Bureau Brut
Scories
Bureau Brut
Type specimen Technical documentation
31, rue Jean-Jacques Rousseau
[email protected]
93100 Montreuil
www.bureaubrut.com
Scories
B
Scories Mono Regular
Family info
Family: Scories Style: Mono Regular Designed by: Bureau Brut Distributed by: Bureau Brut Published in: 2016 Desktop format: OTF Web format: EOT & WOFF
This specimen may be printed. Copyright: © 2016 Bureau Brut SAS. All rights reserved. For any inquiry reach us at: [email protected]
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Scories
B
Index
Type specimen
Mono Regular
144 pt
72 pt
24 pt
p. 004 – 005
p. 006 – 007
p. 008 – 009
Technical documentation
Character set
p. 010 – 011
Supported languages
p. 012
Opentype Features
p. 013 – 017
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Bureau Brut
Scories
Mono Regular
1
4
4
Somebody threw dead dog after Characters per line
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Bureau Brut
Scories
Mono Regular
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HIM DOWN THE RAVINE. THE END. Characters per line
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Bureau Brut
Scories
Mono Regular
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Now you see what kind of creatures we are, Hugh. Eating things alive. That what we do. How can you h much respect for mankind, or any belief in the soci Characters per line
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Bureau Brut
Scories
Mono Regular
7
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p
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When I should have been producing obscure volumes verse entitled the Triump of Humpty Dumpty or the N with the Luminous Dong! Or at best, like Clare, Characters per line
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Bureau Brut
Scories
Mono Regular
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p
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”And I’m afraid it really is a jungle too,“ pursued the Consul, ”in fact I expect Rousseau to come riding out of it at any moment on a tiger.» ”What’s that?“ Mr Quincey said, frowning in a manner that might have meant: And God never drinks before breakfast either. ”On a tiger,» the Consul repeated. The other gazed at him a moment with the cold sardonic eye of the material world. ”I expect so,“ he said sourly. ”Plenty tigers. Plenty elephants too… Might I ask you if the next time you inspect your jungle you’d mind being sick on your own side of the fence?”. ”Nothing is altered and in spite of God’s mercy I am still alone. Though my suffering seems senseless I am still in agony. There is no explanation of my life.“ Indeed there was not, nor was this what he’d meant to convey. ”Please let Yvonne have her dream — dream? — of a new life with me — please let me believe that all that is not an abominable self-deception,“ he tried... «Please let me make her happy, deliver me from this dreadful tyranny of self. I have sunk low. Let me sink lower still, that I may know the truth. Teach me to love again, to love life.» That wouldn’t do either… «Where is love? Let me truly suffer. Give me back my purity, the knowledge of the Mysteries, that I have betrayed and lost. -- Let me be truly Characters per line
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Bureau Brut
Scories
Mono Regular
2
4
p
t
YES, IT STRUCK HER NOW THAT THIS WHOLE BUSINESS OF THE BULL WAS LIKE A LIFE; THE IMPORTANT BIRTH, THE FAIR CHANCE, THE TENTATIVE, THEN ASSURED, THEN HALF-DISPAIRING CIRCULATIONS OF THE RING, AN OBSTACLE NEGOTIATED — A FEAT IMPROPERLY RECOGNIZED — BOREDOM, RESIGNATION, COLLAPSE: THEN ANOTHER, MORE CONVULSIVE BIRTH, A NEW START; THE CIRCUMSPECT ENDEAVOURS TO OBTAIN ONE’S BEARINGS IN A WORLD NOW FRANKLY HOSTILE, THE APPARENT BUT DECEPTIVE ENCOURAGEMENT OF ONE’S JUDGES, HALF OF WHOM WERE ASLEEP, THE SWERVINGS INTO THE BEGINNINGS OF DISASTER BECAUSE OF THAT SAME NEGLIGIBLE OBSTACLE ONE HAD SURELY TAKEN BEFORE AT A STRIDE, THE FINAL ENMESHMENT IN THE TOILS OF ENEMIES ONE WAS NEVER QUITE CERTAIN WEREN’T FRIENDS MORE CLUMSY THAN ACTIVELY ILL-DISPOSED, FOLLOWED BY DISASTER, CAPITULATION, DISINTEGRATION. THE CONSUL FELT A PANG. AH, TO HAVE A HORSE, AND GALLOP AWAY, SINGING, TO SOMEONE YOU LOVED PERHAPS, INTO THE HEART OF ALL THE SIMPLICITY AND PEACE IN THE WORLD; WAS THAT NOT LIKE THE OPPORTUNITY AFFORDED MAN BY LIFE ITSELF? OF COURSE NOT. STILL, JUST FOR A MOMENT, IT HAD SEEMED THAT IT WAS. HOW, UNLESS YOU DRINK AS I DO, COULD YOU HOPE TO UNDERSTAND THE BEAUTY OF AN OLD INDIAN WOMAN PLAYING DOMINOES WITH A CHICKEN? They were the cars at the fair that were whirCharacters per line
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Scories
B Uppercase
Small caps
Lowercase
Ampersand and arobase
Romans numerals Lining figures and currency Tabular figures and currency Oldstyle figures and currency Oldstyle tabular figures and currency
Punctuation
Symbols
Character set 1
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4
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z a b c d e f g h i j k l m n o p q r s t u v w x y z & & @ Ⅽ Ⅾ Ⅰ Ⅼ Ⅿ Ⅴ Ⅹ 0 0 1 2 3 4 5 6 7 8 9 # € $ ¢ ₽ £ ¥ 0 0 1 2 3 4 5 6 7 8 9 # € $ ¢ ₽ £ ¥ 0 0 1 2 3 4 5 6 7 8 9 # € $ ¢ ₽ £ ¥ 0 0 1 2 3 4 5 6 7 8 9 # € $ ¢ ₽ £ ¥ . , ; : … ! � ¡ ¡ ¡ ? � ¿ ¿ ¿ – _ — • ◦ ◉ ◎ · ‹ › « » ‘ ’ “ ” ‚ „ / / \ \ | � ¦ � ( ) ( ) [ ] [ ] { } { } † ‡ * a o № § ¶ ® © ℗ ℠ ™ 0
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Scories
B Accented uppercase
Accented small caps
Accented lowercase
Character set 2
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4
Á À Â Ä Ã Ā Ă Å Ǻ Ą Æ Ǽ Ć Ĉ Č Ċ Ç Ď Đ É È Ê Ě Ë Ė Ē Ĕ Ę Ĝ Ğ Ġ Ģ Ĥ Ħ Í Ì Î Ï İ Ĩ Ī Ĭ Į IJ Ĵ Ķ Ĺ Ľ Ŀ Ļ Ł Ń Ň Ñ Ņ Ŋ Ó Ò Ô Ö Õ Ō Ŏ Ő Ø Ǿ Œ Þ Ŕ Ř Ŗ Ś Ŝ Š Ș Ş Ť Ţ Ŧ Ú Ù Û Ü Ũ Ū Ŭ Ů Ű Ų Ẃ Ẁ Ŵ Ẅ Ý Ỳ Ŷ Ÿ Ź Ž Ż Á À Â Ä Ã Ā Ă Å Ǻ Ą Æ Ǽ Ć Ĉ Č Ċ Ç Ď Đ É È Ê Ě Ë Ė Ē Ĕ Ę Ĝ Ğ Ġ Ģ Ĥ Ħ Í Ì Î Ï İ Ĩ Ī Ĭ Į IJ Ĵ Ķ Ĺ Ľ Ŀ Ļ Ł Ń Ň Ñ Ņ Ŋ Ó Ò Ô Ö Õ Ō Ŏ Ő Ø Ǿ Œ Þ Ŕ Ř Ŗ Ś Ŝ Š Ș Ş Ť Ţ Ŧ Ú Ù Û Ü Ũ Ū Ŭ Ů Ű Ų Ẃ Ẁ Ŵ Ẅ Ý Ỳ Ŷ Ÿ Ź Ž Ż á à â ä ã ā ă å ǻ ą æ ǽ ć ĉ č ċ ç ď đ é è ê ě ë ė ē ĕ ę ĝ ğ ġ ģ ĥ ħ í ì î ï i ĩ ī ĭ į ij ĵ ķ ĺ ľ ŀ ļ ł ń ň ñ ņ ŋ ó ò ô ö õ ō ŏ ő ø ǿ œ þ ŕ ř ŗ ś ŝ š ș ş ť ţ ŧ ú ù û ü ũ ū ŭ ů ű ų ẃ ẁ ŵ ẅ ý ỳ ŷ ÿ ź ž ż ß
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Scories
B Scientific symbols
Fractions Numerators Denominators Superscript/Superior figures Subscript/Inferior figures Superscript/Superior lowercase letters
Abbreviations
Arrows Triangles Squares Circles Diamonds
Character set 3
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4
+ − ± × ÷ = ≠ ~ ≈ < > ≤ ≥ ¬ ¤ ∞ ⌀ ^ ° ℃ ℉ ' " μ π ∂ ∑ ∏ ∫ Ω Δ ⁄ ¼ ½ ¾ ⅓ ⅛ ⅜ ⅝ ⅞ % ‰ 0 0 1 2 3 4 5 6 7 8 9 0 0 1 2 3 4 5 6 7 8 9 0 0 1 2 3 4 5 6 7 8 9 0 0 1 2 3 4 5 6 7 8 9 a b c d e f g h i j k l m n o p q r s t u v w x y z ℀ ℁ ℅ ℆ ← ↑ → ↓ ↔ ↕ ↖ ↗ ↘ ↙ ⤡ ⤢ ⇆ ⇄ ⇅ ⇵ ⟲ ⟳ ⯇ ⯈ ⯅ ⯆ � � � � ◭ ◮ ⬒ ⬓ ◧ ◨ ⬔ ⬕ ◩ ◪ ◫ ◰ ◱ ◲ ◳ ◐ ◑ ◒ ◓ ◴ ◵ ◶ ◷ ⬖ ⬗ ⬘ ⬙
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Scories
B Black squared figures
Black circled figures
Black diamond-shaped figures
White squared figures
White circled figures
White diamond-shaped figures
Dotted squared figures
Dotted circled figures
Dotted diamond-shaped figures
Shade characters Block elements
Character set 4
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4
■ 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ ● 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ ◆ 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ □ 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ ○ 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ ◇ 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ ⬚ 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ � 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ � 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ ░ ▒ ▓ � � � � � � � � � � � � � � � � � � � � � � � � � � � � �
Terminal graphic characters Eyes Dice
👁 � � � � � � � � ⚀ ⚁ � ⚃ ⚄ ⚅
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Scories
B
Supported languages
A
G
M
S
Afrikaans
Galician
Machame
Samburu
Albanian
Ganda
Makhuwa-Meetto
Sango
Asu
German
Makonde
Sangu
Gusii
Malagasy
Sena
B
Malay
Shambala
Basque
H
Maltese
Shona
Bemba
Hungarian
Manx
Slovak
Meru
Slovenian
Morisyen
Soga
Bena Bosnian
I Icelandic
Somali
C
Indonesian
N
Spanish
Catalan
Irish
North Ndebele
Swahili
Chiga
Italian
Norwegian Bokmål
Swedish
Norwegian Nynorsk
Swiss German
Congo Swahili Cornish
J
Croatian
Jola-Fonyi
Czech
Nyankole T O
Taita
K
Oromo
Teso
D
Kabuverdianu
Occitan
Turkish
Danish
Kalaallisut
Dutch
Kalenjin
P
Kamba
Polish
V
E
Kikuyu
Portuguese
Vunjo
Embu
Kinyarwanda
English
Turkmen
R
W
Esperanto
L
Romanian
Welsh
Estonian
Latvian
Romansh
Lithuanian
Rombo
Z
F
Luo
Rundi
Zulu
Faroese
Luyia
Rwa
Filipino Finnish French
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Scories
B
Opentype features 1
S M C P
Lowercase in small caps
C 2 S C
Uppercase in small caps
C A S E
Case sensitive ponctuation
Z E R O
Slashed zero
L N U M
Lining figures
O N U M
Oldstyle figures
P N U M
Proportional figures
T N U M
Tabular figures
S S 0 1
Black squared numbers
S S 0 2
Black circled numbers
S S 0 3
Black diamond-shaped numbers
S S 0 4
White squared numbers
S S 0 5
White circled numbers
S S 0 6
White diamond-shaped numbers
S S 0 7
Dotted squared numbers
S S 0 8
Dotted circled numbers
S S 0 9
Dotted diamond-shaped numbers
F R A C
Fractions
N U M R
Numerators
D N U M
Denominators
S U P S
Superscript/Superior figures and letters
S I N F
Subscript/Inferior figures
O R D N
Ordinal
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1
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9
Scories
B
Opentype features 2
O F F
/
5
O N
When activating the “small caps” option, lowercase letters will be transformed in small capitals and lining figures in oldstyle figures. You can also access the “all small caps” option on the opentype panel that will also transform uppercase letters. The height and spacing of the punctuation is automatically adapted when you select the “all caps” or “small caps” option. S M C P Lowercase in small caps
C 2 S C + S M C P « All small caps » option
C A S E Case sensitive punctuation
¿ No ? (Oui) « Peut-être »
¿ No ? (Oui) « Peut-être »
¿ No ? (Oui) « Peut-être »
¿ No ? (Oui) « Peut-être »
¿ No ? (Oui) « Peut-être »
¿ no ? (oui) « peut-être »
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Scories
B
Opentype features 3
O F F
/
5
O N
The default setting for figures is the lining set. Tabular figures have an identical width and are useful for the composition of charts. You can access the others sets on the opentype panel. An alternate slashed zero is available for all sets. Height corrected currency and mathematical symbols are automatically activated on all sets of figures. Z E R O Slashed zero L N U M + T N U M Tabular figures
O N U M + P N U M Oldstyle figures
O N U M + T N U M Oldstyle tabular figures
21150
21150
36014 21150
36014 21150
36014 21150
36014 21150
36014 21150
36014 21150
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1
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9
Scories
B
Opentype features 4
O F F
/
5
O N
Stylistics sets from 1 to 9 activate a range of alternates sets for numbers and basic arrows. S S 0 1 Black squared figures S S 0 2 Black circled figures S S 0 3 Black diamond-shaped figures S S 0 4 White squared figures S S 0 5 White circled figures S S 0 6 White diamond-shaped figures S S 0 7 Dotted squared figures S S 0 8 Dotted circled figures S S 0 9 Dotted diamond-shaped figures
→ Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 � Bureau + Brut 16 → Bureau + Brut 16 � Bureau + Brut 16 → Bureau + Brut 16 � Bureau + Brut 16
0
1
8
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0
1
9
Scories
B
Opentype features 5
O F F
/
5
O N
Some fractions are build-in glyphs but the fraction option can transform any two series of numbers separated by a slash into a fraction. You can also access the numerators and denominators options separately. F R A C Fractions N U M R Numerators D N U M Denominators
1234/6789
1234/6789
1234/
1234/
/6789
/6789
Superscripts, subscripts and ordinals can all be activated on the opentype panel. Supercripts are used for example on some abbreviation and subscript formulas. Ordinals are usually useful for abbreviations in Spanish (segunda, segundo…). S U P S Superscript/Superior figures and letters
S I N F Subscript/Inferior figures
O R D N Ordinal
20th floor 35 m2
20th floor 35 m2
H2O C6H10O5
H2O C6H10O5
2a 2o
2a 2o
0
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9
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1
9
Texts of this specimen (p. 004 – 009) are extracts from Under the Volcano by Malcolm Lowry.
Bureau Brut
Type specimen Technical documentation
31, rue Jean-Jacques Rousseau
[email protected]
93100 Montreuil
www.bureaubrut.com
Scories
B
Scories Mono Regular
Family info
Family: Scories Style: Mono Regular Designed by: Bureau Brut Distributed by: Bureau Brut Published in: 2016 Desktop format: OTF Web format: EOT & WOFF
This specimen may be printed. Copyright: © 2016 Bureau Brut SAS. All rights reserved. For any inquiry reach us at: [email protected]
0
0
2
/
0
1
9
Scories
B
Index
Type specimen
Mono Regular
144 pt
72 pt
24 pt
p. 004 – 005
p. 006 – 007
p. 008 – 009
Technical documentation
Character set
p. 010 – 011
Supported languages
p. 012
Opentype Features
p. 013 – 017
0
0
3
/
0
1
9
Bureau Brut
Scories
Mono Regular
1
4
4
Somebody threw dead dog after Characters per line
m m
10
20
5
30
40
50
60
70
p
t
10
80
90
100
110
120
0
0
4
/
0
1
9
Bureau Brut
Scories
Mono Regular
1
4
4
p
t
HIM DOWN THE RAVINE. THE END. Characters per line
m m
10
20
5
30
40
50
60
70
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80
90
100
110
120
0
0
5
/
11
0
1
9
Bureau Brut
Scories
Mono Regular
7
2
p
t
Now you see what kind of creatures we are, Hugh. Eating things alive. That what we do. How can you h much respect for mankind, or any belief in the soci Characters per line
m m
10
20
5
30
40
10
50
60
70
15
80
90
100
110
20
120
0
0
6
/
0
22
1
9
Bureau Brut
Scories
Mono Regular
7
2
p
t
When I should have been producing obscure volumes verse entitled the Triump of Humpty Dumpty or the N with the Luminous Dong! Or at best, like Clare, Characters per line
m m
10
20
5
30
40
10
50
60
70
15
80
90
100
110
20
120
0
0
7
/
0
22
1
9
Bureau Brut
Scories
Mono Regular
2
4
p
t
”And I’m afraid it really is a jungle too,“ pursued the Consul, ”in fact I expect Rousseau to come riding out of it at any moment on a tiger.» ”What’s that?“ Mr Quincey said, frowning in a manner that might have meant: And God never drinks before breakfast either. ”On a tiger,» the Consul repeated. The other gazed at him a moment with the cold sardonic eye of the material world. ”I expect so,“ he said sourly. ”Plenty tigers. Plenty elephants too… Might I ask you if the next time you inspect your jungle you’d mind being sick on your own side of the fence?”. ”Nothing is altered and in spite of God’s mercy I am still alone. Though my suffering seems senseless I am still in agony. There is no explanation of my life.“ Indeed there was not, nor was this what he’d meant to convey. ”Please let Yvonne have her dream — dream? — of a new life with me — please let me believe that all that is not an abominable self-deception,“ he tried... «Please let me make her happy, deliver me from this dreadful tyranny of self. I have sunk low. Let me sink lower still, that I may know the truth. Teach me to love again, to love life.» That wouldn’t do either… «Where is love? Let me truly suffer. Give me back my purity, the knowledge of the Mysteries, that I have betrayed and lost. -- Let me be truly Characters per line
m m
10
20
40
30
40
50
60
70
80
90
100
50
110
120
65
0
0
8
/
0
1
9
Bureau Brut
Scories
Mono Regular
2
4
p
t
YES, IT STRUCK HER NOW THAT THIS WHOLE BUSINESS OF THE BULL WAS LIKE A LIFE; THE IMPORTANT BIRTH, THE FAIR CHANCE, THE TENTATIVE, THEN ASSURED, THEN HALF-DISPAIRING CIRCULATIONS OF THE RING, AN OBSTACLE NEGOTIATED — A FEAT IMPROPERLY RECOGNIZED — BOREDOM, RESIGNATION, COLLAPSE: THEN ANOTHER, MORE CONVULSIVE BIRTH, A NEW START; THE CIRCUMSPECT ENDEAVOURS TO OBTAIN ONE’S BEARINGS IN A WORLD NOW FRANKLY HOSTILE, THE APPARENT BUT DECEPTIVE ENCOURAGEMENT OF ONE’S JUDGES, HALF OF WHOM WERE ASLEEP, THE SWERVINGS INTO THE BEGINNINGS OF DISASTER BECAUSE OF THAT SAME NEGLIGIBLE OBSTACLE ONE HAD SURELY TAKEN BEFORE AT A STRIDE, THE FINAL ENMESHMENT IN THE TOILS OF ENEMIES ONE WAS NEVER QUITE CERTAIN WEREN’T FRIENDS MORE CLUMSY THAN ACTIVELY ILL-DISPOSED, FOLLOWED BY DISASTER, CAPITULATION, DISINTEGRATION. THE CONSUL FELT A PANG. AH, TO HAVE A HORSE, AND GALLOP AWAY, SINGING, TO SOMEONE YOU LOVED PERHAPS, INTO THE HEART OF ALL THE SIMPLICITY AND PEACE IN THE WORLD; WAS THAT NOT LIKE THE OPPORTUNITY AFFORDED MAN BY LIFE ITSELF? OF COURSE NOT. STILL, JUST FOR A MOMENT, IT HAD SEEMED THAT IT WAS. HOW, UNLESS YOU DRINK AS I DO, COULD YOU HOPE TO UNDERSTAND THE BEAUTY OF AN OLD INDIAN WOMAN PLAYING DOMINOES WITH A CHICKEN? They were the cars at the fair that were whirCharacters per line
m m
10
20
40
30
40
50
60
70
80
90
100
50
110
120
65
0
0
9
/
0
1
9
Scories
B Uppercase
Small caps
Lowercase
Ampersand and arobase
Romans numerals Lining figures and currency Tabular figures and currency Oldstyle figures and currency Oldstyle tabular figures and currency
Punctuation
Symbols
Character set 1
/
4
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z a b c d e f g h i j k l m n o p q r s t u v w x y z & & @ Ⅽ Ⅾ Ⅰ Ⅼ Ⅿ Ⅴ Ⅹ 0 0 1 2 3 4 5 6 7 8 9 # € $ ¢ ₽ £ ¥ 0 0 1 2 3 4 5 6 7 8 9 # € $ ¢ ₽ £ ¥ 0 0 1 2 3 4 5 6 7 8 9 # € $ ¢ ₽ £ ¥ 0 0 1 2 3 4 5 6 7 8 9 # € $ ¢ ₽ £ ¥ . , ; : … ! � ¡ ¡ ¡ ? � ¿ ¿ ¿ – _ — • ◦ ◉ ◎ · ‹ › « » ‘ ’ “ ” ‚ „ / / \ \ | � ¦ � ( ) ( ) [ ] [ ] { } { } † ‡ * a o № § ¶ ® © ℗ ℠ ™ 0
1
0
/
0
1
9
Scories
B Accented uppercase
Accented small caps
Accented lowercase
Character set 2
/
4
Á À Â Ä Ã Ā Ă Å Ǻ Ą Æ Ǽ Ć Ĉ Č Ċ Ç Ď Đ É È Ê Ě Ë Ė Ē Ĕ Ę Ĝ Ğ Ġ Ģ Ĥ Ħ Í Ì Î Ï İ Ĩ Ī Ĭ Į IJ Ĵ Ķ Ĺ Ľ Ŀ Ļ Ł Ń Ň Ñ Ņ Ŋ Ó Ò Ô Ö Õ Ō Ŏ Ő Ø Ǿ Œ Þ Ŕ Ř Ŗ Ś Ŝ Š Ș Ş Ť Ţ Ŧ Ú Ù Û Ü Ũ Ū Ŭ Ů Ű Ų Ẃ Ẁ Ŵ Ẅ Ý Ỳ Ŷ Ÿ Ź Ž Ż Á À Â Ä Ã Ā Ă Å Ǻ Ą Æ Ǽ Ć Ĉ Č Ċ Ç Ď Đ É È Ê Ě Ë Ė Ē Ĕ Ę Ĝ Ğ Ġ Ģ Ĥ Ħ Í Ì Î Ï İ Ĩ Ī Ĭ Į IJ Ĵ Ķ Ĺ Ľ Ŀ Ļ Ł Ń Ň Ñ Ņ Ŋ Ó Ò Ô Ö Õ Ō Ŏ Ő Ø Ǿ Œ Þ Ŕ Ř Ŗ Ś Ŝ Š Ș Ş Ť Ţ Ŧ Ú Ù Û Ü Ũ Ū Ŭ Ů Ű Ų Ẃ Ẁ Ŵ Ẅ Ý Ỳ Ŷ Ÿ Ź Ž Ż á à â ä ã ā ă å ǻ ą æ ǽ ć ĉ č ċ ç ď đ é è ê ě ë ė ē ĕ ę ĝ ğ ġ ģ ĥ ħ í ì î ï i ĩ ī ĭ į ij ĵ ķ ĺ ľ ŀ ļ ł ń ň ñ ņ ŋ ó ò ô ö õ ō ŏ ő ø ǿ œ þ ŕ ř ŗ ś ŝ š ș ş ť ţ ŧ ú ù û ü ũ ū ŭ ů ű ų ẃ ẁ ŵ ẅ ý ỳ ŷ ÿ ź ž ż ß
0
1
1
/
0
1
9
Scories
B Scientific symbols
Fractions Numerators Denominators Superscript/Superior figures Subscript/Inferior figures Superscript/Superior lowercase letters
Abbreviations
Arrows Triangles Squares Circles Diamonds
Character set 3
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4
+ − ± × ÷ = ≠ ~ ≈ < > ≤ ≥ ¬ ¤ ∞ ⌀ ^ ° ℃ ℉ ' " μ π ∂ ∑ ∏ ∫ Ω Δ ⁄ ¼ ½ ¾ ⅓ ⅛ ⅜ ⅝ ⅞ % ‰ 0 0 1 2 3 4 5 6 7 8 9 0 0 1 2 3 4 5 6 7 8 9 0 0 1 2 3 4 5 6 7 8 9 0 0 1 2 3 4 5 6 7 8 9 a b c d e f g h i j k l m n o p q r s t u v w x y z ℀ ℁ ℅ ℆ ← ↑ → ↓ ↔ ↕ ↖ ↗ ↘ ↙ ⤡ ⤢ ⇆ ⇄ ⇅ ⇵ ⟲ ⟳ ⯇ ⯈ ⯅ ⯆ � � � � ◭ ◮ ⬒ ⬓ ◧ ◨ ⬔ ⬕ ◩ ◪ ◫ ◰ ◱ ◲ ◳ ◐ ◑ ◒ ◓ ◴ ◵ ◶ ◷ ⬖ ⬗ ⬘ ⬙
0
1
2
/
0
1
9
Scories
B Black squared figures
Black circled figures
Black diamond-shaped figures
White squared figures
White circled figures
White diamond-shaped figures
Dotted squared figures
Dotted circled figures
Dotted diamond-shaped figures
Shade characters Block elements
Character set 4
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4
■ 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ ● 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ ◆ 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ □ 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ ○ 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ ◇ 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ ⬚ 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ � 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ � 0 1 2 3 4 5 6 7 8 9 + − × ← ↑ → ↓ ↖ ↗ ↘ ↙ ░ ▒ ▓ � � � � � � � � � � � � � � � � � � � � � � � � � � � � �
Terminal graphic characters Eyes Dice
👁 � � � � � � � � ⚀ ⚁ � ⚃ ⚄ ⚅
0
1
3
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0
1
9
Scories
B
Supported languages
A
G
M
S
Afrikaans
Galician
Machame
Samburu
Albanian
Ganda
Makhuwa-Meetto
Sango
Asu
German
Makonde
Sangu
Gusii
Malagasy
Sena
B
Malay
Shambala
Basque
H
Maltese
Shona
Bemba
Hungarian
Manx
Slovak
Meru
Slovenian
Morisyen
Soga
Bena Bosnian
I Icelandic
Somali
C
Indonesian
N
Spanish
Catalan
Irish
North Ndebele
Swahili
Chiga
Italian
Norwegian Bokmål
Swedish
Norwegian Nynorsk
Swiss German
Congo Swahili Cornish
J
Croatian
Jola-Fonyi
Czech
Nyankole T O
Taita
K
Oromo
Teso
D
Kabuverdianu
Occitan
Turkish
Danish
Kalaallisut
Dutch
Kalenjin
P
Kamba
Polish
V
E
Kikuyu
Portuguese
Vunjo
Embu
Kinyarwanda
English
Turkmen
R
W
Esperanto
L
Romanian
Welsh
Estonian
Latvian
Romansh
Lithuanian
Rombo
Z
F
Luo
Rundi
Zulu
Faroese
Luyia
Rwa
Filipino Finnish French
0
1
4
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0
1
9
Scories
B
Opentype features 1
S M C P
Lowercase in small caps
C 2 S C
Uppercase in small caps
C A S E
Case sensitive ponctuation
Z E R O
Slashed zero
L N U M
Lining figures
O N U M
Oldstyle figures
P N U M
Proportional figures
T N U M
Tabular figures
S S 0 1
Black squared numbers
S S 0 2
Black circled numbers
S S 0 3
Black diamond-shaped numbers
S S 0 4
White squared numbers
S S 0 5
White circled numbers
S S 0 6
White diamond-shaped numbers
S S 0 7
Dotted squared numbers
S S 0 8
Dotted circled numbers
S S 0 9
Dotted diamond-shaped numbers
F R A C
Fractions
N U M R
Numerators
D N U M
Denominators
S U P S
Superscript/Superior figures and letters
S I N F
Subscript/Inferior figures
O R D N
Ordinal
/
5
0
1
5
/
0
1
9
Scories
B
Opentype features 2
O F F
/
5
O N
When activating the “small caps” option, lowercase letters will be transformed in small capitals and lining figures in oldstyle figures. You can also access the “all small caps” option on the opentype panel that will also transform uppercase letters. The height and spacing of the punctuation is automatically adapted when you select the “all caps” or “small caps” option. S M C P Lowercase in small caps
C 2 S C + S M C P « All small caps » option
C A S E Case sensitive punctuation
¿ No ? (Oui) « Peut-être »
¿ No ? (Oui) « Peut-être »
¿ No ? (Oui) « Peut-être »
¿ No ? (Oui) « Peut-être »
¿ No ? (Oui) « Peut-être »
¿ no ? (oui) « peut-être »
0
1
6
/
0
1
9
Scories
B
Opentype features 3
O F F
/
5
O N
The default setting for figures is the lining set. Tabular figures have an identical width and are useful for the composition of charts. You can access the others sets on the opentype panel. An alternate slashed zero is available for all sets. Height corrected currency and mathematical symbols are automatically activated on all sets of figures. Z E R O Slashed zero L N U M + T N U M Tabular figures
O N U M + P N U M Oldstyle figures
O N U M + T N U M Oldstyle tabular figures
21150
21150
36014 21150
36014 21150
36014 21150
36014 21150
36014 21150
36014 21150
0
1
7
/
0
1
9
Scories
B
Opentype features 4
O F F
/
5
O N
Stylistics sets from 1 to 9 activate a range of alternates sets for numbers and basic arrows. S S 0 1 Black squared figures S S 0 2 Black circled figures S S 0 3 Black diamond-shaped figures S S 0 4 White squared figures S S 0 5 White circled figures S S 0 6 White diamond-shaped figures S S 0 7 Dotted squared figures S S 0 8 Dotted circled figures S S 0 9 Dotted diamond-shaped figures
→ Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 → Bureau + Brut 16 � Bureau + Brut 16 → Bureau + Brut 16 � Bureau + Brut 16 → Bureau + Brut 16 � Bureau + Brut 16
0
1
8
/
0
1
9
Scories
B
Opentype features 5
O F F
/
5
O N
Some fractions are build-in glyphs but the fraction option can transform any two series of numbers separated by a slash into a fraction. You can also access the numerators and denominators options separately. F R A C Fractions N U M R Numerators D N U M Denominators
1234/6789
1234/6789
1234/
1234/
/6789
/6789
Superscripts, subscripts and ordinals can all be activated on the opentype panel. Supercripts are used for example on some abbreviation and subscript formulas. Ordinals are usually useful for abbreviations in Spanish (segunda, segundo…). S U P S Superscript/Superior figures and letters
S I N F Subscript/Inferior figures
O R D N Ordinal
20th floor 35 m2
20th floor 35 m2
H2O C6H10O5
H2O C6H10O5
2a 2o
2a 2o
0
1
9
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0
1
9
Texts of this specimen (p. 004 – 009) are extracts from Under the Volcano by Malcolm Lowry.
