tlCHp,b"
q\otJ
Hot,tE p,.,s(
I]FII,IINE I CONT' happy rememlcer, you'
He1ene
to be Just ther and the doing thls for children. i of smiles. the doorway to look at CorY steps ba HELENE (CONT'D)
If you're smart, you'll
come ready
t-o coach. 31
STATT
-*-J
INT.
_
MOTEL
DAY
Cory stands peering through the curtains chec
(ing out the
Ee sees.
surrou_rd i ngs.
of his
windo\r,
.
An empty parkinqr Iot. OWNER, a serious Native American man in his late 4O's, painting a door of a nearby room. CtiAD, an A[ericanized, colleqe aged Native Ame]:ican boy, pushing a janitorial cart past him.
The EOTEL
A lone bicycle parked near Lhe front office.
32
- DAY As Chad nakes his itay through the parking lot...
32
EXT. MOTXI,
I]OTEL
OWNER
(calling out)
You're done there,
When
just checked out.
Room 38
CIIAD
(to himseu) ThiE i.s so lame. ItOTEt
OWNER
(sti1t Painting) Lame is putt.ing $5,000 of damage on your caf. Cory r,Ialks out of his room and approaches the tvo
men.
CORY
to the o\,'ner ) Eow much for the bike? Chad looks up from his cart and recognizes (
Cony.
Q.oNT.
--)
plOMF
" CHAD"
Cor.n-.
.-)
HOTET
(oblivrous
It' s not for Cory spots star-stnuck Cory and his dad.
2r.Yl LolV
t2_ur=l
OWNER
)
sa1e.
Chad
looking back and forth between
CORY
at Chad) That's a share. Cause I spend on a bike. (
aimed
had $400
to
CEAD
it to you! His dad shoots them a suspect look' I'fl
se11
CORY
Consider it sold. (to both) Nor^r do you all stock the m-inifridge? HOTEI, O!{NER
No.
Wide eyed Chad.
.. CHAD
Yes, yes, we dol
(off hi6 dad's look) I do...custom stocking! I'11 get
\dhatever You want'
cor:y grins. He's getting his naY. Cory leads Chad over to the bike and away from Chad's dad. cory hands h-m a wad oI cash-CORY
Just to be clear, we're talking... tittle fr.idge. You fiII it, and charge me ten times vhat it cost you.
Chad's eyes bug out. cory hands Chad another hundred dollars. CORY (CONT'D)
That's for filling beverages. Chad
it with "adult"
nods. Cory hands him even
more money.
coRY ( coNT'D
)
CoruT
--)
rt
(*lAb"
H o t..,tE p..,
CorrT.--)
xl
x.(\Vof3
coRY (coNyD)
that's so you lenember to keep fil.ling ith "adult" beverages.
And
\tr
Chad srLiles
big.
Hor,,
you
nou?
tr{D ---) 33
Not bad.
coRY (coNr,D)
Ilklng the hotel
buEiness
CI'AD
- DAY cory rides his newly purchased bike by the church, having a look up at it8 steeple, the stained glass r^rindorrs glinting
EXT.
CEURCH
rr'ith sunli-ght.
Cory veers beyond the church past barn.
his childhood
houBe and
CEI.{ETERY arld run5 uphill to the family plots along the lrrought iron feoce. Ee looks down at his feet, trudging through HEA\,'Y GRASS, the place largely untended.
He reaches a
at a Eidewalk squale and then steps up to a pair of in the ground, barely visible in the r,reeds. He carefully clears the area around one plaque so he can read
He pauses
bronze
PLAOUES
1t. Simply: 34
A',ICIA
His
BRAND
34
mom. He grabs an abandoned
grave.
sitk floner from anothel
Ee 6ets the flo$/er by her nahe.
Less concerned a.bout the adjacent plaque, he srripes aside the dust and \reeda vlth his foot, f-inding it: 35
MICHA.EL
BiAND
35 CORY
(
deadpan
Bastard. 35
)
_ DAY 36 Jenny arrives at the field carrying gear. straggtes a "yler step behind her, carlying a duffle as blg aE he is.
EXT. LITTI,E
LEAGTJE
FIELD
A group of photoglapbers, llelene, Anne, Cory and callo are jumbled together in the outfield.