sfz



  5:4

 







 p





  





sfz



 





ff



mp gliss.





sfz

pp





p

 p

sfz

  





p

 





f

f











7:4



5:4







  

pp





pp

mp



p





p

p

 pp

p

mp

 f

p

sfz



 

 sfz

 

f

 



  

7:4





 pp

 



p



mp

 





  

sfz





 

5:4



f

ord.

sfz



  



7:4



f

sfz





   



sfz





non vib.

      



f









mp

mp

Crotales







mp

5:4

 

sfz





mp

mp

      





let ring

7:4

5:4



sfz

mp





f















pp

pp

f

Vln. 2









 sfz

f

 

ff





p



sfz

 

 

f

5:4

 

13

5:4





mp



mp





sfz

Tpt.

 

sfz

sfz



 

arco





 f

5:4

 





 mp





 

 



56  

Fl.

 

 

 

3:2











mp



Ob.



  



 









 



Tpt.











Big drum



Vibraphone









9:8



 

sfz









  

sfz



sfz

 





mf







  









 





sfz



sfz

f

7:4



 7:4























p 7:4









  

flt.

 



 f

pp









7:4

 





 

f

3:2

 



sfz

  







  

p

pp







 

9:8























flt.

 

 

 







ord.



pp





7:4









  



mp



pp

f









    





f



5:4









pp

sfz









 

14



 



p

mp

pp

ord.

p

f

pp

p

mf





 

p

5:4





3:2



f



5:4

flt.



ff





 

p



    



f



mf

sfz



sfz

7:4

p

5:4







pp

p

sfz

B. Cl.



 







p

sfz

7:4



5:4

 

 











9:8



 



f

mp

p

  









f

mf

7:4

    



 

ff



p

mf

7:4

Perc.

Pno.









 











Vln. 1



Vln. 2



Vla.



f



 



   p













 

 











 p 









7:4





  

Cb.

























     







 





  



7:4





. gliss



3:2

 



mp



   

sul pont.

p







 

gliss.











p



is gl



p

 





mp







 ff

  























f







 

 



s.



7:4





  

mp



5:4

 pp



mp

 



gliss.











 

p





f

glis s.





7:4

 





 

    mp

9:8





   







 

 

gliss.



7:4





p



 p



mp



 

 

 

p

pp



s. glis





















 

pp

  f





 ff









p

















     5:4



ff

p

f











mp

f







gliss.

 3:2



3:2

7:4



 



3:2











p

   



gliss.

sul pont.

3:2

pp sul pont.











f

pp

  

p

ff

   



gliss.

mp



 



mp





 

  

p

gliss.

p

mf

3:2





 

   

 

 

 7:4

mp

  pp

p



5:4





7:4

f









sul pont.

p





 

p glis s.

 p

   

 

 





f









f





f



 





f







 

3:2

3:2





p





p ff

 









Vibraphone

f

5:4

3:2

3:2

f





sfz

f

Vc.





mf





5:4

sul pont.

 



f



 

gli ss.







f scratch tone

5:4



  p





  f

p

60  





ord.

Fl.

 

 f



Ob.



p



7:4

f

















B. Cl.





















p

sfz

Tpt.

7:4







  

f







f



Pno.









 

5:4







f





7:4

 

 





mf

f

gli ss.





p





7:4











 



ss. gli



 



p





p











 





7:4







f









 







p

  

 

mp















p

3:2

   



pp

pp







  









sfz









7:4











mp

  

15



p

 

  pp

7:4  

pp

 

ff





5:4

 

  



  p

sfz

p

mp

   





p



pp

  

 5:4

ff























 

p







p



 

 





 





 



p

sfz

p



 







 

pp

 





p

















  

 

 

f

mf



  

 

p



 

sfz

sfz

7:4

 





5:4

 



7:4











 







  5:4

5:4



sfz

p

mf

ff



 

 

  

 







5:4



pp

mp

   



p



 





mp

5:4



  

3:2

 

Vibraphone

mp







p

Crotales





 

ff

ord.







p







 



f



  

mp



flt.

 



5:4

p

Perc.









 mp



ff

  

  





f

mp

  







p

9:8





sfz

Sus.cymb.

gliss .

pp

  

p







  mf

 



p





 



 







 

 





   



p

sfz



 





ord.

Vln. 1

 

 

7:4

   



 





5:4

 p

f

sfz







9:8



f



 

Cb.









 







 



3:2





 

7:4









 













 



p

mp

















9:8









 













p

mf



p













 







pp

p



   

 

sul pont. gliss.





 f

p





f

sfz





5:4

ord.

p

 

pp

7:4

sfz

Vc.





 ord.

Vla.

7:4



sul pont.

ord.

  Vln. 2  















 





 f



6:4



7:4



p



 



 

pp



5:4

 mp



 



pp sfz







 

mp

p





7:4

 



 

sfz



 mp

9:8









f



sfz



 f

 



 f









 



5:4





9:8











   

 

gliss.

mp

  



 







ord.

  

pp

p

 gliss.

  mp







p

f







p

 









pp







mp







7:4







sul pont.

   

mp

f

pizz.

 ff

 

 mp









sfz









   pp

65  

Fl.

 

flt.

3:2



ord.





 

 f

Ob.

 













3:2







 









f



pp

Perc.





 





Pno.





Vln. 1

 





 

 p

sfz







 







 





Vc.

   sfz

Cb.





 

f



7:4





f

sfz











p



5:4



gli ss.



7:4 









p



  p









 

 



 p



7:4



 







  













7:4



  







 

mp



 

 

sfz





  sfz



mp

 f





 



f

 

   















5:4









sfz











 

ff















7:4









    

mp

f











mp



5:4







 



3:2









5:4





 



5:4

 



9:8

























f



7:4













pp













5:4       















7:4





  











 p





 



7:4 5:4                   

p



gliss.

 f

     



sfz





ff













pp

 







 





  

p

f



 

sfz

f

5:4



   





mp

7:4





 



 

 



   







gliss.

pizz.

9:8



 





 











  

  

mp

p



9:8













p

f











 

mp





pp

 





7:4



      f

pizz.





sfz

sfz

  7:4







sfz p





5:4

     

   

gliss.





sfz

  



p

 







mp





sfz p

mp





 

pp



5:4



f

9:8

 







p







p

p

p 7:4



sfz

pp

f

7:4           



mp

f



mp

sfz











f

 





   

p

5:4



sfz

 



  

 p

ff

 

 









mp

pp



7:4              

p





mp





s. glis

  



Vibraphone



 











mf

let ring 9:8





mp

7:4

 

5:4



 

5:4

f

f

7:4            







p

             5:4





  

3:2







p

sfz

sfz

ff

9:8

 













p

ff

 

sfz

 mp



5:4



 

3:2



 

p

9:8





sfz



 



  

f





3:2



p



 





3:2





   pp

mp

Crotales

5:4



f





f

pp

gliss.









mp

5:4









 7:4

mp

7:4







 

p



  

3:2



3:2

f





 

gliss.

5:4







p

f















sfz









f

  





 

 

sfz

 

9:8

f









  

Vla.









f

mp









mp



ff

Vln. 2

  

mp



  

7:4



5:4







pp

 

pp

pp

f



 

 

p







mp



ff



p

 

p



f

p

 

p



 



p

 

p

16 

  





 







 f



3:2

 

5:4



mp







3:2



mp

Big drum





f







p

p









f

Tpt.



f



f

B. Cl.

3:2

3:2



p





 



69  

Fl.

 

 





 sfz





f









 



 











sfz

 





f

5:4











 





p

sfz











 

7:4

 



Pno.



  sfz







 





 

sfz

 

Vla.















  

p

























 

p

sfz

 f









7:4















f









f

p



















 p

pp

 



  





f











sfz



  



7:4





 

 









 

sfz



   

p

pp



5:4





 

 





 





f





mp



sfz



 







sfz

 







pp sfz















p









p









 

  7:4

  



f

 ff

























 



pp sfz





 

p

 

sfz

 f



p



7:4

 





 

p

sfz



f



pp 9:8











pp

 













   

f



 





7:4





  













arco

gliss.











 

p



 

mp









 

sfz

mp





p

sfz





sfz

ff



 

  

pp

5:4





sfz

f

 

 pizz.







pp gliss.

  





5:4

p





mp



sfz

 p

sfz

5:4



 pp

  





gliss.

p



p







7:4

f

 









sfz





p

 9:8



mp

 

p

  











pp







  





9:8

 

p

Sus.cymb.





p

9:8





p





mf

f

  



3:2



sfz



f

 



ff





sfz



pp

 



3:2





p

f

sfz

7:4



 



sfz

f 7:4



  





5:4

 

  











sfz



pp

5:4



ff







p

f

mp

sfz

p

3:2





5:4

sfz



sfz

Cb.











p







p

 



 

17





  





 

5:4 7:4









f





 





f





sfz

Vc.

  

3:2



sfz

Vln. 2







sfz



Vln. 1



 

pp

pp

f



           7:4

mp













Big drum



p



p



 

f

p







f



sfz









5:4

p

f 7:4



p

ff













p

5:4

Perc.





f

Tam-tam







p



3:2

f

Tpt.



sfz

sfz

f







 







f





9:8

3:2









 



sfz

p



 

p

f

B. Cl.



 3:2

Ob.



9:8

5:4

 



72  

Fl.

  

Ob.

7:4







f



 

mp

9:8





 

p

sfz













mp





 

sfz

 





Tpt.

  

ff

p





7:4





p









 







sfz





3:2



pp



Pno.





    

  



p







 



 



7:4

 



Sus.cymb.













5:4

 



ff



  

pp





p





gliss.











pp

p





7:4

 







sfz







sfz

      7:4

 mp

   sfz



7:4





 



mp





















mp



 

 



f







 p

gliss

.

 mp



 





 













p

pp













mp



pp



7:4











 





 



 p

sfz



p

sfz









  

 

gliss.



f

p



 

sfz

 f





 sfz

pp

  

pp













p







 sfz

   



7:4



     





 

5:4



ff





 

f



 

 

p







 

  p

 

pp



ff









non vib. sul tasto





  

sfz

sfz

5:4











  

 





p







 sfz

let ring







f

f

sfz



 

mf





p

sfz







   

p

pp

sul pont.





 

mp

mp







  

f

 



mp











p









sfz

pp







gliss.

 p



 p









  

  

pp

p

sul pont.



p

sfz

ff



7:4



ord.





7:4



 



 pp

p





Crotales











5:4



p





sfz



  

pp

p

sfz



p



     





 



sfz

ord.





p





Sus.cymb.



p let ring



f





pp

pp

 



   



9:8





p



pp









Big drum

sul pont.



 mf









mf

p

pp



3:2







18

sfz



pp

p



 

p







 

pp

sul pont.

sul pont.

Cb.





sfz









 



p

Vc.













 

Crotales

p





p





Vla.



f

p







sfz

   

Vln. 2

  

f

pp

sul pont.

Vln. 1

  

 mp

  



f









 pp





mp

p







  

Big drum

Perc.



5:4

3:2



   



mp

ff

  

7:4







f

B. Cl.



p

 



 

. gliss







sfz

sfz

 



sfz pp

  

 sfz

7:4







 

ord.

  

sfz p

ord.





gliss.

p



 

p

 

sfz

pizz.







sfz







 

f



  



pp



75  

Fl.

 

 

 

 

 











sfz







   



19



 

sfz

7:4





 





     



9:8



















p



Ob.

 



B. Cl.



 









p

pp

p



3:2



pp





 







 



pp

p

pp

p



3:2







 

 

sfz





Tpt.





. gliss















 

 p





Big drum





5:4







gliss.







 

let ring





Pno.





Vln. 1

  

Vln. 2

 sfz





 

 





 

















 













 





  

 

gliss.

 





 

 



















 



 





 







  







 



 



Cb.

 arco





 

sfz













  

 





gliss.

   

sfz gliss.

   

 

sfz













  



  







pp



 





































pp 3:2









  p



non vib.

 





 



pp



p 3:2 3:2

 











 



gliss.

pp

p

 



 mf



pp









pp











3:2



 

 



 



sfz





3:2



p





3:2





pizz.

Vc.



p

p



p



9:8



3:2

 

p





. gliss



p







7:4

p

  



sfz

sfz

pp

p

 



9:8



p

p





 





pp



 sfz

sfz

Vla.



sfz

sfz



p let ring











5:4



p









Perc.







p

p

f Tam-tam



p

 







    

pizz.



 









arco

  pp 







 sul pont. arco



 



sfz pp



5:4



pizz.

  sfz

 

79  

Fl.

 

  







 

 

 











 

 

repeat 15 times 



 

 

 









7:4

pp

























 

20 





 







 







 

p



Ob.

B. Cl.





 

p









 





p









 









 

pp







 





p



pp



















p











 

5:4

 













 



   

 

 

 

 



 

 





Cb.

















 3:2









pp

p

 

5:4

 









    

 









  











9:8



















 



con sord. (with hand)

 5:4









 



3:2











5:4















pp

 



p



 



pp







 





 



3:2

 

  





 









5:4









 

p



 

 

pp

 

p

 



 

3:2











 

pizz.

 

 



 



 





p









 

 

 





  p







 

 











pp

gliss.









7:4







pp



5:4

 































 



 

 





 

 





 









 p





 

 









 









 











 











 











 

pp

 



































5:4









7:4



gliss.



pp pizz.









pp













5:4



p





  





p

pp

 









pp

p pizz.







p







  



 

pp

p





pp

pizz.

Vc.



pp

p





pp



Vla.



pp



7:4

p



p







 

p

  

Vln. 2



pp



pp

p



Vln. 1

 

pp

Vibraphone

Pno.





pp



senza sord.

pp

3:2





5:4



 



Perc.







p

5:4

p







p



con sord. (with hand)

Tpt.







5:4

 



7:4







 









  













pp

3:2

glis s.

pizz.





pizz.

 pp

83

 

 

Fl.

 































sfz





pp

3:2



























p



pp







p

pp

p

p







p



Tpt.







21





p

B. Cl.

 

sfz



Ob.

 



pp





Tam-tam







p

let ring

Perc.









  

Vln. 2



 















Vla.



















pp



















 



 



pizz.

 









p



sfz



p













sfz

p



 





  p



sfz

sfz









p



Vln. 1



pp



Pno.













p











sfz

Vc.

Cb.















 

sfz











 p

pp

 

87 Fl.

 



Ob.

B. Cl.







      

 

p

pp







Pno.





Vln. 1

 































p



  































p



















p



 





p

Perc.







let ring





22

sfz



Tpt.

 

 

 







  p



  

 











  













pizz.



 





















   







pp

p



 



p

 



 







 



sfz



Vln. 2



Vla.







 



p

gliss.

























pp



pizz.







pp



Vc.







pizz.



arco

 p

pp

Cb.









pizz.

 

pp









90 Fl.

  

Ob.

B. Cl.











p

 



















 



 

 



 



 





 

























  







p

pp







p

 











 











 



 

23 



p













p







p



p

 

pp

 

pp



  p



Sus.cymb.





gliss.

pp

p







p



Tpt.



 

   p













Perc.





Pno.





Crotales



  







 

 







 









 





5:4





 

   

 













p



gliss.









 pp













 pp

















7:4



sul pont.



 

p



p







glis



s.









 







 









 









 



 



mp







ord.



 



7:4





p



  







7:4





 





ord.



sul pont.



pp



 

7:4



ord.

 

mp



pizz. 











p

mp

p

gliss.











ord.



mp

p







pp



  











p

pp





7:4





 





p

 







 



p

mp

Cb.

p



sfz

Vc.

 





sul pont.

Vla.



p

pp







sfz

sfz

Vln. 2

 



sul pont.

Vln. 1





p

7:4

 







95 Fl.

  

Ob.

B. Cl.





 







   

 

 











 

3:2

3:2











 

24



















 



 



 

 

pp



















pp







 



pp

pp





Tpt.

 



























Perc.





 













Vibraphone



Vln. 1













3:2



 

 



















 



 



  













pp

  



Vc.











Vla.





3:2



pp

 

Vln. 2

Cb.







pp



pp

Pno.







pp







pp

 



pp



  

gliss .



 





 







 









 









 