ENTREPRISES ARTISTES
1965 La cédille qui sourit Robert Filliou Georges Brecht France
1966 Artist Placement Group (O+I since 1989) Barbara Steveni / John Latham UK
1967 ENIO / EPO (1964) Pieter Engels Netherlands
1968 Musée d’Art Moderne-Département des Aigles Marcel Broodthaers Belgium
1969 Al’s Café Allen Ruppersberg USA
1973 Agricola Cornelia Artiflex (1967) Gianfranco Baruchello Italy
1978 Premiata Ditta S.a.s. Vincenzo Chiaranda Italy
1979 Paperpool International Corporation Stephan Karlsson Sweden
1980 Ocean Earth Construction and Development Corporation USA
1982 Ingold Airlines Res Ingold Germany
1984 BP Richard Bellon / Renaud Layrac / Frédéric Pohl France
1984 Information Fiction Publicité (IFP) UK / France
1986 Int.Fi$h-handel Servaas & Zn Alkmar Servaas Netherlands
1986 ASA European Boris Nieslony Germany
1987 Readymades belong to everyone Philippe Thomas France
1988 Banca Di Oklahoma PLC Aldo Spoldi Italy
1988 Bank of International Art Money Lars Kraemmer Danemark
1988 Bonk Business Alvar Gullichsen Finland
1988 Kostabi Mark Kostabi USA / Italy
1988 That’s Painting Productions Bernard Brunon USA / France
1989 Tempi & Wolf Jaap Westerbos / André Bolderman Netherlands
1990 Armoire Bateau (AB) Olivier Tourenc France
1990 Badge of Quality Corporation (Mr. Milk) Fred Truck USA
1990 GILLES MAHE & ASSOCIES Gilles Mahé France
1990 La Société Anonyme Collective Spain
1990 Museum in Progress Collective Kathrin Messner / Josef Ortner Austria
1990 P.A.R.A.S.I.T.E Museum of Contemporary Art Slovenia
1990 Protoplast Collective Switzerland
1990 Soussan Ltd. Sylvain Soussan France
1990 Transico Jürgen Bergman Germany
1991 A-Z Administrative Service Andrea Zittel USA
1991 Ouest-Lumière Yann Toma France
1991 RTMark Collective USA
1992 Bureau d’études (Université Tangente) France
1991 Grore sarl Access Local (1998) Philippe Mairesse France
1993 HUMANWORLD Guillaume Paris France
1993 Maywa Denki Masamichi / Nobomichi Tosa Japan
1993 Petitland Pierre Petit France
1993 Superflex R. Nielsen / J. Fenger / B. Christiansen Danemark
1994 Bernadette Corporation Collective USA / France
1994 etoy. CORPORATION Collective Switzerland
1994 Products of Chohreh Feyzjdou Chohreh Feyzjdou Iran / France
1994 SR LABO Sarah Roshem France
1994 UR Fabrice Hyber France
1995 Atelier Van Lieshout (AVL) Joep van Lieshout Netherlands
1995 Chanceprojects Neil Cummings / Marysia Lewandowska UK
1996 AAA Corp. Simon Rosant / Renaud Tabaillon France
1996 Jesus had a Sister Corporation Dana Wyse France / Canada
1996 name.space Paul Garrin USA
1996 South to the Future Collective USA
1996 Volskboutique Christine Hill USA / Germany
1997 Autonomous Culture Factory (ATTACK) Marko Vukovic Croatia
1998 Goodwill® Raphële BidaultWaddington France
1998 IKHEA Jean-Baptiste Farkas France
1998 Mejor Vida Corp. Minerva Cuevas Mexico
1998 O.S.T.S.A. Olivier Stévenarts Belgium
1998 Orgacom Teike Asselbergs / Elias Tieleman Netherlands
1998 PSJM Pablo San Jose / Silvia Viera Spain
1998 Temporary Services Brett Bloom / Salem Collo-Julin / Marc Fischer USA
1998 The Institute of Constructions & Deconstructions Gradinaru / Panaitescu / Negulici / Godeanu Romania
1999 ArtClone Juan le Parc / Reed 013 France
1999 Buy_Sellf label F.Latherrade / Perbos / Blanco France
1999 Portable Temporary Services Nicholas Floc’h France / USA
1999 Reinigungsgesellschaft Henrik Mayer / Martin Keil Germany
1999 Visualinguistic SiegFranceied Ceballos/Brigitte Rambaud Switzerland
2000 Agricola de Cologne Agricola de Cologne Germany
2000 Bioteknica Shawn Bailey et Jennifer Willet Canada
2000 Demokratisk Innovation Danemark
2000 Ferdinand(corte)TM Ferdinand Corte France
2000 HOIO Santa Lemusa Samuel Herzhog Switzerland
2000 Problemarket.com Igor Strojmajer / Janez Jansa Slovenia
2000 RED76 Sam Gould USA
2000 STEALTH.unlimited Ana Dzokic / Marc Neelen Serbia / Netherlands
2001 All my Life for Sale John D. Freier USA
2001 Bruce High Quality Foundation Anonyme USA
2002 Btp (Banque du temps qui passe) Pascale Weber France
2002 FIT (Freie International Tankstelle) Dida Zende Germany
2002 Humanitarians Not Heroes Trong G. Nguyen USA / Vietnam
2002 IBK Benjamin Sabatier France
2002 Laboratoire Déberlinisation Mansour Ciss / Baruch Gottlieb Senegal / Canada
2002 Lansing–Dreiden Collective US
2002 Me Public Limited Company Maria Eichhorn Germany
2002 Wim City Wim Delvoye Belgium
2003 BFP (Bureaux fictifs de production) T. Lannette / A. Lecoquierre / R. Sein France
2003 Homeless Museum Filip Noterdaeme USA
2003 John Erikson Museum of Art (JEMA) Sean Miller USA
2004 Acclair Luther Thie / Eyal Franceied USA / Israel
2004 Institut Benway Mael Le Mée / Albin Lorens France
2004 Biennale de Paris Alexandre Gurita France
2004 European Art Moral Owner Manuel Saiz UK
2004 Société Réaliste Jean-Baptiste Naudy / Ferenc Grof France
2004 Temporary Travel Office Ryan Griffis USA
2004 The Anti-Advertising Agency Steve Lambert USA
200x GASC Démolition Anne-Valerie Gasc France
2004 Institute of Infinitely Small Things iKatun Kanarinka / Pirun USA
2005 Art Domains (ctrlaltdel) Peter Luining USA
2005 Death and Taxes a Professional Company S. Fletcher / I. Reichert USA
2005 Société Volatile Philémon Vanorlé Belgium
2005 VaultAir Matthew Board USA
2006 Microclimat Damien Beguet France
2006 Pump & Dump Laura Carton USA
2006 Think Tank that has yet to be named collective USA
2000 AIR (Agence International de Remplacement) A. Gintzburger / J. Korthals Altes France
2008 Guillermo S.A. Cédric Guillermo France
2008 Mercenary International Corporation Eméric Lhuisset France
2009 CBHS (student’s project) France
2009 La Bibliothèque Fantastique Antoine Lefebvre France
2009 SMB Productions Aurélie Bousquet France
1964 N.E. Thing Company Iain Baxter& Canada
ARTISTIC ORGANIZATIONS
ENTREPRISES ARTISTES version 2010 d’après l’inventaire de Rose Marie Barrientos Inventaire des entreprises artistes Les organisations présentées dans cet inventaire ont été identifiées comme firmes ou entreprises, mais elles n’appartiennent pas au monde des affaires. Elles sont portées par des artistes et existent en tant qu’œuvre et entreprises artistes. Parce qu’elles proposent un art en résonance avec les phénomènes de l’économie de marché et qu’elles utilisent le modèle de l’entreprise comme matière première de l’art, ces organisations sont souvent désignées Entreprises Critiques. Inventory of Artistic Organizations The organizations featured in this inventory have been identified as firms or companies, yet they don’t belong to the business world. They are initiated and operated by artists. Because they propose an art form that draws its inspiration from phenomena related to market economy, and because they use the corporate model as raw material for art, these organizations are often designated Critical Companies. RMB
AVL
La ligne de recherche Art&Flux du CERAP (Université Paris 1 Panthéon Sorbonne) rend compte, sous un regard critique et scientifique, des actions et réflexions portant sur ce qui lie aujourd’hui l’art et l’économie. Elle est le premier observatoire international de la mouvance des entreprises artistes. Elle s’intéresse autant à la matérialité des oeuvres qu’elle investit le territoire de l’immatérialité entre société et art. Cet inventaire a été amélioré au fil des séminaires de recherche Art&flux. Une publication numérique de la version 2010 accompagne cet inventaire. Elle est accessible à tous sur notre site et décline les objectifs de chacune des entreprises artistes. Art&Flux is a research line on art & economy integrated to CERAP (Center for studies and research on arts - Paris 1 Panthéon Sorbonne University). The research line Art&Flux has for vocation to report, under a critical and scientific glance, acts and reflections concerning what connects the art and the economy. Art&Flux questions the processes binding art and economy in the artistic initiatives embodied by the “ critical companies “. As well as in the other expressions of the art containing an economic dimension. Rather than to be interested in material works, Art&Flux invests the territory of the immateriality and the energy migration between object and idea, between society and art. Equipe Art&Flux de l’inventaire au côté de Rose Marie Barrientos : Yann Toma, Aurélie Herbet, Antoine Lefebvre.
www.art-flux.org
2008 Z Exchanges Jazon Frings France / USA
1984 NSK >RWIN collective Slovenia
«Holistic and Utopian Multinational Alliance for New World Order and Research in Living and Dying»
no image available
no image available
no image available
2001 Abastecedora de Galerias Mario Garcia Torres Mexico
1966 Artist Placement Group (O+I since 1989) Barbara Steveni / John Latham UK
1967 ENIO / EPO (1964) Pieter Engels Netherlands
1968 Musée d’Art Moderne-Département des Aigles Marcel Broodthaers Belgium
1969 Al’s Café Allen Ruppersberg USA
1973 Agricola Cornelia Artiflex (1967) Gianfranco Baruchello Italy
1978 Premiata Ditta S.a.s. Vincenzo Chiaranda Italy
1979 Paperpool International Corporation Stephan Karlsson Sweden
1980 Ocean Earth Construction and Development Corporation USA
1982 Ingold Airlines Res Ingold Germany
1984 BP Richard Bellon / Renaud Layrac / Frédéric Pohl France
1984 Information Fiction Publicité (IFP) UK / France
1986 Int.Fi$h-handel Servaas & Zn Alkmar Servaas Netherlands
1986 ASA European Boris Nieslony Germany
1987 Readymades belong to everyone Philippe Thomas France
1988 Banca Di Oklahoma PLC Aldo Spoldi Italy
1988 Bank of International Art Money Lars Kraemmer Danemark
1988 Bonk Business Alvar Gullichsen Finland
1988 Kostabi Mark Kostabi USA / Italy
1988 That’s Painting Productions Bernard Brunon USA / France
1989 Tempi & Wolf Jaap Westerbos / André Bolderman Netherlands
1990 Armoire Bateau (AB) Olivier Tourenc France
1990 Badge of Quality Corporation (Mr. Milk) Fred Truck USA
1990 GILLES MAHE & ASSOCIES Gilles Mahé France
1990 La Société Anonyme Collective Spain
1990 Museum in Progress Collective Kathrin Messner / Josef Ortner Austria
1990 P.A.R.A.S.I.T.E Museum of Contemporary Art Slovenia
1990 Protoplast Collective Switzerland
1990 Soussan Ltd. Sylvain Soussan France
1990 Transico Jürgen Bergman Germany
1991 A-Z Administrative Service Andrea Zittel USA
1991 Ouest-Lumière Yann Toma France
1991 RTMark Collective USA
1992 Bureau d’études (Université Tangente) France
1991 Grore sarl Access Local (1998) Philippe Mairesse France
1993 HUMANWORLD Guillaume Paris France
1993 Maywa Denki Masamichi / Nobomichi Tosa Japan
1993 Petitland Pierre Petit France
1993 Superflex R. Nielsen / J. Fenger / B. Christiansen Danemark
1994 Bernadette Corporation Collective USA / France
1994 etoy. CORPORATION Collective Switzerland
1994 Products of Chohreh Feyzjdou Chohreh Feyzjdou Iran / France
1994 SR LABO Sarah Roshem France
1994 UR Fabrice Hyber France
1995 Atelier Van Lieshout (AVL) Joep van Lieshout Netherlands
1995 Chanceprojects Neil Cummings / Marysia Lewandowska UK
1996 AAA Corp. Simon Rosant / Renaud Tabaillon France
1996 Jesus had a Sister Corporation Dana Wyse France / Canada
1996 name.space Paul Garrin USA
1996 South to the Future Collective USA
1996 Volskboutique Christine Hill USA / Germany
1997 Autonomous Culture Factory (ATTACK) Marko Vukovic Croatia
1998 Goodwill® Raphële BidaultWaddington France
1998 IKHEA Jean-Baptiste Farkas France
1998 Mejor Vida Corp. Minerva Cuevas Mexico
1998 O.S.T.S.A. Olivier Stévenarts Belgium
1998 Orgacom Teike Asselbergs / Elias Tieleman Netherlands
1998 PSJM Pablo San Jose / Silvia Viera Spain
1998 Temporary Services Brett Bloom / Salem Collo-Julin / Marc Fischer USA
1998 The Institute of Constructions & Deconstructions Gradinaru / Panaitescu / Negulici / Godeanu Romania
1999 ArtClone Juan le Parc / Reed 013 France
1999 Buy_Sellf label F.Latherrade / Perbos / Blanco France
1999 Portable Temporary Services Nicholas Floc’h France / USA
1999 Reinigungsgesellschaft Henrik Mayer / Martin Keil Germany
1999 Visualinguistic SiegFranceied Ceballos/Brigitte Rambaud Switzerland
2000 Agricola de Cologne Agricola de Cologne Germany
2000 Bioteknica Shawn Bailey et Jennifer Willet Canada
2000 Demokratisk Innovation Danemark
2000 Ferdinand(corte)TM Ferdinand Corte France
2000 HOIO Santa Lemusa Samuel Herzhog Switzerland
2000 Problemarket.com Igor Strojmajer / Janez Jansa Slovenia
2000 RED76 Sam Gould USA
2000 STEALTH.unlimited Ana Dzokic / Marc Neelen Serbia / Netherlands
2001 All my Life for Sale John D. Freier USA
2001 Bruce High Quality Foundation Anonyme USA
2002 Btp (Banque du temps qui passe) Pascale Weber France
2002 FIT (Freie International Tankstelle) Dida Zende Germany
2002 Humanitarians Not Heroes Trong G. Nguyen USA / Vietnam
2002 IBK Benjamin Sabatier France
2002 Laboratoire Déberlinisation Mansour Ciss / Baruch Gottlieb Senegal / Canada
2002 Lansing–Dreiden Collective US
2002 Me Public Limited Company Maria Eichhorn Germany
2002 Wim City Wim Delvoye Belgium
2003 BFP (Bureaux fictifs de production) T. Lannette / A. Lecoquierre / R. Sein France
2003 Homeless Museum Filip Noterdaeme USA
2003 John Erikson Museum of Art (JEMA) Sean Miller USA
2004 Acclair Luther Thie / Eyal Franceied USA / Israel
2004 Institut Benway Mael Le Mée / Albin Lorens France
2004 Biennale de Paris Alexandre Gurita France
2004 European Art Moral Owner Manuel Saiz UK
2004 Société Réaliste Jean-Baptiste Naudy / Ferenc Grof France
2004 Temporary Travel Office Ryan Griffis USA
2004 The Anti-Advertising Agency Steve Lambert USA
200x GASC Démolition Anne-Valerie Gasc France
2004 Institute of Infinitely Small Things iKatun Kanarinka / Pirun USA
2005 Art Domains (ctrlaltdel) Peter Luining USA
2005 Death and Taxes a Professional Company S. Fletcher / I. Reichert USA
2005 Société Volatile Philémon Vanorlé Belgium
2005 VaultAir Matthew Board USA
2006 Microclimat Damien Beguet France
2006 Pump & Dump Laura Carton USA
2006 Think Tank that has yet to be named collective USA
2000 AIR (Agence International de Remplacement) A. Gintzburger / J. Korthals Altes France
2008 Guillermo S.A. Cédric Guillermo France
2008 Mercenary International Corporation Eméric Lhuisset France
2009 CBHS (student’s project) France
2009 La Bibliothèque Fantastique Antoine Lefebvre France
2009 SMB Productions Aurélie Bousquet France
1964 N.E. Thing Company Iain Baxter& Canada
ARTISTIC ORGANIZATIONS
ENTREPRISES ARTISTES version 2010 d’après l’inventaire de Rose Marie Barrientos Inventaire des entreprises artistes Les organisations présentées dans cet inventaire ont été identifiées comme firmes ou entreprises, mais elles n’appartiennent pas au monde des affaires. Elles sont portées par des artistes et existent en tant qu’œuvre et entreprises artistes. Parce qu’elles proposent un art en résonance avec les phénomènes de l’économie de marché et qu’elles utilisent le modèle de l’entreprise comme matière première de l’art, ces organisations sont souvent désignées Entreprises Critiques. Inventory of Artistic Organizations The organizations featured in this inventory have been identified as firms or companies, yet they don’t belong to the business world. They are initiated and operated by artists. Because they propose an art form that draws its inspiration from phenomena related to market economy, and because they use the corporate model as raw material for art, these organizations are often designated Critical Companies. RMB
AVL
La ligne de recherche Art&Flux du CERAP (Université Paris 1 Panthéon Sorbonne) rend compte, sous un regard critique et scientifique, des actions et réflexions portant sur ce qui lie aujourd’hui l’art et l’économie. Elle est le premier observatoire international de la mouvance des entreprises artistes. Elle s’intéresse autant à la matérialité des oeuvres qu’elle investit le territoire de l’immatérialité entre société et art. Cet inventaire a été amélioré au fil des séminaires de recherche Art&flux. Une publication numérique de la version 2010 accompagne cet inventaire. Elle est accessible à tous sur notre site et décline les objectifs de chacune des entreprises artistes. Art&Flux is a research line on art & economy integrated to CERAP (Center for studies and research on arts - Paris 1 Panthéon Sorbonne University). The research line Art&Flux has for vocation to report, under a critical and scientific glance, acts and reflections concerning what connects the art and the economy. Art&Flux questions the processes binding art and economy in the artistic initiatives embodied by the “ critical companies “. As well as in the other expressions of the art containing an economic dimension. Rather than to be interested in material works, Art&Flux invests the territory of the immateriality and the energy migration between object and idea, between society and art. Equipe Art&Flux de l’inventaire au côté de Rose Marie Barrientos : Yann Toma, Aurélie Herbet, Antoine Lefebvre.
www.art-flux.org
2008 Z Exchanges Jazon Frings France / USA
1984 NSK >RWIN collective Slovenia
«Holistic and Utopian Multinational Alliance for New World Order and Research in Living and Dying»
no image available
no image available
no image available
2001 Abastecedora de Galerias Mario Garcia Torres Mexico
