2371 Paintings
71A. Clémentine Hélène Dufau (French, 1869-1937) La Fronde, 1898. Signed and identified in the matrix, identified on a label from the Uptown Gallery, New York, on the reverse. Color lithographic poster on paper, image size 37 1/4 x 53 in. (95.0 x 134.5 cm), framed. Condition: Creases, probable repairs, unobtrusive toning, not examined out of frame. $2,000-4,000
71A
72. Frank Duveneck (American, 1848-1919) Along the Grand Canal. Signed “FDuveneck” in pencil l.r., monogrammed in the plate. Etching on paper, plate size 8 5/8 x 13 in. (21.6 x 32.9 cm), matted, unframed. Condition: Margins 3 inches or more, toning, foxing. $700-900
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73. Richard Estes (American, b. 1932) Manhattan, from URBAN LANDSCAPES NO. 3, 1981, edition of 250 (Arthur, p. 120-121). Signed “Richard Estes” in pencil l.r., numbered “189/250” in pencil l.l. Color screenprint on paper, image size 14 x 20 in. (35.5 x 50.7 cm), framed. Condition: Not examined out of frame. $1,000-1,500
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74. Richard Estes (American, b. 1932) Flughafen, from URBAN LANDSCAPES NO. 3, 1981, edition of 250 (Arthur, p. 121). Signed “Richard Estes” in pencil l.r., numbered “189/250” in pencil l.l., identified on a label on the reverse. Color screenprint on paper, image size 14 x 20 in. (35.5 x 50.7 cm), framed. Condition: Not examined out of frame. $1,000-1,500
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75. Richard Estes (American, b. 1932) Lakewood Mall, from URBAN LANDSCAPES NO. 3, 1981, edition of 250 (Arthur, p. 123). Signed “Richard Estes” in pencil l.r., numbered “189/250” in pencil l.l., identified on labels on the reverse. Color screenprint on paper, image size 14 x 20 in. (35.5 x 50.7 cm), framed. Condition: Not examined out of frame. $1,000-1,500
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76. Churchill Ettinger (American, 1903-1984) Mallards Alighting. Signed “Churchill Ettinger” in pencil l.r. Drypoint on paper, plate size 5 7/8 x 7 7/8 in. (14.9 x 20.0 cm), matted, unframed. Condition: Light struck, margins 1 1/2 inches or more with brown paper tape to edges. $300-500
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77. H.P. Evans (British, fl. circa 1930)
78. Hans Figura (Austrian, b. 1898)
A Bustling Waterway, Possibly the Thames. Signed “H.P. Evans” in pencil l.r. Etching on paper, plate size 6 1/8 x 10 1/4 in. (15.5 x 26.0 cm), partially matted, unframed. Condition: Mat burn, foxing, black hinging tape to upper edge. $300-350
Lot of Two Village Views: The Alpine Valley and Winter on the Hill. Both signed “hans Figura” in pencil l.r. Color etchings with aquatint on paper and silk, respectively, plate sizes to 7 7/8 x 6 3/8 in. (19.8 x 16.1 cm), framed. Condition: Several fox marks, not examined out of frames. $300-500
79. Hans Figura (Austrian, b. 1898) Lot of Two Shore Views: Fishing Boats on the Danube and Fisherwomen and Ketches, edition of 300. Both signed “Figura” in pencil l.r. Color etchings with aquatint on paper, plate sizes to 5 3/4 x 10 1/2 in. (14.5 x 26.6 cm), framed. Condition: Subtle toning, not examined out of frames. $300-500
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80
81
80. Tsuguharu Foujita (Japanese/French, 1886-1968)
81. Sam Francis (American, 1923-1994)
Jeune fille assise avec un chat, 1956, edition of 100. Signed “Foujita” in pencil l.r. and in the matrix, numbered “21/100” in pencil l.l. Color lithograph on paper, image size 15 x 12 7/8 in. (38.1 x 32.6 cm), framed. Condition: Subtle toning, pinpoint foxing, not examined out of frame. $1,000-1,500
Cloud Rock, and Kayo 4 Years Old - Red Eye, both from ONE CENT LIFE, 1964, printed on a single sheet, edition of 2100 plus proofs (Lembark, L80 & L81). Signed and identified in the matrix, text on the reverse. Color lithographs on paper, images/sheet size 16 1/8 x 22 7/8 in. (41.0 x 58.0 cm), framed. Condition: Central crease, toning. $800-1,200
82. Mary Frank (American, b. 1933) Tulip B, 1982. Signed “Mary Frank” in pencil l.r., identified on a label from the Makler Gallery, Philadelphia, accompanying the lot. Color monotype on BFK Rives paper with watermark, plate size 17 7/8 x 25 1/4 in. (45.3 x 64.0 cm), unmatted, unframed. Condition: Margins over 1 inch with deckled edges, minor soiling and handling creases. Provenance: From the collection of Anne Houston, Philadelphia. $700-900
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84
83. Helen Frankenthaler (American, b. 1928)
84. Lot of Three Portrait Etchings:
Free Wheeling, 1971, edition of 21 plus proofs, published by ULAE (Harrison, 31). Signed, dated and numbered “Frankenthaler ‘71 2/21” in pencil l.r., publisher’s drystamp l.l. Etching and color pochoir on paper, plate size 30 3/4 x 21 3/4 in. (78.0 x 55.0 cm), framed. Condition: Deckled edges, not examined out of frame. $1,500-3,000
Emile Fuchs (American, 1866-1929), Sphynx; Franklin T. Wood (American, 1887-1945), Profile of a Bearded Gentleman and Allegory. Each signed in pencil l.r., the first identified on a label from Julius G. Haas, New York, on the reverse. Plate sizes to 9 1/4 x 12 3/4 in. (23.4 x 32.3 cm), framed. Condition: Toning (primarily to the Woods), not examined out of frames. $500-700
85. Wanda Gag (American, 1893-1946) Ploughed Fields, 1936, published by the American Artists Group. Unsigned, identified in publication information on the mat. Lithograph on paper, image size 8 7/8 x 11 1/4 in. (22.4 x 28.5 cm), matted, unframed. Condition: Margins 1 inch or more, toning. $500-700
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86. James Francis Gill (American, b. 1934) Lot of Two Images: Untitled (Diptych), 1965, edition of 10; and Untitled, 1965, edition of 20. Both signed and dated “Gill 65” in pencil l.r. and numbered in pencil l.l., both annotated on the reverse and with Tamarind Lithography Workshop and other drystamps l.r. Lithographs on paper, image sizes to 23 1/2 x 33 3/4 in. (59.5 x 85.6 cm), unmatted, unframed. Condition: Minor handling marks and creases. Provenance: The sale of this work will benefit a university art museum. $300-350 87. Robert Arthur Goodnough (American, b. 1917) Untitled, 1961, edition of 25. Signed and dated “Goodnough 61” in pencil l.r., numbered and inscribed “10/25 I” in pencil l.l. Color lithograph on paper, image size 17 x 12 1/2 in. (43.2 x 31.7 cm), framed. Condition: Not examined out of frame. $400-600 88. Robert Arthur Goodnough (American, b. 1917)
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Ole Chief III, 1961. Signed and dated “Robert Goodnough 3/1/61” in pencil l.r., inscribed and titled “Artist’s proof...” in pencil l.l. Lithograph on paper, image size 16 3/4 x 11 3/4 in. (42.4 x 29.8 cm), framed. Condition: Subtle toning, not examined out of frame. $400-600
90
89
89. Adolph Gottlieb (American, 1903-1974)
90. Günter Grass (German, b. 1927)
Green Halo, White Ground, 1966, edition of 50. Signed and dated “Adolph Gottlieb 1966” in pencil l.l., numbered “49/50” in pencil l.r. Color lithograph on paper, image size 16 1/4 x 10 in. (41.2 x 25.4 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $600-800
ORIGINALGRAPHIK/A Portfolio of Seven Prints, 1970, edition of 350. Each signed “Gunter Grass” in pencil l.r. and numbered “52/350” in pencil l.l., identified on colophon page. Lithographs in black and grays on wove paper with watermark “J. PERRIGON...,” sheet sizes 30 1/2 x 20 3/4 in. (77.3 x 52.5 cm), presented in a wooden portfolio box. Condition: Minor handling marks and creases to edges (primarily near corners). $800-1,200
91. John Worthington Gregory (American, 1903-1992) End of the Wharf - Provincetown, 1941. Signed and dated “John WGregory 1941” in pencil l.r., titled in pencil l.l., dedicated “To Mr. and Mrs. Hatch” in pencil l.c. Lithograph on paper, image size 13 1/4 x 9 in. (33.5 x 22.8 cm), framed (without glass). Condition: Subtle toning, not examined out of frame. N.B. The lot is accompanied by four of Gregory’s photographs of Cape Cod. $300-500
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92. Frederick Landseer Maur Griggs (British, 1876-1938) Owlpen Manor, 1930. Signed “FLGriggs.” in pencil l.r., initialed and dated in the plate, annotated along the lower edge, collector’s stamp on the reverse. Etching on laid paper, plate size 7 5/8 x 9 3/8 in. (19.3 x 23.7 cm), unmatted, unframed. Condition: Margins 1 1/4 inches or more with deckled upper edge, staining, foxing. $800-1,200
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93. Salvatore Grippi (American, b. 1921) Three Figures, One Winged, 1955. Titled, dated and signed “...1955 Salvatore Grippi” in pencil on the reverse. Etching and aquatint on paper, image size 9 5/8 x 13 3/4 in. (24.3 x 35.0 cm), unmatted, unframed. Condition: Subtle staining and soiling. Provenance: The sale of this work will benefit a university art museum. $300-350
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93A. Brion Gysin (American, 1916-1986) Lot of Two Shore Views, editions of 90. Both signed “Brion” in pencil l.r. and numbered in pencil l.l. Color woodcuts on paper, image sizes to 13 1/4 x 18 1/2 in. (33.5 x 46.8 cm), unmatted, unframed. Condition: Minor handling marks and creases, scattered fox marks. Provenance: The sale of this work will benefit a university art museum. $300-350
93A
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94
94. Francis Seymour Haden (British, 1818-1910) Lot of Two Landscapes: Fulham, c. 1859, probably the eighth state of twelve (Schneiderman, 22); and Cowdray (Castle with Geese), 1882 (Schneiderman, 208). Both signed and identified in the plate. Etchings on paper, image sizes to 8 x 9 1/4 in. (20.3 x 23.4 cm), matted, unframed. Condition: Minor toning, margins to former approximately 1/4 inch, to latter 1/2 inch or more. $400-600
95. Francis Seymour Haden (British, 1818-1910)
95
Brentford Ferry, 1864 (Schneiderman, 70). Signed “Seymour Haden” in pencil l.r., inscribed, signed and dated in the plate. Etching on paper, plate size 5 1/2 x 8 1/2 in. (13.7 x 21.4 cm), matted, unframed. Condition: Margins 1 inch or more, pale toning and foxing. $300-350
96. Francis Seymour Haden (British, 1818-1910) Little Calais Pier, 1865, third state of five (Schneiderman, 88). Signed “Seymour Haden” in pencil l.r., inscribed, signed and dated in the plate. Etching on paper, plate size 3 x 6 1/4 in. (7.5 x 15.8 cm), framed. Condition: Stains, losses, and repairs to corners (including areas just into the image at the upper corners), margins about 1/4 inch, not examined out of frame. $300-500
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97. Richard C. Harden (American, b. 1956) Lot of Four Views: Cyclo, 1985, edition of 40; Manhattan Avenue, 1985; Burning Man, 1985; and Stacks, 1985. Each signed or initialed in pencil l.l., inscribed “SC/...MCL” in pencil l.l., and identified in an inscription on the reverse. Various intaglio processes including drypoint and mezzotint on paper, sheet sizes to 19 3/4 x 15 1/2 in. (50.0 x 39.3 cm), unmatted, unframed. Condition: Deckled edges, very subtle handling marks and creases. $500-700 98. Richard C. Harden (American, b. 1956) Warships, 1987, edition of 20. Initialed “RCH” in pencil l.l., inscribed “SC/JMCL...” in pencil l.l., identified in an inscription on the reverse. Lithograph on cream paper, sheet size 22 1/2 x 29 1/2 in. (57.0 x 74.8 cm), unmatted, unframed. Condition: Deckled edges, very subtle handling marks and creases. $300-500
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99. Richard C. Harden (American, b. 1956) Lot of Five Views: Eastward, 1988, edition of 20; Mystic Bridge, 1989, edition of 25; Munitions, 1989, edition of 15; Submarine, 1990, edition of 25; and Stacks Version 2, 1991, edition of 20. Each signed or initialed in pencil l.l., inscribed “SC/...MCL” in pencil l.l., and identified in an inscription on the reverse. Lithographs on paper, sheet sizes to 22 1/2 x 15 in. (56.2 x 38.1 cm), unmatted, unframed. Condition: Most edges deckled, very subtle handling marks and creases. $700-900
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100
100. Richard C. Harden (American, b. 1956)
102. Richard C. Harden (American, b. 1956)
Lot of Four Views: Sanctus Sanctorum, 1988, edition of 25; Spree Canal, from BERLIN WALL II, 1990, edition of 25; Burning Fields, 1990, edition of 25; and Confession, from POLAND 1990 PROJECT, 1991, edition of 25. Each signed or initialed in pencil l.l., inscribed “SC/...MCL” in pencil l.l., and identified in an inscription on the reverse. Lithographs on tinted papers, sheet sizes to 22 1/8 x 30 in. (56.2 x 76.2 cm), unmatted, unframed. Condition: Deckled edges, subtle handling marks and creases. $1,000-1,500
Lot of Four Views: Jaggernaut, 1989, edition of 25; The Angellus, 1989, edition of 20; Between the Walls, from POLAND-BERLIN 1990 PROJECT, 1990, edition of 25; and Forbidden City, 1993, edition of 20. Each signed or initialed in pencil l.l., inscribed “SC/...MCL” in pencil l.l., and identified in an inscription on the reverse. Lithographs on paper, sheet sizes to 22 1/2 x 15 in. (56.2 x 38.1 cm), unmatted, unframed. Condition: Most edges deckled, very subtle handling marks and creases. $500-700
101. Richard C. Harden (American, b. 1956) Lot of Three Views: What Remains, 1989-1990, edition of 25; Hulls, Poland, 1990, edition of 25; and New Order, 1990, edition of 25. Each signed or initialed in pencil l.l., inscribed “SC/MCL...” in pencil l.l., and identified in an inscription on the reverse. Lithographs on cream Arches paper with watermark, sheet sizes 22 1/8 x 30 in. (56.2 x 76.2 cm), unmatted, unframed. Condition: Deckled edges, very subtle handling marks and creases. $1,000-1,500
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103. Richard C. Harden (American, b. 1956) Lot of Two Views: Broken Walls, from BERLIN-POLAND PROJECT, 1990, edition of 25; and Platform 4, 1990, edition of 25. Both signed or initialed in pencil l.l., inscribed “SC/MCL” in pencil l.l., and identified in an inscription on the reverse. Lithographs on cream Arches paper with watermark, sheet sizes 22 1/8 x 30 in. (56.2 x 76.2 cm), unmatted, unframed. Condition: Deckled edges, very subtle handling marks and creases. $700-900
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104. Ernest Huntley Hart (American, b. 1910) Mates, published by Associated American Artists. Signed “Ernest H. Hart” in pencil l.r., signed in the matrix, identified on an AAA label accompanying the lot. Lithograph on paper, image size 10 x 14 in. (25.4 x 35.5 cm), matted, unframed. Condition: Pinpoint foxing, brown paper tape to edges on the reverse. $300-350
104
105. George Kenneth Hartwell (American, 1891-1949) Martin’s Lane, Nantucket, 1939. Signed and dated “Kenneth Hartwell, imp, 1939” in pencil l.r., titled in pencil l.l. Lithograph on paper, image size 8 1/4 x 7 1/4 in. (20.9 x 18.3 cm), matted, unframed. Condition: Margins 3/4 inches or more, subtle toning. $300-500
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107
106. Frederick Childe Hassam (American, 1859-1935)
107. James Dexter Havens (American, 1900-1960)
Bowling on the Green, from the TWENTY MASTERPIECES IN ETCHING: LIFE OF GEORGE WASHINGTON Portfolio, 1932 (Cortissoz, 377). Monogrammed in pencil l.r., monogrammed, inscribed and dated in the plate. Etching on laid paper with Washington’s monogram watermark, plate size 8 1/4 x 13 1/4 in. (21.0 x 33.7 cm), framed (without glass). Condition: Subtle toning, not examined out of frame. $800-1,200
Wet Snow, 1946, edition of 75. Signed and dated “James D. Havens - Sc-Imp-1946-” in pencil l.r., titled and numbered “...5/75-” in pencil l.l., monogrammed in the block. Color woodcut on paper, image size 6 1/2 x 5 in. (16.5 x 12.6 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $300-350
108. Charles Emile Heil (American, 1870-1950) Two Young Blue Jays, first state. Signed “Charles E Heil -” in pencil l.r., titled, annotated and signed on the reverse. Etching with engraving on laid paper, plate size 5 1/2 x 7 7/8 in. (14.0 x 20.0 cm), matted, unframed. Condition: Margins approximately 1 inch, unobtrusive toning, subtle soiling. $300-500
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110 109
109. Paul César Helleu (French, 1859-1927) Portrait de Femme, c. 1898. Signed “Helleu” in pencil l.r. Drypoint printed in brown and blue on paper, plate size 16 x 10 in. (40.6 x 25.5 cm), framed. Condition: Not examined out of frame. $800-1,200
110. Paul César Helleu (French, 1859-1927) Le Masque. Signed “Helleu” in pencil l.r. Color etching on paper, sight size 20 3/4 x 12 3/4 in. (52.5 x 32.3 cm), framed. Condition: Toning, pinpoint foxing, not examined out of frame. $4,000-6,000
111. Paul César Helleu (French, 1859-1927) Le Chapeau. Signed “Helleu” in pencil l.r. Color etching on paper, plate size 21 5/8 x 13 3/4 in. (54.8 x 34.8 cm), framed. Condition: Toning, scattered foxing, not examined out of frame. $4,000-6,000
111
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112
112. Morris Henry Hobbs (American, 1892-1967) 113
Sun Worshippers. Signed “Morris Henry Hobbs” in pencil l.r., titled in pencil l.l., an Associated American Artists label on the reverse identifies the work as Louise. Etching on paper, plate size 2 3/4 x 2 1/4 in. (7.0 x 5.5 cm), framed. Condition: Margins 1/4 inch or more, not examined out of frame. $300-350
113. David Hockney (British, b. 1937) Parade Metropolitan Opera N.Y., 1981. Signed and identified in the matrix. Color screenprint on paper, image size 79 1/2 x 40 in. (201.9 x 101.5 cm), framed. Condition: Not examined out of frame. $1,200-1,800
114. Earl Horter (American, 1881-1940) New York Waterfront, c. 1925. Signed “EHorter-” in pencil l.r. Etching on paper, plate size 11 1/4 x 8 1/2 in. (29.6 x 21.6 cm), matted, unframed. Condition: Margins 1 1/4 inches or more, repaired tears to left margin (not into image), creases and soiling to margins. N.B. A copy of The Colophon, part fourteen, 1933, containing an original pencil-signed Horter aquatint accompanies the lot. $400-600
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115 115A
115. Helen Hyde (American, 1868-1919)
115A. Louis Icart (French, 1888-1950)
In Kite Time, 1903 (Mason, 53). Signed “Helen Hyde” in pencil (within image) l.l., numbered “77” in pencil (within image) l.r., artist’s chop l.r., monogrammed in the plate. Color etching on paper, plate size 7 1/2 x 5 7/8 in. (19.0 x 14.9 cm), affixed to backing mat, unframed. Condition: Foxing, toning, glued to mat in center of upper edge. $300-350
Petits Chiens, 1925 (Holland et al., 254). Signed “Louis Icart” in pencil l.r. Color etching with aquatint and stencil color on paper, oval format, plate size 17 x 21 1/2 in. (43.0 x 54.5 cm), framed. Condition: Creases or breaks (some within platemark but outside of the image), not examined out of frame. $700-900
115B. Louis Icart (French, 1888-1950) Dans les Passes, 1928 (Holland et al., 334). Signed “Louis Icart” in pencil l.r., dated in publication information in the plate, artist’s drystamp l.l., identified on a fragmentary label on the reverse. Color etching with aquatint and stencil color on paper, plate size 12 1/4 x 17 in. (31.0 x 43.1 cm), framed. Condition: Toning, fox marks, not examined out of frame. $600-800
115B
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116
115C
115C. Louis Icart (French, 1888-1950)
116. Charles Émile Jacque (French, 1813-1894)
Vieux Montmartre, 1932 (Holland et al., 421). Signed “Louis Icart” in pencil l.r., dated in publication information in the plate, artist’s drystamp l.l. Color etching with aquatint and stencil color on paper, plate size 12 1/4 x 17 in. (31.0 x 43.1 cm), framed. Condition: Margins 3 inches or more, unobtrusive toning, subtle rippling, not examined out of frame. $700-900
Paysage Chaumieres - Cottages, 1845, final state of three (Guiffrey, 69). Signed in the plate, initialed and inscribed “Bon a tirer Ch J” in pencil l.r., collector’s stamp u.r. (in the image). Etching on paper, image size 3 3/4 x 5 3/8 in. (9.5 x 13.5 cm), framed. Condition: Trimmed to or just within the platemark, not examined out of frame. $400-600
117. Jasper Johns (American, b. 1930) Cup 2 Picasso, 1973, from the larger edition published for XXe SIECLE. Signed and dated in the matrix. Color offset lithograph on paper, image size 11 3/4 x 10 1/4 in. (29.8 x 26.0 cm), framed. Condition: Not examined out of frame. $400-600
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118. Max Kahn (American, b.1903) Owls in a Tree, 1949, edition of 19. Signed and dated “Max Kahn 49” in pencil l.r., titled in pencil l.c., numbered “7/19” in pencil l.l. Color woodcut on paper, image size 24 x 17 1/4 in. (60.8 x 43.6 cm), unmatted, unframed. Condition: Tape/binding residue to left edge on the reverse, minor handling marks and creases. Provenance: The sale of this work will benefit a university art museum. $300-350 119. Philip Kappel (American, 1901-1981) Lot of Two Images: Cargo Ship and The Mail Boat. Both signed “Philip Kappel” in pencil l.r., the latter dedicated “...For Florence P. Austin 1942” in pencil l.l. Etchings on paper, plate sizes to 7 7/8 x 9 7/8 in. (20.0 x 25.0 cm), the former framed, the latter unmatted, unframed. Condition: Subtle toning, former not examined out of frame. $500-700 120. Andrew B. Karoly (Hungarian/American, b. 1893) 118
Lot of Two Street Views: Broad and Wall, published by Associated American Artists, and Street of Rouen. Both signed “A. Karoly” in pencil l.r. Etchings on paper, plate sizes to 11 3/4 x 9 7/8 in. (29.7 x 25.0 cm), framed. Condition: Unobtrusive toning, not examined out of frames. Provenance: Ex-collection of the Fuller Museum of Art. $300-350
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122
121. Luigi Kasimir (Austrian, 1881-1962)
122. Rockwell Kent (American, 1882-1971)
Princeton - Holder Hall, 1936, edition of 100. Signed “Luigi Kasimir” in pencil l.r., inscribed and numbered “Princeton 6/100” in pencil l.l., identified in the plate and with stamp l.c. Color etching and aquatint on paper, plate size 16 3/4 x 11 3/4 in. (42.4 x 29.8 cm), framed. Condition: Subtle toning, subtle water staining l.l., not examined out of frame. $300-350
Angel, 1926, edition of 1575 (Jones, 12). Signed “Rockwell Kent.” in pencil l.r. Wood engraving on Shogun paper with partial watermark, image size 4 3/4 x 6 3/8 in. (12.0 x 16.0 cm), framed. Condition: Toning, mat burn, annotations to lower margin. Provenance: A private New England collection. $400-600
123. Rockwell Kent (American, 1882-1971) Starry Night, 1933, edition of 1750 (Jones, 103). Signed “Rockwell Kent.” in pencil l.r. Wood engraving on paper, image size 7 x 4 7/8 in. (17.7 x 12.5 cm), framed. Condition: Not examined out of frame. Provenance: A private New England collection. $300-500
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123A. Rockwell Kent (American, 1882-1971) The Sonnets, illustration for THE COMPLETE WORKS OF WILLIAM SHAKESPEARE, 1936. Signed “Rockwell Kent.” in pencil l.r. Lithograph on paper, image size 8 1/4 x 6 1/4 in. (20.8 x 15.8 cm), framed. Condition: Subtle rippling, not examined out of frame. Provenance: A private New England collection. N.B. The lot is accompanied by a partial box of bookplates designed by Kent. $400-600 124. Troy Kinney (American, 1871-1938) Terpsichore. Signed “Troy Kinney” in pencil l.r., Chicago Society of Etchers drystamp l.l. Drypoint on paper, plate size 8 1/4 x 5 5/8 in. (20.8 x 14.3 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $300-500 125. Marguerite Kirmse (American, 1885-1954)
123A
Hold It. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l. Etching on paper, plate size 6 1/4 x 9 in. (15.8 x 22.8 cm), framed. Condition: Not examined out of frame. $300-350
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71A
72. Frank Duveneck (American, 1848-1919) Along the Grand Canal. Signed “FDuveneck” in pencil l.r., monogrammed in the plate. Etching on paper, plate size 8 5/8 x 13 in. (21.6 x 32.9 cm), matted, unframed. Condition: Margins 3 inches or more, toning, foxing. $700-900
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73. Richard Estes (American, b. 1932) Manhattan, from URBAN LANDSCAPES NO. 3, 1981, edition of 250 (Arthur, p. 120-121). Signed “Richard Estes” in pencil l.r., numbered “189/250” in pencil l.l. Color screenprint on paper, image size 14 x 20 in. (35.5 x 50.7 cm), framed. Condition: Not examined out of frame. $1,000-1,500
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74. Richard Estes (American, b. 1932) Flughafen, from URBAN LANDSCAPES NO. 3, 1981, edition of 250 (Arthur, p. 121). Signed “Richard Estes” in pencil l.r., numbered “189/250” in pencil l.l., identified on a label on the reverse. Color screenprint on paper, image size 14 x 20 in. (35.5 x 50.7 cm), framed. Condition: Not examined out of frame. $1,000-1,500
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75. Richard Estes (American, b. 1932) Lakewood Mall, from URBAN LANDSCAPES NO. 3, 1981, edition of 250 (Arthur, p. 123). Signed “Richard Estes” in pencil l.r., numbered “189/250” in pencil l.l., identified on labels on the reverse. Color screenprint on paper, image size 14 x 20 in. (35.5 x 50.7 cm), framed. Condition: Not examined out of frame. $1,000-1,500
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76. Churchill Ettinger (American, 1903-1984) Mallards Alighting. Signed “Churchill Ettinger” in pencil l.r. Drypoint on paper, plate size 5 7/8 x 7 7/8 in. (14.9 x 20.0 cm), matted, unframed. Condition: Light struck, margins 1 1/2 inches or more with brown paper tape to edges. $300-500
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78
77. H.P. Evans (British, fl. circa 1930)
78. Hans Figura (Austrian, b. 1898)
A Bustling Waterway, Possibly the Thames. Signed “H.P. Evans” in pencil l.r. Etching on paper, plate size 6 1/8 x 10 1/4 in. (15.5 x 26.0 cm), partially matted, unframed. Condition: Mat burn, foxing, black hinging tape to upper edge. $300-350
Lot of Two Village Views: The Alpine Valley and Winter on the Hill. Both signed “hans Figura” in pencil l.r. Color etchings with aquatint on paper and silk, respectively, plate sizes to 7 7/8 x 6 3/8 in. (19.8 x 16.1 cm), framed. Condition: Several fox marks, not examined out of frames. $300-500
79. Hans Figura (Austrian, b. 1898) Lot of Two Shore Views: Fishing Boats on the Danube and Fisherwomen and Ketches, edition of 300. Both signed “Figura” in pencil l.r. Color etchings with aquatint on paper, plate sizes to 5 3/4 x 10 1/2 in. (14.5 x 26.6 cm), framed. Condition: Subtle toning, not examined out of frames. $300-500
79
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80
81
80. Tsuguharu Foujita (Japanese/French, 1886-1968)
81. Sam Francis (American, 1923-1994)
Jeune fille assise avec un chat, 1956, edition of 100. Signed “Foujita” in pencil l.r. and in the matrix, numbered “21/100” in pencil l.l. Color lithograph on paper, image size 15 x 12 7/8 in. (38.1 x 32.6 cm), framed. Condition: Subtle toning, pinpoint foxing, not examined out of frame. $1,000-1,500
Cloud Rock, and Kayo 4 Years Old - Red Eye, both from ONE CENT LIFE, 1964, printed on a single sheet, edition of 2100 plus proofs (Lembark, L80 & L81). Signed and identified in the matrix, text on the reverse. Color lithographs on paper, images/sheet size 16 1/8 x 22 7/8 in. (41.0 x 58.0 cm), framed. Condition: Central crease, toning. $800-1,200
82. Mary Frank (American, b. 1933) Tulip B, 1982. Signed “Mary Frank” in pencil l.r., identified on a label from the Makler Gallery, Philadelphia, accompanying the lot. Color monotype on BFK Rives paper with watermark, plate size 17 7/8 x 25 1/4 in. (45.3 x 64.0 cm), unmatted, unframed. Condition: Margins over 1 inch with deckled edges, minor soiling and handling creases. Provenance: From the collection of Anne Houston, Philadelphia. $700-900
82
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83
84
83. Helen Frankenthaler (American, b. 1928)
84. Lot of Three Portrait Etchings:
Free Wheeling, 1971, edition of 21 plus proofs, published by ULAE (Harrison, 31). Signed, dated and numbered “Frankenthaler ‘71 2/21” in pencil l.r., publisher’s drystamp l.l. Etching and color pochoir on paper, plate size 30 3/4 x 21 3/4 in. (78.0 x 55.0 cm), framed. Condition: Deckled edges, not examined out of frame. $1,500-3,000
Emile Fuchs (American, 1866-1929), Sphynx; Franklin T. Wood (American, 1887-1945), Profile of a Bearded Gentleman and Allegory. Each signed in pencil l.r., the first identified on a label from Julius G. Haas, New York, on the reverse. Plate sizes to 9 1/4 x 12 3/4 in. (23.4 x 32.3 cm), framed. Condition: Toning (primarily to the Woods), not examined out of frames. $500-700
85. Wanda Gag (American, 1893-1946) Ploughed Fields, 1936, published by the American Artists Group. Unsigned, identified in publication information on the mat. Lithograph on paper, image size 8 7/8 x 11 1/4 in. (22.4 x 28.5 cm), matted, unframed. Condition: Margins 1 inch or more, toning. $500-700
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86
87
86. James Francis Gill (American, b. 1934) Lot of Two Images: Untitled (Diptych), 1965, edition of 10; and Untitled, 1965, edition of 20. Both signed and dated “Gill 65” in pencil l.r. and numbered in pencil l.l., both annotated on the reverse and with Tamarind Lithography Workshop and other drystamps l.r. Lithographs on paper, image sizes to 23 1/2 x 33 3/4 in. (59.5 x 85.6 cm), unmatted, unframed. Condition: Minor handling marks and creases. Provenance: The sale of this work will benefit a university art museum. $300-350 87. Robert Arthur Goodnough (American, b. 1917) Untitled, 1961, edition of 25. Signed and dated “Goodnough 61” in pencil l.r., numbered and inscribed “10/25 I” in pencil l.l. Color lithograph on paper, image size 17 x 12 1/2 in. (43.2 x 31.7 cm), framed. Condition: Not examined out of frame. $400-600 88. Robert Arthur Goodnough (American, b. 1917)
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46
Ole Chief III, 1961. Signed and dated “Robert Goodnough 3/1/61” in pencil l.r., inscribed and titled “Artist’s proof...” in pencil l.l. Lithograph on paper, image size 16 3/4 x 11 3/4 in. (42.4 x 29.8 cm), framed. Condition: Subtle toning, not examined out of frame. $400-600
90
89
89. Adolph Gottlieb (American, 1903-1974)
90. Günter Grass (German, b. 1927)
Green Halo, White Ground, 1966, edition of 50. Signed and dated “Adolph Gottlieb 1966” in pencil l.l., numbered “49/50” in pencil l.r. Color lithograph on paper, image size 16 1/4 x 10 in. (41.2 x 25.4 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $600-800
ORIGINALGRAPHIK/A Portfolio of Seven Prints, 1970, edition of 350. Each signed “Gunter Grass” in pencil l.r. and numbered “52/350” in pencil l.l., identified on colophon page. Lithographs in black and grays on wove paper with watermark “J. PERRIGON...,” sheet sizes 30 1/2 x 20 3/4 in. (77.3 x 52.5 cm), presented in a wooden portfolio box. Condition: Minor handling marks and creases to edges (primarily near corners). $800-1,200
91. John Worthington Gregory (American, 1903-1992) End of the Wharf - Provincetown, 1941. Signed and dated “John WGregory 1941” in pencil l.r., titled in pencil l.l., dedicated “To Mr. and Mrs. Hatch” in pencil l.c. Lithograph on paper, image size 13 1/4 x 9 in. (33.5 x 22.8 cm), framed (without glass). Condition: Subtle toning, not examined out of frame. N.B. The lot is accompanied by four of Gregory’s photographs of Cape Cod. $300-500
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92. Frederick Landseer Maur Griggs (British, 1876-1938) Owlpen Manor, 1930. Signed “FLGriggs.” in pencil l.r., initialed and dated in the plate, annotated along the lower edge, collector’s stamp on the reverse. Etching on laid paper, plate size 7 5/8 x 9 3/8 in. (19.3 x 23.7 cm), unmatted, unframed. Condition: Margins 1 1/4 inches or more with deckled upper edge, staining, foxing. $800-1,200
92
93. Salvatore Grippi (American, b. 1921) Three Figures, One Winged, 1955. Titled, dated and signed “...1955 Salvatore Grippi” in pencil on the reverse. Etching and aquatint on paper, image size 9 5/8 x 13 3/4 in. (24.3 x 35.0 cm), unmatted, unframed. Condition: Subtle staining and soiling. Provenance: The sale of this work will benefit a university art museum. $300-350
93
93A. Brion Gysin (American, 1916-1986) Lot of Two Shore Views, editions of 90. Both signed “Brion” in pencil l.r. and numbered in pencil l.l. Color woodcuts on paper, image sizes to 13 1/4 x 18 1/2 in. (33.5 x 46.8 cm), unmatted, unframed. Condition: Minor handling marks and creases, scattered fox marks. Provenance: The sale of this work will benefit a university art museum. $300-350
93A
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94
94. Francis Seymour Haden (British, 1818-1910) Lot of Two Landscapes: Fulham, c. 1859, probably the eighth state of twelve (Schneiderman, 22); and Cowdray (Castle with Geese), 1882 (Schneiderman, 208). Both signed and identified in the plate. Etchings on paper, image sizes to 8 x 9 1/4 in. (20.3 x 23.4 cm), matted, unframed. Condition: Minor toning, margins to former approximately 1/4 inch, to latter 1/2 inch or more. $400-600
95. Francis Seymour Haden (British, 1818-1910)
95
Brentford Ferry, 1864 (Schneiderman, 70). Signed “Seymour Haden” in pencil l.r., inscribed, signed and dated in the plate. Etching on paper, plate size 5 1/2 x 8 1/2 in. (13.7 x 21.4 cm), matted, unframed. Condition: Margins 1 inch or more, pale toning and foxing. $300-350
96. Francis Seymour Haden (British, 1818-1910) Little Calais Pier, 1865, third state of five (Schneiderman, 88). Signed “Seymour Haden” in pencil l.r., inscribed, signed and dated in the plate. Etching on paper, plate size 3 x 6 1/4 in. (7.5 x 15.8 cm), framed. Condition: Stains, losses, and repairs to corners (including areas just into the image at the upper corners), margins about 1/4 inch, not examined out of frame. $300-500
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97. Richard C. Harden (American, b. 1956) Lot of Four Views: Cyclo, 1985, edition of 40; Manhattan Avenue, 1985; Burning Man, 1985; and Stacks, 1985. Each signed or initialed in pencil l.l., inscribed “SC/...MCL” in pencil l.l., and identified in an inscription on the reverse. Various intaglio processes including drypoint and mezzotint on paper, sheet sizes to 19 3/4 x 15 1/2 in. (50.0 x 39.3 cm), unmatted, unframed. Condition: Deckled edges, very subtle handling marks and creases. $500-700 98. Richard C. Harden (American, b. 1956) Warships, 1987, edition of 20. Initialed “RCH” in pencil l.l., inscribed “SC/JMCL...” in pencil l.l., identified in an inscription on the reverse. Lithograph on cream paper, sheet size 22 1/2 x 29 1/2 in. (57.0 x 74.8 cm), unmatted, unframed. Condition: Deckled edges, very subtle handling marks and creases. $300-500
97
99. Richard C. Harden (American, b. 1956) Lot of Five Views: Eastward, 1988, edition of 20; Mystic Bridge, 1989, edition of 25; Munitions, 1989, edition of 15; Submarine, 1990, edition of 25; and Stacks Version 2, 1991, edition of 20. Each signed or initialed in pencil l.l., inscribed “SC/...MCL” in pencil l.l., and identified in an inscription on the reverse. Lithographs on paper, sheet sizes to 22 1/2 x 15 in. (56.2 x 38.1 cm), unmatted, unframed. Condition: Most edges deckled, very subtle handling marks and creases. $700-900
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100
100. Richard C. Harden (American, b. 1956)
102. Richard C. Harden (American, b. 1956)
Lot of Four Views: Sanctus Sanctorum, 1988, edition of 25; Spree Canal, from BERLIN WALL II, 1990, edition of 25; Burning Fields, 1990, edition of 25; and Confession, from POLAND 1990 PROJECT, 1991, edition of 25. Each signed or initialed in pencil l.l., inscribed “SC/...MCL” in pencil l.l., and identified in an inscription on the reverse. Lithographs on tinted papers, sheet sizes to 22 1/8 x 30 in. (56.2 x 76.2 cm), unmatted, unframed. Condition: Deckled edges, subtle handling marks and creases. $1,000-1,500
Lot of Four Views: Jaggernaut, 1989, edition of 25; The Angellus, 1989, edition of 20; Between the Walls, from POLAND-BERLIN 1990 PROJECT, 1990, edition of 25; and Forbidden City, 1993, edition of 20. Each signed or initialed in pencil l.l., inscribed “SC/...MCL” in pencil l.l., and identified in an inscription on the reverse. Lithographs on paper, sheet sizes to 22 1/2 x 15 in. (56.2 x 38.1 cm), unmatted, unframed. Condition: Most edges deckled, very subtle handling marks and creases. $500-700
101. Richard C. Harden (American, b. 1956) Lot of Three Views: What Remains, 1989-1990, edition of 25; Hulls, Poland, 1990, edition of 25; and New Order, 1990, edition of 25. Each signed or initialed in pencil l.l., inscribed “SC/MCL...” in pencil l.l., and identified in an inscription on the reverse. Lithographs on cream Arches paper with watermark, sheet sizes 22 1/8 x 30 in. (56.2 x 76.2 cm), unmatted, unframed. Condition: Deckled edges, very subtle handling marks and creases. $1,000-1,500
101
102
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103. Richard C. Harden (American, b. 1956) Lot of Two Views: Broken Walls, from BERLIN-POLAND PROJECT, 1990, edition of 25; and Platform 4, 1990, edition of 25. Both signed or initialed in pencil l.l., inscribed “SC/MCL” in pencil l.l., and identified in an inscription on the reverse. Lithographs on cream Arches paper with watermark, sheet sizes 22 1/8 x 30 in. (56.2 x 76.2 cm), unmatted, unframed. Condition: Deckled edges, very subtle handling marks and creases. $700-900
103
104. Ernest Huntley Hart (American, b. 1910) Mates, published by Associated American Artists. Signed “Ernest H. Hart” in pencil l.r., signed in the matrix, identified on an AAA label accompanying the lot. Lithograph on paper, image size 10 x 14 in. (25.4 x 35.5 cm), matted, unframed. Condition: Pinpoint foxing, brown paper tape to edges on the reverse. $300-350
104
105. George Kenneth Hartwell (American, 1891-1949) Martin’s Lane, Nantucket, 1939. Signed and dated “Kenneth Hartwell, imp, 1939” in pencil l.r., titled in pencil l.l. Lithograph on paper, image size 8 1/4 x 7 1/4 in. (20.9 x 18.3 cm), matted, unframed. Condition: Margins 3/4 inches or more, subtle toning. $300-500
105
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106
107
106. Frederick Childe Hassam (American, 1859-1935)
107. James Dexter Havens (American, 1900-1960)
Bowling on the Green, from the TWENTY MASTERPIECES IN ETCHING: LIFE OF GEORGE WASHINGTON Portfolio, 1932 (Cortissoz, 377). Monogrammed in pencil l.r., monogrammed, inscribed and dated in the plate. Etching on laid paper with Washington’s monogram watermark, plate size 8 1/4 x 13 1/4 in. (21.0 x 33.7 cm), framed (without glass). Condition: Subtle toning, not examined out of frame. $800-1,200
Wet Snow, 1946, edition of 75. Signed and dated “James D. Havens - Sc-Imp-1946-” in pencil l.r., titled and numbered “...5/75-” in pencil l.l., monogrammed in the block. Color woodcut on paper, image size 6 1/2 x 5 in. (16.5 x 12.6 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $300-350
108. Charles Emile Heil (American, 1870-1950) Two Young Blue Jays, first state. Signed “Charles E Heil -” in pencil l.r., titled, annotated and signed on the reverse. Etching with engraving on laid paper, plate size 5 1/2 x 7 7/8 in. (14.0 x 20.0 cm), matted, unframed. Condition: Margins approximately 1 inch, unobtrusive toning, subtle soiling. $300-500
108
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110 109
109. Paul César Helleu (French, 1859-1927) Portrait de Femme, c. 1898. Signed “Helleu” in pencil l.r. Drypoint printed in brown and blue on paper, plate size 16 x 10 in. (40.6 x 25.5 cm), framed. Condition: Not examined out of frame. $800-1,200
110. Paul César Helleu (French, 1859-1927) Le Masque. Signed “Helleu” in pencil l.r. Color etching on paper, sight size 20 3/4 x 12 3/4 in. (52.5 x 32.3 cm), framed. Condition: Toning, pinpoint foxing, not examined out of frame. $4,000-6,000
111. Paul César Helleu (French, 1859-1927) Le Chapeau. Signed “Helleu” in pencil l.r. Color etching on paper, plate size 21 5/8 x 13 3/4 in. (54.8 x 34.8 cm), framed. Condition: Toning, scattered foxing, not examined out of frame. $4,000-6,000
111
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112
112. Morris Henry Hobbs (American, 1892-1967) 113
Sun Worshippers. Signed “Morris Henry Hobbs” in pencil l.r., titled in pencil l.l., an Associated American Artists label on the reverse identifies the work as Louise. Etching on paper, plate size 2 3/4 x 2 1/4 in. (7.0 x 5.5 cm), framed. Condition: Margins 1/4 inch or more, not examined out of frame. $300-350
113. David Hockney (British, b. 1937) Parade Metropolitan Opera N.Y., 1981. Signed and identified in the matrix. Color screenprint on paper, image size 79 1/2 x 40 in. (201.9 x 101.5 cm), framed. Condition: Not examined out of frame. $1,200-1,800
114. Earl Horter (American, 1881-1940) New York Waterfront, c. 1925. Signed “EHorter-” in pencil l.r. Etching on paper, plate size 11 1/4 x 8 1/2 in. (29.6 x 21.6 cm), matted, unframed. Condition: Margins 1 1/4 inches or more, repaired tears to left margin (not into image), creases and soiling to margins. N.B. A copy of The Colophon, part fourteen, 1933, containing an original pencil-signed Horter aquatint accompanies the lot. $400-600
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115 115A
115. Helen Hyde (American, 1868-1919)
115A. Louis Icart (French, 1888-1950)
In Kite Time, 1903 (Mason, 53). Signed “Helen Hyde” in pencil (within image) l.l., numbered “77” in pencil (within image) l.r., artist’s chop l.r., monogrammed in the plate. Color etching on paper, plate size 7 1/2 x 5 7/8 in. (19.0 x 14.9 cm), affixed to backing mat, unframed. Condition: Foxing, toning, glued to mat in center of upper edge. $300-350
Petits Chiens, 1925 (Holland et al., 254). Signed “Louis Icart” in pencil l.r. Color etching with aquatint and stencil color on paper, oval format, plate size 17 x 21 1/2 in. (43.0 x 54.5 cm), framed. Condition: Creases or breaks (some within platemark but outside of the image), not examined out of frame. $700-900
115B. Louis Icart (French, 1888-1950) Dans les Passes, 1928 (Holland et al., 334). Signed “Louis Icart” in pencil l.r., dated in publication information in the plate, artist’s drystamp l.l., identified on a fragmentary label on the reverse. Color etching with aquatint and stencil color on paper, plate size 12 1/4 x 17 in. (31.0 x 43.1 cm), framed. Condition: Toning, fox marks, not examined out of frame. $600-800
115B
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116
115C
115C. Louis Icart (French, 1888-1950)
116. Charles Émile Jacque (French, 1813-1894)
Vieux Montmartre, 1932 (Holland et al., 421). Signed “Louis Icart” in pencil l.r., dated in publication information in the plate, artist’s drystamp l.l. Color etching with aquatint and stencil color on paper, plate size 12 1/4 x 17 in. (31.0 x 43.1 cm), framed. Condition: Margins 3 inches or more, unobtrusive toning, subtle rippling, not examined out of frame. $700-900
Paysage Chaumieres - Cottages, 1845, final state of three (Guiffrey, 69). Signed in the plate, initialed and inscribed “Bon a tirer Ch J” in pencil l.r., collector’s stamp u.r. (in the image). Etching on paper, image size 3 3/4 x 5 3/8 in. (9.5 x 13.5 cm), framed. Condition: Trimmed to or just within the platemark, not examined out of frame. $400-600
117. Jasper Johns (American, b. 1930) Cup 2 Picasso, 1973, from the larger edition published for XXe SIECLE. Signed and dated in the matrix. Color offset lithograph on paper, image size 11 3/4 x 10 1/4 in. (29.8 x 26.0 cm), framed. Condition: Not examined out of frame. $400-600
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118. Max Kahn (American, b.1903) Owls in a Tree, 1949, edition of 19. Signed and dated “Max Kahn 49” in pencil l.r., titled in pencil l.c., numbered “7/19” in pencil l.l. Color woodcut on paper, image size 24 x 17 1/4 in. (60.8 x 43.6 cm), unmatted, unframed. Condition: Tape/binding residue to left edge on the reverse, minor handling marks and creases. Provenance: The sale of this work will benefit a university art museum. $300-350 119. Philip Kappel (American, 1901-1981) Lot of Two Images: Cargo Ship and The Mail Boat. Both signed “Philip Kappel” in pencil l.r., the latter dedicated “...For Florence P. Austin 1942” in pencil l.l. Etchings on paper, plate sizes to 7 7/8 x 9 7/8 in. (20.0 x 25.0 cm), the former framed, the latter unmatted, unframed. Condition: Subtle toning, former not examined out of frame. $500-700 120. Andrew B. Karoly (Hungarian/American, b. 1893) 118
Lot of Two Street Views: Broad and Wall, published by Associated American Artists, and Street of Rouen. Both signed “A. Karoly” in pencil l.r. Etchings on paper, plate sizes to 11 3/4 x 9 7/8 in. (29.7 x 25.0 cm), framed. Condition: Unobtrusive toning, not examined out of frames. Provenance: Ex-collection of the Fuller Museum of Art. $300-350
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120
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121
122
121. Luigi Kasimir (Austrian, 1881-1962)
122. Rockwell Kent (American, 1882-1971)
Princeton - Holder Hall, 1936, edition of 100. Signed “Luigi Kasimir” in pencil l.r., inscribed and numbered “Princeton 6/100” in pencil l.l., identified in the plate and with stamp l.c. Color etching and aquatint on paper, plate size 16 3/4 x 11 3/4 in. (42.4 x 29.8 cm), framed. Condition: Subtle toning, subtle water staining l.l., not examined out of frame. $300-350
Angel, 1926, edition of 1575 (Jones, 12). Signed “Rockwell Kent.” in pencil l.r. Wood engraving on Shogun paper with partial watermark, image size 4 3/4 x 6 3/8 in. (12.0 x 16.0 cm), framed. Condition: Toning, mat burn, annotations to lower margin. Provenance: A private New England collection. $400-600
123. Rockwell Kent (American, 1882-1971) Starry Night, 1933, edition of 1750 (Jones, 103). Signed “Rockwell Kent.” in pencil l.r. Wood engraving on paper, image size 7 x 4 7/8 in. (17.7 x 12.5 cm), framed. Condition: Not examined out of frame. Provenance: A private New England collection. $300-500
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123A. Rockwell Kent (American, 1882-1971) The Sonnets, illustration for THE COMPLETE WORKS OF WILLIAM SHAKESPEARE, 1936. Signed “Rockwell Kent.” in pencil l.r. Lithograph on paper, image size 8 1/4 x 6 1/4 in. (20.8 x 15.8 cm), framed. Condition: Subtle rippling, not examined out of frame. Provenance: A private New England collection. N.B. The lot is accompanied by a partial box of bookplates designed by Kent. $400-600 124. Troy Kinney (American, 1871-1938) Terpsichore. Signed “Troy Kinney” in pencil l.r., Chicago Society of Etchers drystamp l.l. Drypoint on paper, plate size 8 1/4 x 5 5/8 in. (20.8 x 14.3 cm), framed. Condition: Margins 1/2 inch or more, not examined out of frame. $300-500 125. Marguerite Kirmse (American, 1885-1954)
123A
Hold It. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l. Etching on paper, plate size 6 1/4 x 9 in. (15.8 x 22.8 cm), framed. Condition: Not examined out of frame. $300-350
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