sandrine cheong
sandrine cheong
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8
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11
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7
Building tools (urban furniture)
Date: June 2016
Type: Tools
Size: Various (20 to 80cm)
Pieces: 40
Material: Wood medium
↑ ↓ 1/13
It is about building tools to allow the citizen to reappropriate urban space. The urban furniture is an open project, with a participatory posture, that can be developed on fab labs. Because of the neoliberal era which forbid individual to stay in a same point in the urban space, this furniture made of modules that can be assembled, give the possibility to the citizen to build furniture suitable to his needs.
building tools (Skeuomorphism)
Date: June 2016
Type: Tools
Size: 100x100cm
Pieces: 5
Material: Tarpaulin
↑ ↓ 2/13
It is about building tools to allow the citizen to reappropriate urban space. Skeuomorphism on the streets ground is a project with a humble design, with a speculative posture. What if our interiors ground would be transposed on exterior? It raises the question of the belonging of urban space, and citizen liberty in the city.
critical thinking (read the city)
Date: June 2016
Type: Posters
Size: A2
Posters: 40
Typeface: David
↑ ↓ 3/13
Lire la ville (Read the city) is a project with a pedagogic posture. It is about set up a critical thinking. Each poster raise the urban space privatization (advertisement display, urban furniture, architecture, orientation). These posters also work together, forming a Paris map that can be seen on a numeric platform, listing neoliberal mechanisms, inviting the citizen to participate and act against this privatization.
Various research
Date: April 2016
Type: Various
Size: A3, A4, A5
Research: 4
Typefaces: David, Origin, Atlas
↑ ↓ 4/13
Some first various research have led the thought on the urban space privatization. A first photographic report in the form of a Paris map, helps me to raise newspeak messages, which aim to condition individual. But wouldn’t it exist a way to make the citizen to participate at alternatives? Complementary money could be an exemple.
political consciousness
Date: January 2016
Type: Book
Size: 13x20,8cm
Pages: 96
Typeface: Agipo
↑ ↓ 5/13
The cover of the book, with a literary aspect, can work as a summary. The structure, distinct and radical, separate the pictures parts from the texts parts. Consciences politiques (Political consciousness) deals with the political responsibility of the graphic designer, in our postmodern society. Between marketing rules and a committed posture, which place for graphic design, in nowadays more and more privatized public space?
DSAA16 collection
Date: January 2016
Type: Identity (covers)
Size: 13x20,8cm
Research: 6
Typeface: Agipo
↑ ↓ 6/13
Affirming the notion of collection of the DSAA (MA degree) dissertations of 2016, I set up a rule and chose to mark the 4th page of the cover by a number. The 1st page of the cover would let the place to a typographic composition with a colored shape, and would be free to each student. The whole collection (size, typeface, layout,…) has been thought with classmates and Yorel Cayla (from WA75).
internship report building paris
Date: October 2015
Type: Book
Size: 15,5x23,4cm
Pages: 300
Typefaces: ↑ ↓ BTP, Stanley, Grotesque 7/13
In 2015, I did an internship at Building Paris. This internship report is built on the idea of showing the building process of all the projects on which I worked (one of the things I have appreciated the most), and showing all my work from the start to the end, rather than select those most resulted. I wanted to show this content quite dense in the manner of archives, that can be browsed with a mark, index, and classification system.
Concrete drawings
Date: October 2015
Type: Tools, drawings
Size: 20x20cm
Drawings: 40
Medium: Pencil, felt pen, pastel
↑ ↓ 8/13
From building stencils in which geometrical shapes are cut, I have made some drawings. The idea is to set up a building process with rules, opposing two notions. The handmade defects, kind of sensitive and spontaneous, are driven by the inflexibility and the precision of the stencils’ rules.
Moscow Library Fire
Date: April 2015
Type: Posters
Size: A2
Posters: 7 (3 options)
Typeface: Akzidenz Grotesk
↑ ↓ 9/13
Moscow library fire deals with the fire that took place in January 2015 in one of the most important university libraries in Moscow. The first option (left) is sensitive, spontaneous, and plays with the knowledge loss. The second option (right, up) is sober, radical, inform and warn the viewer. The third option (right, down), plays with the urgency and immediacy of the breaking news.
Expo DSAA DMA
Date: April 2015
Type: Posters, invitations
Size: A2, A5
Posters: 3
Typeface: Akzidenz Grotesk
↑ ↓ 10/13
The parallel between two school courses, DSAA (MA degree) with its global and conceptual view, and DMA (BA degree) with its more technical aspects, is driven by the notion of meeting. The idea is to create a simple and strong signal that can work as an identity for this diploma exhibition. Project in collaboration with Camille Pagotto (not selected).
arab-israeli conflict
Date: January 2015
Type: Posters
Size: 26x42cm
Posters: 6
↑ ↓ Typefaces: Times, Akzidenz Grotesk 11/13
This data visualization introduce the strategies of the principal wars which took part of the Arab-Israeli conflict. Because this conflict is still current, these information graphics allow to realize of its evolution. The idea is to set up sort of an abstract, sensitive, organic landscape, in which an accounting system shows the forces mobilized for each country.
Paris point, line, plane
Date: October 2014
Type: Book
Size: A3
Pages: 28
Typeface: Antique Olive
↑ ↓ 12/13
Point, ligne, plan (Point, line, plane) deals with the notion of the rhythm of the buildings. This notion drive to a classification of the content by inserts. The reading of the book is systematic, distinct, radical. The textual insert shows the geographic routing, the photographic insert shows the architectures as I remember them, and the black page is a personal representation of these architectures.
Paris point, line, plane
Date: October 2014
Type: Posters
Size: A3, A5
Posters: 20
Typeface: Antique Olive
↑ ↓ 13/13
Point, ligne, plan (Point, line, plane) deals with the notion of the rhythm of the buildings. Graphic rhythms established after a photographic report of the parisian architectures in a selected district, are simply juxtaposed to reveal a contrast, some similarities, or a continuity. The design of the posters is distinct and raw, to highlight the content over all.
index projects
date
type
1 2 3 4
Diploma project Urban furniture Skeuomorphism Read the city Various research
June 2016 June 2016 June 2016 April 2016
Tools Tools Posters Various
5 6
Dissertation Political consciousness DSAA16 collection
January 2016 January 2016
Book Identity (covers)
7
Internship report Building Paris
October 2015
Book
8
Concrete drawings
October 2015
Tools, drawings
9
Moscow library fire
April 2015
Posters
10
Expo DSAA DMA
April 2015
Posters, invitations
11
Arab-Israeli conflict
January 2015
Posters
12 13
Point, line, plane Editorial object Posters series
October 2014 October 2014
Book Posters
+33 (0)6 65 72 97 65 [email protected]
1
8
2
9
3
10
4
11
5
12
6
13
7
Building tools (urban furniture)
Date: June 2016
Type: Tools
Size: Various (20 to 80cm)
Pieces: 40
Material: Wood medium
↑ ↓ 1/13
It is about building tools to allow the citizen to reappropriate urban space. The urban furniture is an open project, with a participatory posture, that can be developed on fab labs. Because of the neoliberal era which forbid individual to stay in a same point in the urban space, this furniture made of modules that can be assembled, give the possibility to the citizen to build furniture suitable to his needs.
building tools (Skeuomorphism)
Date: June 2016
Type: Tools
Size: 100x100cm
Pieces: 5
Material: Tarpaulin
↑ ↓ 2/13
It is about building tools to allow the citizen to reappropriate urban space. Skeuomorphism on the streets ground is a project with a humble design, with a speculative posture. What if our interiors ground would be transposed on exterior? It raises the question of the belonging of urban space, and citizen liberty in the city.
critical thinking (read the city)
Date: June 2016
Type: Posters
Size: A2
Posters: 40
Typeface: David
↑ ↓ 3/13
Lire la ville (Read the city) is a project with a pedagogic posture. It is about set up a critical thinking. Each poster raise the urban space privatization (advertisement display, urban furniture, architecture, orientation). These posters also work together, forming a Paris map that can be seen on a numeric platform, listing neoliberal mechanisms, inviting the citizen to participate and act against this privatization.
Various research
Date: April 2016
Type: Various
Size: A3, A4, A5
Research: 4
Typefaces: David, Origin, Atlas
↑ ↓ 4/13
Some first various research have led the thought on the urban space privatization. A first photographic report in the form of a Paris map, helps me to raise newspeak messages, which aim to condition individual. But wouldn’t it exist a way to make the citizen to participate at alternatives? Complementary money could be an exemple.
political consciousness
Date: January 2016
Type: Book
Size: 13x20,8cm
Pages: 96
Typeface: Agipo
↑ ↓ 5/13
The cover of the book, with a literary aspect, can work as a summary. The structure, distinct and radical, separate the pictures parts from the texts parts. Consciences politiques (Political consciousness) deals with the political responsibility of the graphic designer, in our postmodern society. Between marketing rules and a committed posture, which place for graphic design, in nowadays more and more privatized public space?
DSAA16 collection
Date: January 2016
Type: Identity (covers)
Size: 13x20,8cm
Research: 6
Typeface: Agipo
↑ ↓ 6/13
Affirming the notion of collection of the DSAA (MA degree) dissertations of 2016, I set up a rule and chose to mark the 4th page of the cover by a number. The 1st page of the cover would let the place to a typographic composition with a colored shape, and would be free to each student. The whole collection (size, typeface, layout,…) has been thought with classmates and Yorel Cayla (from WA75).
internship report building paris
Date: October 2015
Type: Book
Size: 15,5x23,4cm
Pages: 300
Typefaces: ↑ ↓ BTP, Stanley, Grotesque 7/13
In 2015, I did an internship at Building Paris. This internship report is built on the idea of showing the building process of all the projects on which I worked (one of the things I have appreciated the most), and showing all my work from the start to the end, rather than select those most resulted. I wanted to show this content quite dense in the manner of archives, that can be browsed with a mark, index, and classification system.
Concrete drawings
Date: October 2015
Type: Tools, drawings
Size: 20x20cm
Drawings: 40
Medium: Pencil, felt pen, pastel
↑ ↓ 8/13
From building stencils in which geometrical shapes are cut, I have made some drawings. The idea is to set up a building process with rules, opposing two notions. The handmade defects, kind of sensitive and spontaneous, are driven by the inflexibility and the precision of the stencils’ rules.
Moscow Library Fire
Date: April 2015
Type: Posters
Size: A2
Posters: 7 (3 options)
Typeface: Akzidenz Grotesk
↑ ↓ 9/13
Moscow library fire deals with the fire that took place in January 2015 in one of the most important university libraries in Moscow. The first option (left) is sensitive, spontaneous, and plays with the knowledge loss. The second option (right, up) is sober, radical, inform and warn the viewer. The third option (right, down), plays with the urgency and immediacy of the breaking news.
Expo DSAA DMA
Date: April 2015
Type: Posters, invitations
Size: A2, A5
Posters: 3
Typeface: Akzidenz Grotesk
↑ ↓ 10/13
The parallel between two school courses, DSAA (MA degree) with its global and conceptual view, and DMA (BA degree) with its more technical aspects, is driven by the notion of meeting. The idea is to create a simple and strong signal that can work as an identity for this diploma exhibition. Project in collaboration with Camille Pagotto (not selected).
arab-israeli conflict
Date: January 2015
Type: Posters
Size: 26x42cm
Posters: 6
↑ ↓ Typefaces: Times, Akzidenz Grotesk 11/13
This data visualization introduce the strategies of the principal wars which took part of the Arab-Israeli conflict. Because this conflict is still current, these information graphics allow to realize of its evolution. The idea is to set up sort of an abstract, sensitive, organic landscape, in which an accounting system shows the forces mobilized for each country.
Paris point, line, plane
Date: October 2014
Type: Book
Size: A3
Pages: 28
Typeface: Antique Olive
↑ ↓ 12/13
Point, ligne, plan (Point, line, plane) deals with the notion of the rhythm of the buildings. This notion drive to a classification of the content by inserts. The reading of the book is systematic, distinct, radical. The textual insert shows the geographic routing, the photographic insert shows the architectures as I remember them, and the black page is a personal representation of these architectures.
Paris point, line, plane
Date: October 2014
Type: Posters
Size: A3, A5
Posters: 20
Typeface: Antique Olive
↑ ↓ 13/13
Point, ligne, plan (Point, line, plane) deals with the notion of the rhythm of the buildings. Graphic rhythms established after a photographic report of the parisian architectures in a selected district, are simply juxtaposed to reveal a contrast, some similarities, or a continuity. The design of the posters is distinct and raw, to highlight the content over all.
index projects
date
type
1 2 3 4
Diploma project Urban furniture Skeuomorphism Read the city Various research
June 2016 June 2016 June 2016 April 2016
Tools Tools Posters Various
5 6
Dissertation Political consciousness DSAA16 collection
January 2016 January 2016
Book Identity (covers)
7
Internship report Building Paris
October 2015
Book
8
Concrete drawings
October 2015
Tools, drawings
9
Moscow library fire
April 2015
Posters
10
Expo DSAA DMA
April 2015
Posters, invitations
11
Arab-Israeli conflict
January 2015
Posters
12 13
Point, line, plane Editorial object Posters series
October 2014 October 2014
Book Posters
+33 (0)6 65 72 97 65 [email protected]
